In this episode of “Behind the Scenes”, where we showcase the work of visionary photographers and ask about their experiences beyond what is seen by the public, we are presenting Niveditaa Gupta, an architectural photographer, and filmmaker based in New Delhi, India. Through her photos, she looks to create visuals that can prompt a discourse about architecture itself.
At ArchDaily, we always aspire to provide our community with all the tools and knowledge to help imagine, design, and build better cities. In order to bring inspiration and present more about what goes on beyond a complete project, we are launching a new series titled “Behind the Scenes”, where we showcase the work of visionary photographers, artists, and curators, and ask some questions that allow them to share more of what they do with the world. In every episode, we will be sharing with you the answers, along with images and videos of their work.
Kicking off the series is London-based architectural photographer Edmund Sumner.
The COVID-19 pandemic quickly shuttered the doors of businesses, schools and workplaces across the world. From telecommuting to virtual events, cities have experienced less noise, traffic and pollution. Filmmaker and Director Jeff Durkin of Breadtruck Films recently began to capture these quiet moments on the University of CaliforniaSan Diego campus. Taking inspirations from science fiction series Tales from the Loop, he set out with his children to explore over 100 acres of modern architecture.
The architectural and engineering feats of Spanish architect Santiago Calatrava can be admired around the world, but his City of Arts and Sciences, designed alongside Felix Candela, has remained a modern architectural marvel. Like many international visitors, Lebanese photographer Anthony Saroufim found himself inherently attracted to the highly publicized building complex with a specific, tailored angle - unraveling the relationship between the built reality and the people interacting with it.
Andres Gallardo’s photo series “Urban Geometries” continues, this time the self-taught photographer chose to capture the architecture of Milan. The series focuses on the architectural contours of contemporary structures, varying in both age and function while highlighting the materiality of the façades, architectural, industrial details of each building.
Gallardo’s Milan series features the work of Zaha Hadid Architects and Grafton Architects. Other images in the series include elements of the city that often go unnoticed, such as a series of colorful recycling receptacles.
In a world rapidly transitioning toward primarily digital content creation, more and more people are beginning to experiment with various digital media. There is undoubtedly an intimate relationship between architecture and photography, and many architects enjoy experimenting with taking pictures, both of their own work and of their surrounding environment. But how do you know if you have the right gear needed to start off on the right foot? And more importantly, how can you get the most out of your equipment?
In honor of World Photography Day this month, we have put together a helpful guide to get started with lenses for architectural photography. This guide will specifically highlight the best lenses (for both DSLR and mobile) to use for your shots and why.
Having previously assembled sets of images featuring the offices of architecture firms in Dubai, London, Paris, Beijing, Shanghai, Seoul, the Nordic countries, and Barcelona, architectural photographer Marc Goodwin continues the series with an exploration of 17 large and small offices in the Netherlands. Occupying buildings formerly used as offices, banks and old factories, the interior and exterior images capture a glimpse of the lives of these designers and their daily architectural surroundings.
In recent years, the 1968 development has extended its popularity beyond architectural circles, having been featured in the music video for Martin Solveig’s hit “Do It Right.” Gallardo’s photoset, which you can see below or on his website, zooms in on the sharp, clean-cut, vibrant form of the development, informed partly by shadows cast from the hot Mediterranean sun. Despite the somewhat exact and pristine nature of the development, Gallardo also captures details of human habitation and everyday life, such as plants, vehicles, and furniture.
"Sand Castles (part II)" by Markel Redondo. Image Courtesy of Markel Redondo
The winners of the DJI Drone Photography Award have been announced, a competition calling for ideas to make creative use of drone photography, and to explore subject matters impossible to experience on foot. This year, the two winning projects consisted of a new perspective on Spain’s 3.4 million abandoned houses, and the documentation of salt production across Europe.
https://www.archdaily.com/892004/beauty-or-tragedy-aerial-imagery-of-spains-abandoned-housing-estates-wins-dji-drone-photography-awardNiall Patrick Walsh
Situated behind Snøhetta's iconic Oslo Opera House is another set of buildings which mark out Oslo as a cutting-edge architectural hub. The Barcode Project is a masterplanning project consisting of a row multi-purpose high-rise buildings which largely make up the skyline of Oslo. Each of the buildings is the creation of different combinations of European architecture firms; however, together they form an enticing composition with the gaps between them creating the impression of a barcode—hence the project’s clever nickname.
