Louis Kahn: The Latest Architecture and News

Videos

In this video, Architecture with Stewart breaks down the floor plan strategies of Louis Kahn (1901-1974) for how they treat and arrange rooms in servant/served configurations. After World War II showed us the dark underbelly of technology, the architecture that gave us “machines for living in'' seemed misguided and dehumanizing. In contrast to pre-war open and free plans, Louis Kahn considered new possibilities for rooms; believing their privacy and enclosures could work together in a ‘society of rooms.’ Beginning with a close look at the Trenton Bath House, the video includes computer animations, sketches, photographs, and historical narratives to trace the evolution of the room through buildings like the Adler House, Esherick House, and the Exeter library ⁠— a monumental room of cultural memory.

This article was originally published on Common Edge.

Nathaniel Kahn’s 2003 documentary, My Architect, was at its beating heart a son’s search for his father. The film, which was nominated for an Academy Award and will be re-released later this year, explored the complicated domestic life of Louis Kahn: three children, by three different partners, all of whom were kept largely in the dark about the existence of each other. But the film was as much about the work of Louis Kahn as it was about his personal life. And, as a result, it ignited a renewed interest in his buildings, both in the mainstream culture and across architectural academia.

As reported in The Times of India, the board of governors for the Indian Institute of Management, in Ahmedabad, India has canceled the proposal to demolish Louis Kahn’s buildings on campus and replacing them with new structures, after a worldwide pushback from the international architecture community.

The board of the Indian Institute of Management in Ahmedabad (IIMA) has announced that the dormitories, built by Louis Kahn and part of the overall campus design, will be demolished and replaced. In fact, the administration plans to “bring down at least 14 of 18 dorms which were built between 1968 and 1978" for showing "problems of leakages from the roof, dampness in walls, leakages in toilet walls, slabs, etc.”, according to the Indian Express.

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There are plenty of books about the buildings of late American architect Louis I. Kahn, including those he authored. But his drawings hold a special fascination for his peers and fans, which explains why the blog Designers and Books is launching a Kickstarter to fund the reissue of one 1962 compilation of his sketches, which has been out of print for decades.

Louis Kahn (February 20th 1901 – March 17th 1974) was one of the United States' greatest 20th century architects, known for combining Modernism with the weight and dignity of ancient monuments. Though he did not arrive at his distinctive style until his early 50s, and despite his death at the age of just 73, in a span of just two decades Kahn came to be considered by many as part of the pantheon of modernist architects which included Le Corbusier and Mies van der Rohe.

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For Paul Lewis, Marc Tsurumaki and David J. Lewis, the section “is often understood as a reductive drawing type, produced at the end of the design process to depict structural and material conditions in service of the construction contract.” A definition that will be familiar to most of those who have studied or worked in architecture at some point. We often think primarily of the plan, for it allows us to embrace the programmatic expectations of a project and provide a summary of the various functions required. In the modern age, digital modelling software programs offer ever more possibilities when it comes to creating complex three dimensional objects, making the section even more of an afterthought.

With their Manual of Section (2016), the three founding partners of LTL architects engage with section as an essential tool of architectural design, and let’s admit it, this reading might change your mind on the topic. For the co-authors, “thinking and designing through section requires the building of a discourse about section, recognizing it as a site of intervention.” Perhaps, indeed, we need to understand the capabilities of section drawings both to use them more efficiently and to enjoy doing so.

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Italian artist Federico Babina has published the latest in his impressive portfolio of architectural illustrations. “Archivoid” seeks to “sculpt invisible masses of space” through the reading of negatives – using the architectural language of famous designers past and present, from Frank Lloyd Wright to Bjarke Ingels.

Babina’s images create an inverse point of view, a reversal of perception for an alternative reading of space, and reality itself. Making negative space his protagonist, Babina traces the “Architectural footprints” of famous architects, coupling mysterious geometries with a vibrant color scheme.

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British architect Sir David Adjaye, Founding Principal of Adjaye Associates, will be honored as this year’s recipient of the Louis I. Kahn Memorial Award by the Center for Architecture and Design in Philadelphia. The annual award celebrates the achievements of an individual who has made a significant contribution to the field of architecture, while also celebrating the achievements of influential Philadelphia-based architect Louis Kahn.

Past recipients of the award have included Bjarke Ingels, Norman Foster, Peter Bohlin, Daniel Libeskind, Robert A.M. Stern, Rafael Viñoly and César Pelli.

B.V. Doshi, one of modern Indian architecture’s most celebrated practitioners, was born in Pune, India in 1927. Nearly 90 years later, the Pritzker Prize jury chose Doshi as the 2018 Laureate. Get to know about Doshi’s history—including his close relationship to the legendary Le Corbusier—in this list of interesting facts.