The digitisation of architecture and design projects has been going on for some time now and has increased even more, largely due to the global pandemic. To hear talk of the metaverse, the NFT or the digital twins seems to be commonplace at this time, when the digital economy is booming and where architects and designers who seek to move from the physical world to the virtual world are beginning to proliferate. But will virtuality be the future of architectural visualisation?

Henning Larsen revealed the design for World of Volvo, an experience centre for the Swedish car manufacturer that highlights the Scandinavian landscape and architectural traditions. Currently under construction, the project features a circular timber structure that takes on a modern approach to traditional construction material, while expressing openness and an intimate relationship with the landscape. The venue is set for completion in late 2023 and will open to visitors in 2024.

Visual permeability, ventilation and a strong identity appeal, the hollow elements have increasingly found their place in contemporary architecture. Whether in large buildings or small residences, they appear in different shapes, materials and compositions, helping to determine the degree of interaction between interior and exterior space. This artifice in a residential construction is an important tool to ensure privacy and intimacy, without losing the possibility of connections to the outside and natural ventilation.

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In New Mexico, irrigation channels that have been in continuous operation for three centuries replenish and nourish the wetlands of the American Southwest. These channels are known as Acequias – communally managed water systems built on democratic tradition. Members of the community own water rights, who then elect a three-person team to oversee the channels. In Cairo and Barcelona, Tahrir Square and Plaza de Catalunya have acted as important sites for voicing political dissatisfaction. The Tahrir Square protests of 2011, for instance, resulted in the eventual toppling of an almost 30-year-old government.

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In preparation for the Disrupt Symposium, as the conference launch planned for the 1st of May approaches I sat down with Krista Kim a contemporary artist and founder of the Techism movement, whose work explores the concept of digital consciousness. Her interest in digital technology and it’s revolutionary effects on human perception, media, social structures, and communication have led her to work in both digital and physical realms.

All businesses, large or small, have faced unprecedented challenges in the last couple of years – but one of the positive outcomes of the global pandemic is the notion that work can be done wherever you are in the world. And while work has changed, expectations have not. Teams need to work with the same speed, efficiency and security as when they were all within the same four walls. It’s now up to IT to rise to this challenge with the right solutions to meet the new demands of the hybrid workforce. Remote working – and remote collaboration – is here to stay. 

Until this Tuesday, May 3rd at 23:59 EST you can submit your work for the second edition of the ArchDaily Architectural Visualization Awards. For us, visualizations have become a powerful tool that has helped us to think without limits about the design of our future cities, buildings, and structures. This is one of the reasons why we decided to launch this competition: to find the best talent from around the world and discover who is setting trends with their work and aesthetics, helping us to visualize the future of architecture.

The 59th International Art Exhibition - La Biennale di Venezia has officially opened its doors to the public on the 23rd of April, 2022. Titled "The Milk of Dreams”. the exhibition is welcoming more than 210 artists from 58 countries, to showcase over a thousand artworks and installations that promote art, science, research, and ecological transition from the environmental humanities. 

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The Art Gallery of New South Wales expansion designed by SANAA is set to open to the public on December 3rd, 2022. The project, dubbed Sydney Modern Project and first revealed in 2019, is the most significant cultural development in the city in almost five decades since the opening of the Sydney Opera house. The new building designed by SANAA, together with Australian practice Architectus as executive architect, features a series of pavilions of various sizes and gallery volumes cascading towards the harbour. The structure that opens toward its surroundings is designed to provide a backdrop for 21st-century art.

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Over the past few years, educational campuses around the world have been confronted with various trends and challenges of change, such as pandemic adaptation, climate crisis, the responsibility for sustainable design and online teaching. Sasaki Architecture, with offices in Boston, Denver and Shanghai, specialises in planning educational campuses around the world. With a broad portfolio of projects at various scales of intervention, recent projects in the United States, China, Mexico and Peru stand out.

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As Antoine Picon describes in Architecture and the Virtual Towards a new Materiality? : "An architectural project is indeed a virtual object. It is all the more virtual that it anticipates not a single built realization but an entire range of them. …Whereas the architect used to manipulate static forms, he can now play with geometric flows. Surface and volumes topological deformations acquire a kind of evidence that traditional means of representation did not allow.”

This article was originally published on Common Edge.

While Stephen Zacks’ new book, G.H. Hovagimyan: Situationist Funhouse, is ostensibly about the life and work of the artist, there’s an intriguing and seemingly topical subtext looming in the background: the role of art and culture on the development and redevelopment of cities. It’s a complicated and sometimes fraught issue, prone sometimes to simplistic, even binary thinking. Zacks, a friend and former colleague at Metropolis, has always had a more nuanced view of the issue. Last week I reached out to him to talk about the work of Hovagimyan, the historic lessons of 1970s New York, and why “gentrification” needs a new name.

After the first years of launching their architectural practice, Ben van Berkel and Caroline Bos renamed their practice to UNStudio. Short for United Network Studio, the change of name stands symbolic to the knowledge based, networked nature of the firm, which has grown to expand to 6 offices worldwide today.

Snøhetta was founded on the United Nations 1987 Brundtland Commission’s three main pillars of sustainable development: economic growth, environmental protection, and social equality. Their highly value and purpose-driven operations has since then expanded to 330 employees in 7 studios all over the world, from hometown Oslo to Adelaide, HongKong, Paris and Innsbrück, as well as their sister studios in New York and San Fransisco.

A collaborative design team led by Allies and Morrison and Asif Khan Studio has been selected to renew the famed Barbican Centre in London, United Kingdom. The winning design proposal preserves the building’s original architectural language and provides new opportunities for the center's diverse community of artists, audiences, and partners, boosting the building’s accessibility and performance quality.

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Textures can calm us, bring warmth or even guide us. They elicit our sense of touch and also affect us visually. This is because lights and shadows tend to form in relation to the irregularities and shapes that are present in some textures, which can in turn clearly differentiate these types of materials from other surfaces. For many, the idea of a space surrounded with white, smooth walls can be disturbing and monotonous. Embellishments such as paints, the inclusion of natural coatings or other elements can easily transform a space, emphasizing certain parts or creating new and attractive visuals. In interior design projects, textured walls have always been a popular way to add prominence to a space, either via the constructive system of building - such as brick or exposed concrete walls - or through different types of coatings that can be added later on.

Since the beginning of the war, over 7.1 million people have been internally displaced within Ukraine. In response to this growing humanitarian crisis, Kyiv-based practice Balbek Bureau has developed a modular temporary housing system that aims to provide a dignified dwelling to internally displaced Ukrainians. RE:Ukraine is designed to adapt to different types of terrain and settlement density while being deployed in a short time frame. While the project was intended for areas of Ukraine that are not under fire, the framework can also accommodate refugees abroad.

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