Each of the resulting buildings pushes the idea of what a high-rise building can be. Whether they take the form of a giant staircase or resemble a 3D version of Tetris, each of the buildings has its own peculiarities. The firms involved in the project included Dark Arkitekter, A-lab, MVRDV, and Snøhetta adding their stamp on the architecture of Oslo. Read on to see German architectural photographer Rainer Taepper’s stunning set of photographs on the Barcode Project.
The Republic of Georgia’s past is defined by turbulence and a struggle for identity. A former republic of the USSR, Georgia is perhaps best known as the birthplace of Joseph Stalin. The nation's history has been anything but calm, and remnants of the architectural past provide a glimpse into the nation that was.
The country's remaining Soviet landmarks give Georgia an air of being caught between the past and the present. Italian photographers Roberto Conte and Stefano Perego capture this in their photo series, Soviet Architecture Heritage in Georgia, with a compilation of photos that highlights the existing Soviet heritage in Georgian architecture today.
From architecture to music, directing and production, Portuguese photographer Ricardo Oliveira Alves worked in several different creative industries before combining his two biggest passions and starting his own architectural photography studio, Ricardo Oliveira Alves Architectural Photography, in 2010.
Alves captures emblematic national architecture projects in addition to work by prominent architects worldwide, “fusing the vision of the architect” with that of the photographer. He is also known for his “Archilapse” videos, which feature timelapse montages of architectural works.
Read an interview with Alves and view a selection of his images after the break.
Iwan Baan was twelve years old when he received his first camera and, "within a week, [he] had traded it in for a better one." He is one of the most well-known and highly sought after architectural photographers in the world, recognised for shooting cities from above and for always highlighting people (occupation) in his images. In a short interview with Jonathan Glancey Baan is the first to state that he "doesn't know much about architecture" — something which has not inhibited his ability to produce some of the most successful photographs of the built world, and how we design, construct and occupy it.
Brazilian photographer Joana França first became captivated with capturing architectural form when she started taking pictures at the age of 15. A graduate of the University of Brasilia with a degree in architecture, França has a keen eye for the city and built work.
The Brazilian capital -- where she was born -- has become one of her main objects of exploration, and she photographed the city for the Guide to Oscar Niemeyer’s Works – Brasilia 50 Years.
Since 2012, she has worked to document art exhibitions in Brazil, publishing, for example, “Peasant Da Vincis” which highlighted exhibitions by the Chinese artist Cai Guo-Qiang in Brasilia, São Paulo and Rio de Janeiro in 2013.
Enjoy an interview with França as well as a selection of her photographs after the break.
It's clear that architecture inspires and impassions Timothy Soar - not only has the UK photographer spent most of his life visiting and capturing great architectural works, but - unlike most photographers, or architects for that matter - he also speaks eloquently about the architecture that inspires him. Describing his favorite building, AHMM's Yellow Building, he tells us it "delivers exquisite simplicity out of a complex lattice. The building has a lyrical poetry in the way it wraps and folds itself around the occupants – deft, confident and generous. It is one of London’s great spaces."
Moreover, Soar believes deeply that his architectural photography does more than merely idealize built forms; not only do his images enable the architects he works with to "refine and amplify" the ideas within their built works, and thus aid them in defining their next work, but it also seeks to advocate architecture for all: "My work as a photographer is predicated on a desire to [...] to be an advocate for design that elevates, to help construct an argument where good design isn’t an occasional, rare and special thing but an everyday, routine and expected event." Read the whole interview and see more of Soar's fantastic images, after the break