Whether rising to the highest room of the tallest tower in a Disney-esque castle, giving an admirer the chance to confess their love on an apartment buildingfire escape, or connecting a basement or attic room with a decorative period feature, there’s something unavoidably romantic about spiral staircases. But there’s more function behind these coiling forms than just their good looks.
One common-held theory is that spiral staircases were first installed in historic castles as vertical baffles, tiring out enemy infiltrators before they could make it to the top. This is why – it is said – many are set to turn clockwise on the ascent, so attackers have a smaller arc for swinging weapons (mostly held in right hands) than defenders making their descent.
Kéré Architecture has revealed the design for a vertical childcare center at Munich’s Technical University (TUM) in Germany. Named "Ingeborg Pohl Kinderoase an der TUM," the center will be built in wood to the extent allowed by local norms and regulations for energy efficiency, thermal comfort, fire protection, and acoustics. The new building, located between the TUM main campus and the university canteen, broke ground on April 18 and is expected to be completed by the end of 2025.
OMA has just revealed The Perigon, a new residential tower in Miami Beach, United States. Situated in the vibrant Mid Beach Neighborhood, the project is a collaboration between Mast Capital and Starwood Capital Group. The Perigon offers dual-waterfront living, characterized by a series of towers strategically rotated to maximize views toward the Atlantic Ocean.
Social infrastructure encompasses the resources and services that allow the creation of communal bonds and social connections. Within the built environment, it manifests through public spaces like parks, libraries, and community centers alongside threshold spaces such as public transportation stops.
These public social spaces play a crucial role in strengthening communities and, in turn, their ability to respond to catastrophic climate-related events. They can provide physical shelter to the populations most vulnerable to these events and foster resilient networks of people who can more quickly recover. Given the escalating frequency of extreme weather events in the United States due to climate change and its social infrastructure inadequacies, examining public spaces as a critical tool for climate resilience becomes vital.
At a time when sustainability and ESG (environmental, social, and governance) concerns are prevalent, there is a crucial need to focus on a sector that accounts for 38% of all global CO₂ emissions and consumes 30% of global resources: the construction industry. In 2022, at COP27, the United Nations announced the Clean Construction Accelerator, a program with actions designed to reduce greenhouse gas production by up to 50% by 2030. A report by ARUP and the World Business Council for Sustainable Development suggests that half of building emissions come from embodied carbon, which is generated in the manufacturing and transportation of materials, not just in construction sites and buildings themselves. It is precisely in this scenario that we see an opportunity for the sector. What is the only renewable material in construction that retains carbon instead of emitting it? Wood.
When thinking of wood, another question tends to arise: "How can wood be sustainable if we need to cut down trees for it?” Ana Belizário, the Commercial Director of Urbem, a large-scale Brazilian mass timber industry, explains throughout this article how planting trees specifically for consumption is not only a sustainable alternative but also an excellent practice in combating the climate crisis and can regenerate the construction sector.
Milan Design Week rarely fails to deliver on compelling showcases of design and innovation.
One of the exhibitions this year, created by Swatchbox, conveys the “true cost” of traditional approaches to construction. The sample platform founded by architects to provide sustainable sampling methods to the design community launched its thought-provoking showcase at the heart of the Brera Design District in Milan.
The exhibit boldly confronts the issue of wastefulness inherent in traditional construction practices. Installed inside an office in Brera that is ordinarily occupied by a Milan architecture firm, the exhibit displays a large pile of construction materials typically destined for landfill. The materials are meticulously arranged to showcase the sheer volume of waste generated by the design community.
Since their introduction to the wider public, artificial intelligence technologies seem prone to change the working landscape for professionals across all fields, and architecture and urban planning are no different. While many fear their negative impact, AI technologies can also be viewed as a different set of tools in the arsenal of architects and designers. As revolutionary as they are, there is a plethora of applications and platforms being developed not to replace, but to aid, offload repetitive tasks, and help visualize ideas or large data sets, all to provide a basis for the architect’s decision-making process.
Milan Design Week has long been one of the most significant events in the global design sphere, showcasing groundbreaking concepts and visionary talent and fostering critical discourse in the design community. From the expansive trade fair Salone Del Mobile in Rho Fiera to design districts scattered across the city, Design Week brings together diverse voices, perspectives, and talent. According to Salone del Mobile's press statement, this year’s fair had 17.1% more visitors than in 2023, with a record turnout of 361,417 visitors overall.
