Architecture at Zero Citation Award: NZ + Beyond Net Zero Energy / Drew Adams, Joseph Yau and Mark Alocilja. Image Courtesy of Architecture at Zero
Architecture at Zero, now in its fourth year, is challenging all students, architects and designers worldwide to envision two mixed-use, zero net energy (ZNE) housing proposals for adjacent parcel sites in Oakland, California. The competition is a response to the ZNE targets set out by the California Public Utility Commission (CPUC) which aims for all new residential construction in the state to be ZNE by 2020. Entrants are eligible for winning up to $25,000. Early bird registration ends September 12. All projects must be submitted by October 31 at 1PM PST. Learn more on the competition website and review last year's winners.
With over 275 million visitors to the United States' 401 national parks per year, what will be the experience of visitors in the 21st century? The Van Alen Institute has teamed up with the National Park Service to launch a new competition: National Parks Now - a central component of Elsewhere: Escape and the Urban Landscape, the Institute's initiative to investigate how the form and organization of the built environment shapes a need and desire for escape. Operating on the belief, stated by Van Alen Institute Executive Director David van der Leer, that "too few people realize what a huge resource these smaller national park sites are for local communities and for larger urban networks," this initiative seeks to make parks relevant for the 21st century audience. More on the competition after the break.
As the first phase of the Guggenheim Helsinki design competition concludes, a group of independent arts organizations have launched a search for "alternative" proposals: The Next Helsinki. The counter-competition calls on architects, urbanists, landscape architects, artists, and "all others who love cities to suggest ways in which Helsinki and its South Harbor can be transformed for the maximum benefit of the city.” More information, after the break.
Imagine: After three years of careful dismantling, moving, painstakingly re-assembling and most importantly, restoring, John Notman’s historic Athenæum building has finally arrived at its new location in Fairmount Park, where it will serve as the headquarters of the newly formed Philadelphia chapter of the Friends of Brownstone (PhilaFOB). Flush with government funding from lottery and fracking revenue, PhilaFOB made the Athenæum Board of Directors an offer it couldn’t refuse. So now, for the first time since 1845, the lot at 6th & St. James Streets is vacant, and the Athenæum, still a vital independent lending and research library, with growing architectural and design collections, must re-imagine itself without its historic building. Given its location and its corporate purposes, what might a mid-21st century Athenæum look like?
https://www.archdaily.com/545975/competition-re-imagining-the-athenaeum-of-philadelphiaAD Editorial Team
Competitions results for the first stage of the Moscow Metro Station for Solntsevo and Novoperedelkino have been announced. Aiming to revive the tradition of unique designs for Moscow metro stations since the 1930s-50s, this is the first time in the recent expansion of Moscow's Metro system that a competition has been used to find an architect.
The jury at the Committee for Architecture and Urban Planning of Moscow has chosen 10 finalists out of approximately 100 entries who will continue to work on the architectural design concepts of the stations until November. See images of all ten proposals after the break.
The Mesa City Center redesign project aims to develop an 18 acre site in the city’s downtown and enhance the urbanization of the area. When complete, the city center will be transformed into a public space with both programmed and passive space that can be used for informal gatherings as well as events. “The signature public space will be a key element in the activation of the downtown core and will be a catalyst for high intensity redevelopment surrounding City Center with a variety of uses that activate the public space,” the competition website states.
Read on after the break for descriptions and images from the architects of their design proposals…
London’s Science Museum has selected muf architecture/art to design a new permanent interactive gallery. Set to open in 2016, the new gallery will be an expansion of the current Launchpad children’s gallery, creating a larger area to engage visitors in interactive math and science exhibits and live events.
“Muf architecture/art impressed us with their collaborative approach, strong design and bold vision for the new gallery. Above all, their scheme shows a keen awareness of the prime purpose of the gallery – fostering exploration and curiosity in science through intelligent and exciting design,” Karen Livingstone, Director of Masterplan at the Science Museum said.
Donovan Dunkley, Vail Nuguid & Alexia Sanchezm, City College of New York. Image Courtesy of Association of Collegiate Schools of Architecture
In Borders: A Very Short Introduction, Hagan Diener writes, "…every border has a story. Every line on a map, every maker in the landscape, was derived from some complex negation of power and culture." It is this potency of meaning that makes the physical and conceptual border such a fascinating site. The 2013-2014 ACSA administered and AISC sponsored Steel Design Student Competition challenged students to design a border crossing station addressing the complex factors of cross-border relationships, using structural steel as the primary material. Learn more about the competition and the winning projects after the break.
Memorial Wall. Image Courtesy of PWFERRETTO / ESOU Architects
PWFERRETTO, a practice split between London and Seoul, have won second place in a competition to design the National Park and Memorial in the Republic of Korea's capital. In materialising the boundary of the site into an "active monument" that reconnects the forgotten history of the park into "a memorial for the Catholic martyrs who lost their life fighting for their beliefs," the design hinges around the site's constant struggle between belonging and being excluded from the city it is a part of. This paradoxical "inclusive / exclusive" premise is the starting point for the designers' conceptual approach.
Broadway Malyan has been awarded a commission to design the initial phase of a new, iconic urban district in Chengdu in Western China. The Chengdu Creative Centre will be the first landmark in a larger master plan for a high-tech mixed use and business park, set to be called Tianfu New Town.
Committed to setting a high standard of environmentally conscious and sustainable design for the region, Chengdu Creative Centre and the future Tianfu New Town district aim to cut current energy consumption standards in half. The entire complex will be composed of interconnected office, retail, and public green space anchored by a striking central retail tower, 110 meters tall.
