Louis Kahn: The Latest Architecture and News

Robert Wilson embodies the roles of director, set designer, scenographer, lighting designer, and architect in a single figure. Internationally celebrated as a pioneer of stage lighting and honored with numerous prestigious awards, including the Golden Lion of the Venice Biennale and the Praemium Imperiale, Wilson, now in his eighties, continues to travel the world, staging remarkable productions. His use of light and color is marked by precision and minimalism, creating scenes that skillfully oscillate between stillness and drama. During rehearsals at the Düsseldorf Schauspielhaus, he elaborates on the interplay between stage and architecture, his creative process, and the profound impact of light on darkness.

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This article was originally published on Common Edge.

Christopher Alexander (1936–2022) and Joseph Rykwert (b. 1926) were two giants of 20th century architectural theory who began their work in England and eventually created lasting legacies at two great American architectural schools: the University of California at Berkeley (Alexander) and the University of Pennsylvania in Philadelphia (Rykwert). Their careers not only coincided with a critical period of social and cultural research among designers and urbanists, but in many ways continue to inspire the current generation of committed critics of late capitalist development on our imperiled planet. Yet to many they are too little known.

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When drawing, lines are fundamental elements of composition. They delineate space, outline structures, and define boundaries. When it comes to maps and borders, the line acquires a particular meaning, as this "simple" graphic expression marks a powerful division between regions, setting the beginning or the end of a territory. This line has a profound meaning at the limit between Mexico and the United States, where it constantly blurs and questions the border. In these places, multiculturalism is a daily occurrence, with a continuous negotiation of boundaries present in all aspects of life. The dynamic of these borders involves design and the generation of a complex network of interactions and collaborations.

Rather than being divided into Tijuanenses on one side and San Diegans on the other, this particular region stands out as a community whose essence harmonizes with a deep legacy of cross-border collaboration, rather than being seen as cities separated by a line. As the first binational designation in the history of the World Design Capital (WDC) program, the Tijuana-San Diego region shares a common interest in addressing urban, social, and economic issues through design. Thus, via conferences, policy summits, and workshops, the region seeks to enhance the catalyzation of ideas through its designation.

On November 3^rd, 2022, the Indian Institute of Management Ahmedabad (IIMA) announced the decision to end the restoration works for elements of the campus designed by Louis Kahn with Indian architects Balkrishna V. Doshi and Anant Raje in 1962. The decision affects the faculty blocks, classroom complex, and dorms other than dorm D15. According to the statement, the institution plans to replace some of the buildings, as the complex is “facing structural damage, deterioration and have become uninhabitable, posing a safety concern for the campus's residents.” This represents a reversal of the decision to withdraw the first demolition plans following global protests, announced in January 2021.

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This article was originally published on Common Edge.

In an age of ebooks and web-first publishing, Louis Kahn: The Importance of a Drawing (Lars Müller Publishers) is a defiant throwback: a lavish, 500-plus-page book, very much an object befitting its subject, whose buildings had a weight, both literal and figurative, that was part of their power and appeal. Conceived and edited by Michael Merrill, the book is both a deep examination of Kahn’s creative process, as told through the medium of the hand drawing, as well as a revealing portrait of the man behind those buildings and illustrations. Merrill is an architect and educator and currently serves as director of research at the Institute for Building Typology at the Karlsruhe Institute of Technology in Germany. He’s also the author of two previous books on the master architect, Louis Kahn: Drawing to Find Out and Louis Kahn: On the Thoughtful Making of Spaces.

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If Nature had been comfortable, mankind would never have invented architecture. - Oscar Wilde

Architecture is human. Despite their exquisite beauty,  burrows, hives, nests and anthills are creations of instinct.  Design by humans considers options, means and methods of creation, solving problems of desire, beyond functional accommodations.

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Videos

In this video, Will Quam of Brick of Chicago takes us around the American city to question Louis Kahn’s adage that all bricks are motivated to be arches. Here, in the Logan Square neighborhood, we find bricks of all sorts, that — in addition to arches — take on other configurations and metaphors to describe their qualities; textile bricks and diapering, brushstrokes of a painting, butter joints and glazes, soldiers and bullnoses.

The Goldenberg House was designed in 1959 by the architect Louis Kahn for Morgan and Mitzi Goldenberg. While the house was never constructed, it was cited by Kahn as holding important lessons for his design process that would be deployed in a number of later structures. These lessons are specifically related to how the outside of the house is irregular while the heart of it, the atrium is a perfect square. While we can see this discovery in the plan drawing for the house, there are likely nuances to its design that are more difficult to understand without being able to visit it in person. But, what if we can visit the Goldenberg House as if it had been built? This video explores the Goldenberg House, its history and design intentions, and uses the findings to construct a digital model of the house to explore in real-time.

Part of the Collateral Events of the 17th International Architecture Exhibition, the extensive built work of Yugoslav architect Svetlana Kana Radević (1937-2000) is brought to light from May 22 until November 21 at the Palazzo Palumbo Fossati. Entitled “Skirting the Center: Svetlana Kana Radević on the Periphery of Postwar Architecture”, the exhibition curated by Dijana Vucinic and Anna Kats, aims to highlight the architect’s work and expand her representation.

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This article was originally published on Common Edge.

Dan Klyn, who teaches information architecture at the University of Michigan, is currently researching and writing a biography entitled Richard Saul Wurman’s 5 Lives. It’s an apt title, since the intellectually peripatetic Wurman has had several career incarnations: architect, author, publisher, designer, painter, sculptor, impresario (he created and thoroughly curated the early TED talks). “In a sense, I’m an amateur, a dilettante, I don’t do anything particularly well, but I see patterns between things,” he said to me in a recent interview, although his modesty here seems somewhat false: Wurman is a member of the Art Directors Club Hall of Fame; an AIA Fellow; has written, designed, and published more than 100 books; won a lifetime achievement award from the Cooper Hewitt; and is the recipient of the AIGA Gold Medal.