The 2021 edition of La Biennale di Venezia also includes 112 participants in competition from 46 countries, with 60 national participants in the Giardini, at the Arsenale, and in the historic city center of Venice, Italy. Moreover, the international exhibition welcomes three countries, being part of the most important architectural biennale of the world for the first time: Grenada, Iraq, and Uzbekistan.
Many of us have already lived, are living, or will live in a shared student house - a good mix of cheap housing and intense socializing with friends and school mates. For a reasonable price, it is possible to have a single private room and share common spaces. In fact, not only university students are living this way nowadays. The concept of co-living is becoming more and more an attractive and effective solution.
Architecture remains in constant tension with natural forces. Designed around gravity, climate, and time, buildings are always part of larger systems. Throughout the world, designers have tried to mitigate natural forces by constructing hybrid spaces and structures, artificial areas where nature meets the manmade. Embodying this relationship, canals reflect a desire to direct nature and its flows. Today, these fluid spaces are opening up to new programs, projects that explore modern life and urban vitality.
When designing the Nordic Pavilion in Venice, Sverre Fehn incorporated Nordic architectural elements in unusual ways. One of the most attention-grabbing elements of the building is its laminar roof cover of white concrete, which is broken by trees planted inside the building blocking the sun's rays and filtering the light. Depending on the angle, the roof blades allow visitors to see the colors of the sky and the canopy of the trees, bringing dynamism to the pavilion's lighting and movement. In fact, the use of parallel slats on facades, walls, and roofs is a tradition that comes from Nordic architecture and has spread throughout the world. In this article we will cover some examples that use this element, including its variety of possibilities and the best ways to amplify their effect.
Remnants of the Socialist era, the large-scale architecture and urban spaces of the Eastern European Bloc still constitute a challenging legacy, at odds with contemporary urban environments and the values shaping cities today. This ideologically charged architecture is being reclaimed either through the reconciliation of the public opinion with this part of history, adaptive re-use, renovation, or through its re-contextualization as architectural heritage. By (re)introducing the human scale within these monumental architecture projects and public spaces, these entities are being restored to the urban and cultural life of cities.
Architecture is defined by its permanence. While the discipline's most celebrated works are often those that were built to last, there's inherent beauty and value in an architecture of impermanence. Moving beyond conventional buildings and considering environmental and social impacts, temporary structures hold the potential to push the boundaries of architecture and the categorization of art.
When considering “How Will We Live Together”, it is important to note the projective and future tense of the phrase. The idea not only encompasses ways we already share our built environment but targets the anticipated issues that are to be tackled to facilitate communal and mutually beneficial ways of living.
Despite a bad reputation in children's stories, straw buildings can be sustainable, comfortable, and, above all, solid and resistant. Several studies and experiments have been carried out with this agricultural waste substance, qualifying it as an potential material for the construction of walls, with good thermal, acoustic, and even structural characteristics. In addition, it is a renewable resource and easily constructed. Below, we'll talk about the characteristics of this material and how much more it would take than the breath of a big bad wolf to bring down a house made of straw.
Albania's architecture is tied to the sea and the country's cultural heritage. Bordered by Montenegro, Kosovo, North Macedonia and Greece, the republic spans both the Adriatic and Ionian Sea as it connects to the Mediterranean. Over time, Albania has seen a confluence of different civilizations and cultures, each shaping the built environment as we experience it today.
When we talk about roofs or fifth facades it is already a classic to think about green roofs. In reality, there is a wide range of uses and possibilities that materialize in different ways depending on the specific technical needs of each roof as well as the spatial and climatic possibilities of each location. The roofs can also be favourable spaces to develop structures, extensions, recreational areas and interactive spaces. It could even play a key role in the integration of a building with the landscape.
Accessibility and mobility. When perceived through the architectural lens, these terms often evoke a range capped by two extremes. On the one end, the flexibility of circulation systems; the universality of egress networks; and the technicalities of minimums and maximums. On the other end, a project’s capacity to support broad ranges of socioeconomic narratives; its malleability in the face of rapid fluctuations of program and function; and its reactivity in maintaining a productive role amidst the ebbs and flows of societal dynamics.
The winner of the Wolf Prize in 2005 and the Pritzker of 2008, French architect Jean Nouvel has attempted to design each of his projects without any preconceived notions. The result is a variety of projects that, while strikingly different, always demonstrate a delicate play with light and shadow as well as a harmonious balance with their surroundings. It was this diverse approach that led the Pritzker Prize Jury in their citation to characterize Nouvel as primarily "courageous" in his "pursuit of new ideas and his challenge of accepted norms in order to stretch the boundaries of the field."
Normally the efforts of the construction industry are aimed to design permanent and durable spaces. However, on some occasions creating temporary spaces can be of great help, not only when providing fast assembly infrastructure after the effects of a natural disaster, but also when activating residual or abandoned spaces in our cities. To exemplify the potential of these interventions, we present thirteen successful temporary public spaces.
Past, Present, Future is an interview project by Itinerant Office, asking acclaimed architects to share their perspectives on the constantly evolving world of architecture. Each interview is split into three video segments: Past, Present, and Future, in which interviewees discuss their thoughts and experiences of architecture through each of those lenses. The first episode of the project featured 11 architects from Italy and the Netherlands and Episode II is comprised of interviews with 13 architects from Spain, Portugal, France, and Belgium.
As technology moves forward, so does architecture and construction. Architects, designers, and planners around the world now have infinite tools and resources to design and build the cities of today and the future. As promising as this may sound, new construction is also consuming our world’s limited resources faster than we can replenish them.
This situation leaves architects with an important responsibility: the rehabilitation and reuse of the existing built environment. This means using creative thinking and design to save and incorporate old or historic buildings that currently exist, in the present and future of our cities, by adapting them through creative and sensitive treatments.
_Gent_Onuzi.jpg?1603920105&format=webp&width=230&height=230&crop=true)
CopyrightsMurrayFredericks.jpg?1439374362&format=webp&width=230&height=230&crop=true)
