Latin America: The Latest Architecture and News

In Uruguay, small-scale residential projects increasingly occupy rural and coastal landscapes, from the hills of Villa Serrana to the maritime forests along the Atlantic coast. Building in these areas often requires structural materials that balance durability, thermal efficiency, and transport feasibility. In these environments, projects rely heavily on materials such as engineered timber framing, steel structural members, exterior wood cladding, or offsite fabrication. These design choices not only help to reduce the weight of raw materials that must be transported over unpaved access roads, but also make construction more feasible in remote locations. The context of the projects in this collection also seems to have played a limiting role regarding floor areas, which were kept at 60 m² or less to reduce structural material requirements and the impact on the terrain.

+ 3

The Bienal Iberoamericana de Arquitectura y Urbanismo (Ibero-American Biennial of Architecture and Urbanism), known as BIAU for its Spanish name, is an international event promoted by the Government of Spain through its Ministry of Housing and Urban Agenda (MIVAU) since 1998. Held every two years in a different location across Latin America and the Iberian Peninsula, it recognizes, awards, and disseminates high-quality works that reflect the diversity of Ibero-American architecture and urbanism. Following its thirteenth edition, "CLIMAS: Acciones para el buen vivir" (CLIMATES: Actions for Good Living), held in Lima, Peru, in 2024, the XIV BIAU will take place in Brasília from November 3 to 6, 2026, under the theme "Cuidar la Vida" (Caring for Life). This edition structures its reflection around four themes: water, vegetation, housing, and communities, exploring the relationship between architecture and the environmental, social, and cultural conditions that sustain life.

+ 32

Industrial activity can end long before its effects disappear from the land. Factories close, buildings are demolished, and former industrial districts gradually become part of new residential developments. Yet the soil beneath them may still contain traces of their previous use, sometimes requiring extensive intervention before construction can begin.

Redeveloping these sites raises a question about how much of the existing ground can remain and what it takes to build housing above it. The extent of contamination affects what must happen before construction begins, while the cost of preparing the land can influence the development itself. Much of this work eventually disappears beneath the completed buildings, leaving little indication of the site's previous condition.

+ 17

Walk along a river in almost any Latin American city and you will find stretches that have been straightened, lined with concrete, buried beneath roads, or pushed behind industrial areas and residential neighborhoods. Throughout the twentieth century, urban expansion gradually occupied riverbanks and former floodplains, while waterways were redirected or confined within infrastructure intended to control them. Yet the water continued to return. For decades, flooding has been the most frequent natural disaster in Latin America and the Caribbean, according to the Inter-American Development Bank.

Some cities have begun to reconsider what happens along these edges. Across Chile, Mexico, and Brazil, parks are being developed within riverbeds, drainage channels, and other territories exposed to flooding. These spaces accommodate water during heavy rainfall while providing areas for recreation, circulation, and gathering throughout much of the year. Their design also changes how surrounding neighborhoods access territories previously associated with flooding, pollution, or limited public use.

+ 17

A color has a biography. A color can have an origin, but it can also transform. It can move between materials and disciplines, from a local practice into architecture, from something ordinary into something symbolic. It can lose one association and acquire another, or persist without anyone consciously thinking of it as cultural. Its life unfolds through the conditions in which it is produced, used, repeated, and inhabited. As these conditions change, so do the meanings a color can carry.

The interior is a place where these histories converge. A color inside a room can carry traces of a territory, a material practice, a climate or a history of inhabitation. Its presence does not necessarily depend on an intention to represent any of these things.

Color can become part of a place through the continuity of materials and ways of living, acquiring significance beyond the surface on which it appears.

+ 11

Through October 11, 2026, Mexico City once again becomes a global epicenter of innovation and creative excellence with the opening of Design Week Mexico 2026 (#DWM26). This edition adopts a broader and more diverse curatorial vision, inviting both the public and design professionals to reflect on the discipline from global, fluid, and inclusive perspectives that transcend traditional approaches.

A different social order is easier to imagine when it sits far from the one that already exists. In Latin America, that distance has often been territorial. Parts of the region have repeatedly been treated as places where another world could begin. These places were never empty.

For architects, this idea has a familiar starting point: the plan. Seen from above, a territory can look like a clean sheet, ready for an axis or a grid. At eye level, the same ground is already full of people and the paths they use.

+ 5

Architecture across Latin America this month reflects an ongoing conversation around inhabitation, cultural heritage, and the ways architecture can connect contemporary life with existing places and knowledge. From the Buenos Aires International Architecture Biennial and initiatives addressing traditional building practices and archaeological heritage to new cultural infrastructure and housing projects in Argentina, Ecuador, and Peru, recent developments highlight different approaches to working with local contexts. Across the region, questions of memory, community, landscape, and material practice continue to shape both architectural projects and broader discussions around how cities and territories are inhabited.

+ 6

A campaign led by Red Lima Milenaria is seeking UNESCO recognition for pre-colonial sites in the Peruvian capital. Today, more than 600 archaeological sites remain in Lima, a metropolis of 11 million people. The citizens' campaign seeks to improve conservation conditions and public awareness of the sites that resisted European colonization by promoting the nomination of a selection of structures for inscription on UNESCO's World Heritage List. The public campaign was recently launched to gather citizen support and establish partnerships with organizations working in heritage and related fields, in order to prepare the framework for a formal nomination to be submitted by the Peruvian state. The initiative coincides with reconstruction movements in the continent responding to socioeconomic inequality and structural historical injustices, raising questions about the very definition of heritage.

