Rock | Roll by Germane Barnes. Image Courtesy of Miami Design District
Distinguished for its quality, depth, and diversity, Design Miami 2022 has concluded, giving worldwide collectors and locals the best in contemporary and emerging art and design. Kicking off at the end of November and running through the first week of December, this event ran alongside the annual Art Basel Miami Beach. The ultimate international art fair ranged from interactive installations to art exhibitions by promising up-and-comers to 20th-century masterworks, including Daniel Arsham and Andrés Reisinger, and Stefano Boeri. Also during this event, MetaMundo has presented their Top 50 Creators of the Metaverse - a hand-picked collection of some of the world’s best 3D artists.
For this edition, The Miami Design District has awarded Miami-based architect and designer Germane Barnes and commissioned a multifaceted installation that honors the city's polyethnic culture. Along with other relevant architectural installations during the Miami Art Week, the following selection includes work by Leandro Erlich at Perez Art Museum Miami and Pilar Zeta.
Visualization of U.S. Army Corps of Engineers’ grey infrastructure proposal. Response to the U.S. Army Corps of Engineers’ Back Bay Coastal Storm Risk Management Study / Curtis + Rogers Design Studio. Image Courtesy of Miami Downtown Development Authority
A persuasive local advocacy and media campaign convinced the U.S. Army Corps of Engineers to conduct a new, expanded study for a $6 billion project to protect Miami from future hurricanes, coastal flooding, and climate impacts. Critics argued that the Army Corps’ initial draft plan for the project, which had proposed a series of sea walls and gates, would have negatively impacted the character of Miami, reduced property values, and cut-off access to important waterfront parks, exacerbating existing inequities in access to public space.
One Brickell City Centre by Arquitectonica. Image Courtesy of Swire Properties Inc and Related Companies
Arcquitectonica unveiled the design of One Brickell City Centre, an approximately 1,000-foot (approximately 300 meters) office tower planned to become the tallest commercial tower in Florida. Located in Miami’s financial district on Brickell Avenue, the office building represents the second phase of Brickell City Centre, a 4.9-million-square-foot (450,000 square meters) mixed‐use development that opened in 2016. One Brickell City Centre is developed by Swire Properties Inc. and Related Companies. Construction it set to begin in 2023.
Fotografías de la escenografía en la serie Gordita Chronicles. Image Cortesía de Amy Wheeler
Amy Lee Wheeler is the production designer for "Gordita Chronicles", an HBO series that tells the story of a girl and her family from the Dominican Republic who immigrates to Miami in 1985, after the country's political and economic instability. Upon arrival, the "American dream" brings them an unpleasant surprise after discovering a materialistic city concerned about social status.
How was the home where she lived and the school where she studied? How was the office where her father worked? These were some of the spaces that Amy Lee Wheeler had to design and set with furniture and colors of iconic vintage styles, drawing inspiration not only from old movies, books, and catalogs but also from personal photographs. The construction of the set in Puerto Rico and the ongoing pandemic presented unique and unprecedented challenges, so ArchDaily interviewed her to learn about the work process behind the scenes.
Japan-based architectural office Kengo Kuma and Associates has unveiled the design for what will become the studio’s first residential tower in the United States. Located on the oceanfront of Miami Beach, the 18-story structure will accommodate private condominiums for hospitality brand Aman. The project is adjacent to the Versailles building, a 1940s Art Deco hotel currently under restoration by architect Jean-Michel Gathy. The Art Deco architecture of Miami’s Faena district has a unique rhythm, which, according to the architect, was translated into the geometry of the new building through its vertical and horizontal lines.
Oolite Arts revealed the design of its new Miami headquarters designed by Spanish architecture practice Barozzi Veiga, making it the studio’s first built project in the United States. The design’s morphology echoes the idea of a village for artists through a collection of rooms and a rhythm of vertical structures. The structure incorporates rich vegetation and strives to balance public and private, thus prioritizing both artists and community needs. The project, created in collaboration with local firm Charles H. Benson & Associates, is set for completion in 2024.
Construction broke ground on a new cruise terminal at Port of Miami designed by Arquitectonica for cruise operator MSC Cruises. With the capacity to process 36,000 passengers per day and simultaneously accommodate three mega cruise ships, the structure due for completion in 2023 will be the largest cruise terminal in North America. Located on the eastern end of the Port, the 4-storey structure makes the most of the long, narrow site by creating a layered embark and debark experience, expressed in its architectural image.
Miami’s long-awaited landmark, the Elysee Edgewater has finally reached construction completion. Designed by Arquitectonica, the 649-foot-tall glass tower features 57 storeys of luxury residences, as well as recreational and fitness amenities across its tiered floors. Architectural photographer Paul Clemence released images of the newly-completed tower, which now sits as the tallest residential building in the Edgewater district.
OMA / Shohei Shigematsu, together with artists Charlotte Taylor and Nicholas Préaud, created a series of NFTs inspired by an underwater sculpture designed for the ReefLine project. Commissioned by Aorist for its climate-forward NFT marketplace, the video NFT Coral Arena unfolds a virtual narrative of the monument, simulating the evolution of the future physical artwork from an abstract object to being the support of an underwater ecosystem. The NFTs were unveiled during Miami Art Week, and proceeds from their sale will be donated for the completion of the ReefLine project.
Fotografiska Museum has announced its expansion to three new locations in Berlin, Shanghai and Miami, to be housed within existing buildings redesigned by Herzog & De Meuron, Neri&Hu and Rockwell Group. A former department store in Berlin's Jewish Quarter, a 1946 factory building in Miami and a historically significant warehouse complex in Shanghai are the future Fotografiska venues set for completion in 2022 and 2023. Together with the existing locations in Stockholm, Tallin and New York, these will form the world's largest private art museum in terms of size, number of locations, and exhibitions per year.
Recent extreme weather events and the acceleration of climate change, paired with decarbonization efforts that are not on track, make climate-related disruption unavoidable for urban environments, raising the issue of climate-risk adaptation. Moving past what can be done to prevent climate change, there is a strong imperative to develop strategies to prepare urban environments to cope with inevitable challenges such as sea-level rise, floods, water scarcity or extreme heat. The following discusses how cities can build resilience and adapt to undergoing and expected future climate threats.
Earlier this month, the city of Miami released a draft version of its comprehensive plan to combat the effects of climate change. The so-called Stormwater Master Plan (SWMP) will be implemented to alleviate the threat of flooding throughout the city, improve the quality of water in Biscayne Bay, and fortify its coastline against stronger and more frequent storm surges over the next 40 years, at an overall cost estimate of $3.8 billion.
I am on the edge. Not emotionally or psychologically—although this could be the case—but literally, physically, spatially, geographically. As I write this, I am sitting on the balcony of a hotel room in Miami Beach, overlooking the Atlantic Ocean. Behind me is the whole State of Florida and, indeed, the entire North American continent. In front of me: the boardwalk, a narrow beach, and then a lot of water—and not much else between here and Mauritania, a distance of more than 4,400 miles.
