In honor of his legacy, we’ve complied 12 fascinating facts about Otto’s life that influenced his career and shaped the profession. Read them all, after the break.
With regards to their decision the jury highlighted Otto’s “visionary ideas, inquiring mind, belief in freely sharing knowledge and inventions, his collaborative spirit and concern for the careful use of resources.”
Enjoy 10 photos of Otto’s projects after the break.
The sudden and unexpected announcement of the Pritzker Prize yesterday evening sent shockwaves through the architecture world. With the sad death of the Prize's latest laureate Frei Otto on Monday, the Pritzker made the unprecedented decision to announce the winner two weeks early, ensuring that Otto's final, crowning achievement would make its way into the obituaries of this great man.
Of course, despite the sudden nature of the announcement, the many critics on Twitter were on hand to lend their initial thoughts in what was an interesting mix of congratulations, sadness and nostalgia. Read on after the break for all the reactions.
Frei Otto has just been named the 40th recipient of the Pritzker Prize - two weeks prior to the expected official announcement. The abrupt news has been released early due the unfortunate passing of the German architect and structural engineer, who was best known for the 1972 Munich Olympic Stadium. The pioneering tensile structure, which stood in considerable contrast to the strict, authoritarian stadium that was its predecessor, was meant to present a different, more compassionate face for Germany.
"Throughout his life, Frei Otto has produced imaginative, fresh, unprecedented spaces and constructions. He has also created knowledge. Herein resides his deep influence: not in forms to be copied, but through the paths that have been opened by his research and discoveries," says the Jury.
"His contributions to the field of architecture are not only skilled and talented, but also generous. For his visionary ideas, inquiring mind, belief in freely sharing knowledge and inventions, his collaborative spirit and concern for the careful use of resources, the 2015 Pritzker Architecture Prize is awarded to Frei Otto."
Though he sadly passed away before the award ceremony, Otto was informed of his win by the Pritzker Prize's Executive Director Martha Thorne, who traveled to his home in Warmbronn to inform him of his prize. Speaking shortly after her visit, he said: "I am now so happy to receive this Pritzker Prize and I thank the jury and the Pritzker family very much. I have never done anything to gain this prize. My architectural drive was to design new types of buildings to help poor people especially following natural disasters and catastrophes... You have here a happy man."
Last night German architect Frei Otto was selected as the 2015 Pritzker Prize Laureate, the second German to win the award and the first to receive the award posthumously. The video above shows the impressive construction process of Otto’s German Pavilion at the 1967 International and Universal Exposition in Montreal (although unfortunately without sound).
Covering an area of 8,000 square meters, the pavilion featured a large, steel mesh web suspended over eight steel masts, which were located at irregular intervals and supported by anchored cables located outside of the structure. A transparent polyester fabric was then placed over the mesh roof, creating a tent. The whole construction took only six weeks.
The London 2012 Olympics start today, and once again architecture is on the spotlight. With a big focus on reusable and adaptable structures, the lineup includes renowned architecture firms such as Wilkinson Eyre Architects, Hopkins Architects, Populous and Zaha Hadid Architects.
With peaks and valleys echoing the nearby Alps, the vast canopy of the Munich Olympic Stadium has been a local landmark since the opening of the 1972 Olympics for which it was designed. Intended to present a new face for post-war Germany, the stadium—strikingly Modernist in character—was meant to stand in harmony with its surroundings. Despite these modest intentions, however, controversy surrounded the project from its outset, which centered on skyrocketing costs, the erosion of local heritage, and the grim specter of the country’s own recent past.