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Architects: Michael Lumby Architecture, Nielsen Jenkins
- Area: 640 m²
- Year: 2021
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Photographs:Tom Ross
Text description provided by the architects. This house is located on a spectacular 50-acre property with views over vineyards towards Philip Island and Western Port Bay and is conceived of as an abstraction of a typical Australian Farmhouse. While sitting on a prominent hilltop affords it the best views, it also means that the house is somewhat exposed to the coastal climate of the region.
Spread out over a single level, the program of the house is arranged to counter this, creating a large and sheltered courtyard garden in its center. This courtyard becomes the most important room in the house, acting as a reference and refuge from the expansive nature of the outlook, as well as an introspective focal point for the house once night falls. The heft of the walls, deep eave overhangs, and dark ceiling finishes further enhance this experience of refuge within the broader context.
Although it is a large house with only 2 permanent residents, the project needs to expand and contract as 4 children with their respective families visit for holidays. 3/4s of the house can be shut down, allowing all the house's ancillary functions to be experienced simply as a courtyard wall. The front wing then, with all the main living spaces, functions as a simple one-bedroom pavilion, affording the house a spatial intimacy that belies its size.
While the roof is conceived of as a singular and sleek element, visible in the landscape, the walls it is placed on are seen as more elemental in nature. 1m thick and planted, these walls project out into the landscape, editing and choreographing views and circulation. While most of these projecting walls frame views outward, when adjacent to more private spaces, they wrap back around to capture private courtyards, giving even intimate spaces a floor-to-ceiling outlook over greenery.
This is a constant theme: The architecture recedes and the building acts simply as a lens from which to experience the landscape. Every room looks out onto a garden. Wherever possible, the design and siting was informed by the existing trees. The old driveway entry avenue of Elms was retained and repurposed as the main pedestrian entry sequence. The old windbreak of lilly-pillies to the north of the pool was retained to create a ‘full stop’ to the house, a second, softer courtyard with a wall of trees as an edge.
As the site has no council mains, all of the site’s domestic water is captured by the large, singular roof and stored in circular concrete water tanks. This ubiquitous item of farming infrastructure is taken through the project as a motif, and used throughout the garden spaces as birdbaths, a firepit, and a series of ponds, each becoming points of reference within the landscape.