With visitors from China, Germany, Spain, Brazil, India, Turkey, Japan, and many more, the design week showcases a plethora of exhibitions, installations, talks, and panels. As the week comes to a close, running from April 15-21st, 2024, this article highlights diverse installations throughout the city relevant for architects and designers globally. Whether it is Mario Cucinella’s exploration of regeneration, Google’s display experimenting with sensory and color, or MAD architects investigating the boundaries of natural and man-made landscapes, the week was filled with fruitful collaborations that showcase the future of design.
We talk a lot about how the success of an interior leans on the layout of its walls, doors and windows, and maybe the shade of paint or degree of cushioning on the chairs placed inside. The truth is, it will probably live or die by the quality of its light.
https://www.archdaily.com/1015846/shaping-moods-reggiani-and-the-stimulating-effects-of-controlled-lightEmma Moore
ZEB Living Lab is a research building that stands out for its pioneering initiative among zero-emission buildings, seeking to have a significant impact on the future. Located in Trondheim, Norway, it is much more than just a building; it is a tangible manifestation of the global commitment to sustainability and innovation. Conceived as an advanced research laboratory and a practical example of sustainable construction practices, it represents the point of convergence between architecture, technology and environmental awareness. Managed in collaboration between NTNU (Norwegian University of Science and Technology) and SINTEF (Scandinavian Institute of Technology), this center of scientific excellence is a platform for living experimentation, where innovative materials and solutions are developed, tested and demonstrated in direct interaction with the building occupants.
Every year, Earth Day, celebrated on April 22, presents us with an opportunity to contemplate the conditions of our planet and our impact upon it. Generating around 37% of global carbon emissions, the construction industry has an important, often detrimental, role to play, thus placing an increasingly urgent responsibility on architects and builders to devise strategies for reducing this number. Still, the built environment represents the habitat for most of humanity, and so it has the potential to protect and shelter people from the risks posed by the changing climate. Read on to discover a collection of articles delving into the strategies available at urban and architectural scales for mitigating the effects of climate change and minimizing the industry’s impact upon it.
Pritzker Prize Laureate Renzo Piano has just revealed designs for Boca Rotan’s new creative campus, The Center for Arts & Innovation in Florida. The Center seeks to transform Boca Raton into an internationally recognized destination for culture, arts, innovation, and technology. In fact, the three-story structure features functions that bridge creativity across the realms of arts, education, business, and community.
Still in its early and iterative stages, the Center aims to pioneer a new approach to how the world designs, imagines, programs, and embraces its cultural infrastructure. Catalyzing future leaders and visionaries, the scheme offers a dynamic platform for new ideas, AI integration, and end-to-end STEAM education. Seeking to cultivate knowledge and community engagement, The Center is dedicated to shaping tomorrow’s cultural landscape through equipping its future leaders and occupants with the resources they need today to build a better tomorrow.
In a nation grappling with a severe housing shortage for its economically weakest sections, the concept of "low-cost housing" has surprisingly faded from public consciousness and policy discourse. A crisis impacting millions of the nation's poorest, the need for affordable housing has become even more pressing as India's population overtakes China to emerge as the most populous nation. If left unaddressed, the housing crisis may result in mass homelessness and undignified living conditions for citizens.
Among the "Five Points of New Architecture" formulated by Le Corbusier, terrace gardens figure as a way to take advantage of a building's so-called fifth facade, either as leisure areas or landscaping spaces. Thanks to technological advances in reinforced concrete in the mid-twentieth century, usable flat roofs are far from new. There are traces in Mesopotamia and vernacular architecture from Greek and Arab civilizations. However, problems that frequently arise relate to infiltration and leaks. Water is relentless in finding a place to drain, and flat roofs are exposed to this when execution and design are not carefully thought-out. In fact, as documented in several letters, this was a source of disagreement between the owner and the Swiss-French architect in the case of the influential Villa Savoye. Today, nonetheless, there are good waterproofing options on the market that provide durability, resilience, adaptability and, above all, avoid headaches and fights between builders and owners. Elevate is built on 40 years of history in the production of roofing membranes, as well as insulation and vapor barriers, and develops solutions for waterproofing flat roofs with a low inclination.
The opening scenes of the award-winning Brazilian film "City of God" (2002) portray a newly constructed housing complex situated on the outskirts of Rio de Janeiro. Subsequently, this complex evolves into a hub of poverty and violence. Despite the film being set in the 1960s, the housing development depicted was a recent construction.
