Tibet Intangible Cultural Heritage Museum / Shenzhen Huahui Design

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  • Principal Architect: Cheng Xiao
  • Design Team: Guowei Liao, Lin Zhu, Ziyi Liang, Jianyuan Liang, Mu Xu
  • Planning And Architecture Design: Shenzhen Huahui Design
  • LDI: CSCEC
  • City: Lhasa
  • Country: China
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view from entrance. Image © Li Yao

Text description provided by the architects. Jointly funded by the Shenzhen Municipal Government and Vanke Group, the Tibet Intangible Cultural Heritage Museum is constructed by Vanke as Shenzhen’s key project in support of the Tibet Autonomous Region.

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the architecture from different views. Image © Li Yao

Being located in the newly developed Cijuelin cultural and creative park, the site of the building is on a slight slope extending from the Lhasa river valley ,facing the old city proper of Lhasa across the river to the north, and surrounded by mountains on its eastern , western and southern sides.

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Location
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the museum, river valley and Potala Palace. Image © Li Yao

We hope the building will become Tebet’s new cultural landmark, integrating into the existing natural environment and urban texture with a friendly attitude as well.  Meanwhile, it is expected to establish a culturally symbiotic relationship with Tibet’s important historic buildings such as the Potala Palace and the Jokhang Temple, thus forming among them a dialogue across both time and space.

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building in natural and urban context. Image © Li Yao
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view from the southwest. Image © Li Yao

Lhasa is a very special city. Here, nature and humanity, history and modernity intertwine with each other, forming the specific conditions for our design as well as the core of our thinking.

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building and the Potala Palace. Image © Li Yao

Tibet is considered to be a holy place close to the sky, with the Potala Palace and Jokhang Temple being pilgrims’ destinations. So, our basic design concept of Heavenly Road is consistent with the most unique natural and cultural genes here.

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conceptual sketch—“Heavenly Road”
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generating the “heavenly road”

The concept of "heavenly road" is embodied at three levels. Firstly, we find a walking path at physical level. Inspired by the prototype of zigzag footpath of Potala Palace, it is transformed into a spatial circulation rising from the entrance of the site to the building and spiraling up inside the museum.

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bird view. Image © Li Yao
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view from the west. Image © Li Yao
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view from the south. Image © Li Yao

Secondly, it means a unique experience of space. The main volume of the museum evolves from the main hall of the Jokhang Temple, forming an introverted and stable space. The touring path of the “heavenly road" put up in such a space creates a diversified spatial experience that makes people feel tall, narrow, spacious, dim, or bright in different public spaces or exhibition chambers, and indicates an reflection of a special journey of life.

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volume generation
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spatial experience
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lobby & exibition chamber. Image © Li Yao

The subtle psychological and emotional changes triggered by the unique spacial experience leads to a third meaning of the heavenly road, the road of heart. 

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overlook to the Potala Palace. Image © Li Yao

After appreciating the rich intangible cultural heritage of Tibet through a hard climb, visitors will finally reach the ending point where they can overlook the Potala Palace across both time and space, establishing a dialogue as well as paying a tribute not only to Tibet’s great natural landscapes, history and culture, but also to the holy land at the bottom of everyone's heart.

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dialogue with mountains beyond. Image © Li Yao
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bulding and the mountains. Image © Li Yao

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Project location

Address:Lhasa, Tibet, China

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Location to be used only as a reference. It could indicate city/country but not exact address.
About this office
Cite: "Tibet Intangible Cultural Heritage Museum / Shenzhen Huahui Design" 12 May 2019. ArchDaily. Accessed . <https://www.archdaily.com/916625/tibet-intangible-cultural-heritage-museum-shenzhen-huahui-design> ISSN 0719-8884

© Li Yao

西藏非物质文化遗产博物馆 / 深圳华汇设计

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