Chinese Tujia Pan-Museum Complex / Professor Li Baofeng's Studio of HUST

Chinese Tujia Pan-Museum Complex / Professor Li Baofeng's Studio of HUST - Exterior PhotographyChinese Tujia Pan-Museum Complex / Professor Li Baofeng's Studio of HUST - Exterior PhotographyChinese Tujia Pan-Museum Complex / Professor Li Baofeng's Studio of HUST - Exterior Photography, WindowsChinese Tujia Pan-Museum Complex / Professor Li Baofeng's Studio of HUST - Interior Photography, Beam, SteelChinese Tujia Pan-Museum Complex / Professor Li Baofeng's Studio of HUST - More Images+ 44

Enshi, China
  • Design Team: Xuejing Zhu, Qingyuan Yang, Shun Wan, Han Yuan, Pengpeng Yang, Xinqi Wang, Zhiyu Yang, Fawen Zhu, Ruifang Zhang, Ye Cao, Ziling Wang, Zirui Pang, Rui Zhao, Shiwei Zhang
  • Structural Design: Jing Huang, Tao Jiang
  • Landscape Design: Zhiguang Yu, Tong Wang, Chonghuai Yao
  • Collaborator: Chuanying Yin, Ben Zhang, Changshun Xu
  • Construction: Lian He, Faliang Shen, Xiaofang Zhang, Peng Yang, Jianye Xie, Ting Chen, Guoting Yin, Xuelai Lu, Anfu Shen, Rong Wang
  • City: Enshi
  • Country: China
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Chinese Tujia Pan-Museum Complex / Professor Li Baofeng's Studio of HUST - Exterior Photography
© Yilong Zhao

Text description provided by the architects. Xuanen County, Tujia Autonomous Region, Hubei Province, China is hidden in the deep mountains. Due to inconvenient transportation, many excellent traditional buildings and production methods have been preserved. In order to promote Tujia culture and improve the poverty of local villagers, the local government and villagers jointly developed the Chinese Tujia Pan-Museum. The new parts of this project include the main tourist center, secondary tourist center, Moxiaolou, Moke Bridge, Dixian Bridge, Tujia Culture Exhibition Center, research dormitories and classrooms, etc., with a total construction area of about 30,000 square meters.

Chinese Tujia Pan-Museum Complex / Professor Li Baofeng's Studio of HUST - Exterior Photography
© Yilong Zhao
Chinese Tujia Pan-Museum Complex / Professor Li Baofeng's Studio of HUST - Image 32 of 49
analysis diagram
Chinese Tujia Pan-Museum Complex / Professor Li Baofeng's Studio of HUST - Exterior Photography, Windows
© Yilong Zhao

The planning and landscape design respects the original topography and minimizes disturbance to nature. In addition to designing the main building with changing ground elevations, it also creates a landscape that retreats layer by layer and conforms to the terrain.

Chinese Tujia Pan-Museum Complex / Professor Li Baofeng's Studio of HUST - Exterior Photography
© Yilong Zhao
Chinese Tujia Pan-Museum Complex / Professor Li Baofeng's Studio of HUST - Exterior Photography, Windows, Beam
© Yilong Zhao

The materials of the building are the same as the local traditional buildings. The architect pays homage to the local cultural traditions of ethnic minorities. However, the Chinese Tujia Pan-Museum adopts a contemporary style to show the sense of the times and create a tension between time and space. At the same time, a large number of passive technologies are used in the building to reduce energy consumption during operation. The architectural design uses growing wood as the main material of the building, and factory-made glulam is used for on-site assembly and construction, which helps to achieve the goal of low carbon and environmental protection. Wood acts both as a structure and as an interface, saving expensive interior renovations and reducing the chance of indoor pollution.

Chinese Tujia Pan-Museum Complex / Professor Li Baofeng's Studio of HUST - Interior Photography, Beam
© Yilong Zhao
Chinese Tujia Pan-Museum Complex / Professor Li Baofeng's Studio of HUST - Interior Photography, Beam, Steel
© Yilong Zhao

In addition, the architect team used digital technology to solve the contradiction of "fabrication requires standardization but uniqueness requires customization". Due to the complex architectural form, the construction unit encountered many difficulties in material processing and assembly, and the traditional experience was not enough to solve these problems. Our design team and robot team cooperate across borders and use robots to process components, which significantly improves efficiency.

Chinese Tujia Pan-Museum Complex / Professor Li Baofeng's Studio of HUST - Exterior Photography, Forest
© Yilong Zhao
Chinese Tujia Pan-Museum Complex / Professor Li Baofeng's Studio of HUST - Image 31 of 49
analysis diagram
Chinese Tujia Pan-Museum Complex / Professor Li Baofeng's Studio of HUST - Exterior Photography, Forest
© Yilong Zhao

After the completion of the Chinese Tujia Pan-Museum, it has attracted a large number of tourists, and the arrival of tourists has played a positive role in the development of the local economy. At the same time, most of the staff in the pan-museum are local villagers, so the project also provides employment opportunities for local villagers. In addition, the external environment of the building is also a public space favored by local residents. Every morning and evening, a large number of local residents gather here to walk and exercise, making the building and its environment full of vitality.

Chinese Tujia Pan-Museum Complex / Professor Li Baofeng's Studio of HUST - Exterior Photography, Waterfront, Beam
© Yilong Zhao

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Project location

Address:Enshi, Hubei, China

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About this office
Cite: "Chinese Tujia Pan-Museum Complex / Professor Li Baofeng's Studio of HUST" 24 Aug 2022. ArchDaily. Accessed . <https://www.archdaily.com/987596/chinese-tujia-pan-museum-complex-professor-li-baofengs-studio-of-hust> ISSN 0719-8884

© Yilong Zhao

中国土家泛博物馆 / 华中科技大学建筑与城市规划学院李保峰教授工作室

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