A major competition for reuse has just been announced for the Malagrotta Landfill, one of the European Union's biggest landfill sites. After Malagrotta was closed in August 2013 due to its controversial size and negative impact on the surrounding community, the Municipality of Rome began a process of redevelopment through community engagement. Multi-displinary teams are tasked with a creating a proposal to reinvent the sprawling 240-hectare property while considering its original purpose. The competition is designed to begin a conversation on the long-term vision for the property.
Courtesy of National Custom and Self Build Association
Is it possible to build low cost homes in the city that are both sustainable and easy on the eyes? Self Build on a Shoestring in the City, organized by the National Custom & Self Build Association and Grand Designs Live, is an ideas competition in its second year that seeks to answer this question by showcasing innovative designs for a group self build project in an urban location. More details after the break.
The 40th Annual Ken Roberts Memorial Delineation Competition, the longest running architectural drawing competition, is now accepting submissions. Entries can be conceptual or final elevations, sections, perspectives, or renderings and may be produced digitally or by hand – or a combination of both.
The city of St. Petersburg, Florida is once more seeking candidates for the design of its new pier. The call comes two years after a pier design by Michael Maltzan Architecture was selected over rival schemes by BIG and West 8, but was eventually turned down after significant public criticism. To avoid a repeat of that incident, the current selection process for candidates and their subsequent proposals will incorporate more community input.
First Prize: VENUS OF GARAGE by Katarzyna Furgalińska and Michał Lisiński
The Atelier of the Future competition asked entrants to design a "creative and artistic vision of an atelier." Having been organised by FAKRO, in conjunction with A10 New European Architecture magazine, the proposals also were required to feature at least three FAKRO products (roof lights and windows) as part of a space which is functional, technologically astute, and able to "create the appropriate mood to stimulate creative visions."
With sixty two entries in total, a third of which were from Poland and 90% of which were from within Europe, the jury deliberated entries that "stimulated [their] imaginations and provoked a set of reflections about the possible futures of architecture and its fields for action." Divided among themes which ranged from projects associated with Industry, to Nature, to Water, entrants proposed solutions for "underwater resorts, skylofts, subterranean spaces, derelict areas, wheels of fortune and metabolist towers."
The Global Schindler Award is a new competition for students that will explore questions about universal mobility and access amidst rapid globalization and urbanization. In its inaugural year, a real site in Shenzhen – a booming commercial and industrial area adjacent to Hong Kong – has been chosen as the subject of the urban design proposals. Entrants are being asked to re-imagine the city as an inclusive urban environment and will be vying for portions of the $150,000 prize fund.
Architecture competitions offer an opportunity for architects to launch their careers, and in some cases generate unexpected designs in the process. Many iconic works of architecture, including the famous Sydney Opera House, were the result of open design competitions - but do architecture competitions today maintain the influence they might have had in the past? While critics in the United States have recently argued that it could be time to quit competitions, Donald Bates argues that Australians should be organizing more. In his article on The Conversation, Bates discusses the state of design competitions in Australia, and why we should take another look. Read the full article here.
What will New Orleans look like in one year? Ten years? Fifty years? The Future Ground design competition, hosted by the Van Alen Institute, is looking for multidisciplinary teams help shape the city's future by answering these questions. The competition is specifically looking for teams to "generate flexible design and policy strategies to reuse vacant land in New Orleans, transforming abandoned landscapes into resources for the city."
Numerous awards recognize innovative, forward-thinking and environmentally-friendly design, yet there is no way to recognize projects that are harming the environment or detrimental to the planet – until now. Created by Cameron Sinclair, one of the co-founders of Architecture for Humanity and current Executive Director of the Jolie-Pitt Foundation, the recently launched “DEAD Prize” seeks to highlight projects that have a negative impact on the planet, with the aim of inspiring designers to “see these failures as a challenge to create something new, to correct the mistakes of the past or to find the antidote for the project in question.” Tweet your nominations for the prize to @deadprize by November 1 and learn more about this tongue-in-cheek award at the DEAD Prize website.
You Are Here / Felicity Barbur and Edward Crooks. Image Courtesy of Combo Competitions
Faith!, the latest ideas-based challenge organised by Combo Competitions, asked participants to design a place of worship in London. In spite of the beguiling simplicity of the title, coupled with a typically open brief, the placed winners and three honourable mentions exhibit a diverse, exciting collection of conceptual drawings and visuals. With an interesting balance of playful interpretations and more grounded proposals, all start to address relevant socio-political issues - such as the mutual acceptance and peaceful co-existence of different religions - in some way. The competition asked participants first and foremost to seek to merge two concepts: religion and knowledge.
After years of rebuilding from the devastating earthquake that hit the city in February 2011, the city of Christchurch in New Zealand has announced an open competition to design a memorial to the 185 people that lost their lives in the tragedy. The $3.5 million memorial will be situated in the city center on the banks of the Ōtākaro-Avon River, and is expected to be "a thoughtfully designed space where small groups or individuals can pay respect to those who died," but will also "comfortably fit a crowd of around 2,000 people" to host an annual memorial gathering, as well as other events.
eVolo Magazine is pleased to invite architects, students, engineers, designers, and artists from around the globe to take part in the eVolo 2015 Skyscraper Competition. Established in 2006, the annual Skyscraper Competition is one of the world’s most prestigious awards for high-rise architecture. It recognizes outstanding ideas that redefine skyscraper design through the implementation of novel technologies, materials, programs, aesthetics, and spatial organizations along with studies on globalization, flexibility, adaptability, and the digital revolution. It is a forum that examines the relationship between the skyscraper and the natural world, the skyscraper and the community, and the skyscraper and the city.