+ 2

In 1961, when conceiving the Faculty of Architecture and Urbanism of the University of São Paulo, in São Paulo, Vilanova Artigas and Carlos Cascaldi established a paradigm that continues to resonate throughout Brazilian university architecture: the building as a continuous territory, articulated by ramps, courtyards, and open spans, where the experience of learning extends beyond the classroom. The idea emerged at a moment of transformation in Brazilian higher education, which, over the following decades, would expand from serving a relatively restricted audience to reaching a much broader and more diverse population. If Brazil had approximately 226,218 undergraduate enrollments in 1960, by 2023 that number had approached 10 million.

+ 35

What happens to a house when the life it was designed for ends? In Casa sobre el Arroyo, the answer developed gradually as the building changed use, ownership, and condition over nearly eight decades. Even as these conditions changed, the structure, circulation, and relationship to the site remained central to how the house was understood and, eventually, restored.

Designed by Amancio Williams and Delfina Gálvez Bunge de Williams beginning in 1943 for Amancio's father, Alberto Williams, Casa sobre el Arroyo grew directly from the conditions of its site in Mar del Plata, Argentina. Rather than treating the Las Chacras stream as something to work around, the project uses it to organize the house itself. A reinforced concrete arch crosses the water and lifts the living spaces above it, turning the stream into part of the experience of moving through and inhabiting the house.

+ 3

Filippo Brunelleschi and the dome of Santa Maria del Fiore, completed in 1436 in the Italian city of Florence, represent an important chapter in the history of architecture, often associated with the growing distance between drawing and building. This separation, gradually consolidated over time, finds a decisive turning point in the Renaissance. Drawing becomes an instrument for anticipating and asserting authority over construction. The building site, once a space for invention and decision-making, came to be understood primarily as a place of execution.

Over the following centuries, this distance becomes increasingly pronounced, particularly with modern construction. Industrialization, technical specialization, and corporate organization fragment the building process into increasingly distinct stages. Those who design rarely build; those who build do not always participate in decision-making; those who finance, manage, and inhabit occupy positions that are even further removed from one another. The efficiency of this model made it possible to build at scale, but it also concentrated knowledge and decision-making power in the hands of certain agents.

+ 18

This article is part of our new Opinion section, a format for argument-driven essays on critical questions shaping our field.

For centuries, most of the world has looked at itself through a 16th-century instrument of spatial representation. On September 4, the United Nations General Assembly voted to change that, adopting a resolution that asks governments, schools, media organizations, and technology companies to retire the Mercator projection wherever the relative size of countries actually matters, in favor of equal-area alternatives like the 2018 Equal Earth projection. The vote passed 164 to 1. The United States was the sole vote against.

+ 6

The Buenos Aires International Architecture Biennial marks 40 years of history this year, across 20 editions. As one of the most important architecture gatherings in Latin America, it will celebrate this anniversary with an edition featuring around 100 architecture firms, 15 exhibitions, 50 conferences, 40 international guests, and representatives from more than 55 cities worldwide, in a free, open program running for five weeks. From September 22 and throughout October, as part of Buenos Aires' Design and Architecture Month, conferences will be held, exhibitions will open, installations will be inaugurated, and activities will take place at specific points around the city. Under the theme HABITAR (INHABIT), the Biennial will also host a six-day forum with 2026 Pritzker Prize winner Smiljan Radić, culminating in the presentation of this edition's awards.

+ 48

This article is part of "Thresholds", a special edition printed newspaper by Cobe Notes x ArchDaily.

When we enter a museum, walk through a historic center, or check a country's heritage list, we rarely think about the process behind these choices. Who decided, on behalf of us all, that these objects, places, and architectures deserved to be preserved and promoted, while others are cast aside?

Generally, it is specialist professionals who hold the decision-making power—be they historians, museologists, architects, or geographers. But on what basis are these decisions made? Can the complexity of history fit into a checklist? Or, even more fundamentally, on which version of history are these decisions being based?

+ 13

In the 1970s, Cuba faced a severe nationwide housing shortage due to population growth, rural-to-urban migration, and the degradation of existing housing stock. The government's answer was a system that pulled ordinary workers off their regular jobs and put them on building sites instead. This program, known as the Microbrigadas (microbrigades), reshaped entire districts of Havana, where they combined collective self-construction and state-backed technical knowledge, which left a mark on the urban grid of its capital city that persists until today.

Architecture across Latin America this month reflects an ongoing negotiation between environmental challenges, cultural heritage, and changing approaches to public and professional life. From Colombia's earthquake and its impact on historic architecture to new cultural projects in Argentina and environmentally responsive design in Ecuador and Medellín, recent developments highlight how architecture continues to respond to both regional conditions and broader global challenges. Questions of heritage and infrastructure also remained prominent, as UNESCO raised concerns over the impacts of the Tren Maya on Mexico's Calakmul World Heritage site, while new initiatives in Chile and Costa Rica explored ecological design and sustainable practice. The month's stories point to a regional architectural landscape shaped by resilience, adaptation, and the relationship between built environments and their wider social and natural contexts.

+ 3

The Pyramid of Tirana opened as a museum to Enver Hoxha in October 1988, three years after his death and three years before the regime collapsed. In the decades that followed, it served as a radio station, a conference venue, a nightclub, and a base for NATO during the Kosovo war. In 2023, MVRDV reopened it as a park and technology school, adding steps to the façades so that the building could be walked over. The inauguration was timed to the Western Balkans Summit on 16 October, a date that some critics pointed out was Hoxha's birthday. Two projects of national self-definition, thirty-five years apart and built on opposite political premises, have used the same structure.

+ 15