This choice made no difference because, despite the 40-year difference between the depicted era in the film and the time of filming, the architectural solutions employed by housing programs in the country remained stagnant. They continued to replicate outdated models, showcasing a lack of progress in the sector.
The Second Studio (formerly The Midnight Charette) is an explicit podcast about design, architecture, and the everyday. Hosted by Architects David Lee and Marina Bourderonnet, it features different creative professionals in unscripted conversations that allow for thoughtful takes and personal discussions.
A variety of subjects are covered with honesty and humor: some episodes are interviews, while others are tips for fellow designers, reviews of buildings and other projects, or casual explorations of everyday life and design. The Second Studio is also available on iTunes, Spotify, and YouTube.
This week David and Marina of FAME Architecture & Design are joined by CEO & Founder of Peak Projects, Grant Bowen, to discuss how clients can have a successful project, Grant’s background; the role of an owner’s representative throughout design and construction; working with clients and different professionals; construction costs; fees; different project types; and more.
How can industrialization and environmental responsibility go hand in hand? What siting, technological, or constructive strategies can be developed without harming the surrounding landscape? The application of modular design in architecture has been in practice for years, with a history involving the pursuit of standardization and modular coordination among materials, products, and more. Over time, it has been complemented by various environmental, sustainable, ecological, and economic factors to achieve the adaptability and functionality desired by its inhabitants.
Throughout various historical civilizations and art movements, from Classical Greece and Rome to the Renaissance and the Bauhaus, the collaboration between art and architecture has been a significant societal expression. However, the 20th-century ideals of modernism and mass production resulted in the decline and near disappearance of art within buildings.
In response, many European countries have taken on the responsibility of promoting the collaboration between art and architecture. Schemes were created mandating that a percentage of the total cost of a new public building, place, or space must be spent on art. This legislation, commonly known as 'Percentage for Art', originated in France and has been explored by artists and architects over the years to create new architectural experiences.
Through “Re/Creation,” Lasvit —a leader in hand-made glassmaking—sets up a sanctuary for creative escapism amid the hustle and bustle of Milan’s Salone Week. In the serene embrace of Palazzo Isimbardi, “Re/Creation” offers a space where minds are free to wander, inspired by the fluid grace of molten glass. The title refers to the innovative technique of fused glass, where the essence of fused glass lies in letting go. Extremely hot melted glass is allowed to relax, spread and take shape of a form designed for the glass to lie on. Its own weight and gravity take care of the rest. Similarly, a creative mind is most prolific and innovative when relaxed, free of everyday pressures and demands. This is why, at the beautiful location of Palazzo Isimbardi, Lasvit creates a haven for creatives to escape, recharge and relax.
From April 25th to May 1st, 2024, in the Spanish city of Logroño, Concéntrico prepares for its 10th anniversary edition. Envisioned as a contemplation of changing urban environments and an opportunity to share insights about these processes, this year’s International Festival of Architecture and Design incorporates new formats to engage a wider audience and explore time as a catalyst for change in urban and social design. The festival expands its program, featuring 21 installations by designers of 20 different nationalities, in addition to several other initiatives and explorations.
Henning Larsen has just won an international competition to design the New Arts Center in Bergen, Norway. Situated in western Norway, the Grieg Quarter aims to blend urbanity, culture, and natural beauty in Bergen. The winning entry proposes to expand the city’s creative and natural landscapes with the new performing arts and exhibition center.
In June 2023, the planet experienced its hottest month on record. In Iran, the heat index reached a staggering 66.7 degrees Celsius, pushing the boundaries of human endurance. This alarming trend is not an anomaly. It is a stark reminder that temperatures will continue to rise as climate change intensifies.
Scientists are linking the rise to human-induced climate change and the El Niño phenomenon. Additionally, the natural warming of Pacific Ocean waters is being further intensified by global warming.
I am by no means an expert on public-private partnerships. But for about 10 years, as the University of California Berkeley’s campus planner and then campus architect, I watched these developments play out in higher education—sometimes from a front-row seat, sometimes as a participant. During that time, this strategy, promoted with great enthusiasm and optimism, was touted as the answer to whatever problem arose. And yet the definition of a public-private partnership was slippery. The concept itself seemed to be all things for all people, depending on what was needed, who was recommending it, and what equivalents (if any) existed outside the university. The bandwagon continues to play today, making it ever more important to nail down the pros and cons of this development strategy, not only for colleges and universities, but for all public decision-making.
https://www.archdaily.com/1015830/are-for-profit-developments-consistent-with-the-values-of-a-public-universityEmily B. Marthinsen