Women Architects: The Latest Architecture and News

In many parts of the world, more women have architectural degrees than men. However, this fact hasn’t translated past university into the working world as women continue to be underrepresented across nearly all levels of practice.

The conversation regarding women in architecture gained tremendous traction back in 2013 with the petition for Denise Scott Brown to be recognized as the 1991 Pritzker Prize winner, alongside her husband and the consequent rejection of that request by Pritzker. The Architectural Review and Architect's Journal have, since 2015, jointly presented awards to the exceptional female practitioners as part of their Women in Architecture Awards program. The swelling of these movements have helped to promote not only the role but also the recognition of women in architecture.

Architect Liz Diller and architectural photographer Hélène Binet have been awarded the 2019 Jane Drew and Ada Louise Huxtable Prizes, respectively, for their exceptional contributions to the field of architecture. The prizes are part of the eighth edition of the Women in Architecture Awards founded jointly by The Architect's Journal and The Architectural Review.

Italian-born architect Lina Bo Bardi is one of the most important figures of Brazilian design. Her ability to blend architecture, politics and popular culture made her an icon throughout the country and world, while her relentlessness to break from traditionalisms made Brazil the ideal location for her work.

Bo Bardi's architecture incorporates both materiality and culture. In addition to the concrete and solidified elements, she designed pieces based on cultural factors and intense political discussions. She wished to break the barriers between intellectuals and everyday people.

Brazil-based Carla Juaçaba Studio has been announced as the winner of the AR’s Emerging Architecture Awards 2018 in Amsterdam. The firm will receive a £10,000 prize in recognition of exemplary projects such as their chapel for the Pavilion of the Holy See at the 2018 Venice Biennale, and the Casa Santa Teresa in Rio de Janiero.

The practice was chosen from a shortlist of 14 by a judging panel featuring Spanish architect Ángela García de Paredes of Paredes Pedrosa, finalists of the inaugural 1999 AR Emerging Architecture awards; Indian architect Gurjit Singh Matharoo commended in the 2009 edition; and Ronald Rietveld of Dutch practice RAAAF, winners in 2013.

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The Architectural Review has unveiled the 14-strong shortlist for the 2018 AR Emerging Architecture awards, recognizing young designers and their talents. The diverse shortlist contains firms from Ireland to Nepal, and Japan to Brazil, all seeking to join a prestigious list of previous winners, including 2017 winner Avenier Cornejo Architectes.

The awards series was founded in 1999, with previous winners including Shigeru Ban, Anna Heringer, Thomas Heatherwick, Jürgen Mayer H and Frida Escobedo. The judging panel for the 2018 edition will include Ángela García de Paredes of Paredes Pedrosa, winners of the original 1999 award, alongside Gurjit Singh Matharoo and Ronald Rietveld of RAAAF.

For years, there has been a lack of diversity in the field of architecture. Whether attrition numbers have been due to the lack of available information about promotion paths, firm hiring practices, or architects seeking out new career opportunities, this profession is one that has historically been stagnant in its representation. However, there is good news on this subject, as the National Council of Architecture Registration Boards (NCARB) revealed new data which shows that the profession is becoming more diverse and that the proportion of women staying in their careers is increasing.

According to NCARB's recently published By The Numbers report, although equity and diversity in the profession have been improving in recent years, data shows that attrition along the path to licensure remains much higher for non-white individuals. “NCARB has spent the past several years updating and aligning our programs to remove unnecessary burdens while maintaining the rigor needed to protect the public,” said NCARB CEO Michael Armstrong. “A key area for us to address is identifying how pinch points along the path to licensure may vary for candidates from different backgrounds.”

There’s something irresistible about Robert Venturi and Denise Scott Brown’s architectural romance. They met when they were both young professors at the University of Pennsylvania; Scott Brown held seminars in city planning, and Venturi gave lectures in architectural theory. As the story goes, Scott Brown argued in her first faculty meeting that Frank Furness’ masterful Venetian gothic library should not be torn down to build a plaza (then a dissenting opinion). Venturi approached her after the meeting, offering his support. As Paul Goldberger wrote of the couple in 1971, “as their esthetic viewpoints grew closer and closer, so did their feelings toward each other.” Architecture lovers can’t help but love the architect-lovers.

There is no female pronoun for architect in Italian, so a new project, Architette, was born aiming to professionally promote the female title in Italian. The project's objective consists of monitoring all-male juries and conferences, mentoring young generations on the ground to advocate for a more heterogeneous and fair professional landscape, where women can be an inspirational reference in architecture. 

Architect Elizabeth Diller of firm Diller Scofidio + Renfro has once again been named one of TIME’s most influential people in 2018. TIME Magazine’s annual ‘Time 100’ List recognizes the achievement of artists, leaders, activists, entrepreneurs, and athletes who are exemplary in their fields. Diller has been named to the category of “Titans,” along with Roger Federer, Oprah Winfrey, Jeff Bezos, Elon Musk and Kevin Durant. This is Diller’s second time on the list but the first time being honored as a "Titan."

Other honorees this year include Shinzo Abe, Justin Trudeau, Xi Jinping and Jimmy Kimmel. 

"Where are the women architects?" Despina Stratigakos, an architectural historian and professor, lamented in her book about women in the practice. (She even titled her book that very question.) The sentiment was certainly a resounding one, well-understood by many women who have worked in the profession and had to break through a male citadel. We know the number of women in architecture is small, and it gets smaller the higher up we look. 

Which is why we wanted to recognize the women who are at the top, leading practices, and paving the way. To celebrate International Women's Day this month, we launched an open call to recognize women who run their own firms all around the world. And if their projects had never been published by us before, we were going to give them the spotlight.

What we found were an incredible group of women who impressed us with their designs, their work ethic, and their dedication towards the profession. Not only do these women design and build, but they lead teams, manage offices, and eventually took the leap to be their own bosses and do things their own way. 

The history of Mexican photography has contributed to highlighting Mexico's presence in the world. Photographers like Elsa Medina, Lola Álvarez Bravo, Graciela Iturbide, Maya Goded, and Juan Rulfo have masterfully portrayed the life of the buildings, houses and the streets of a rapidly built, nineteenth-century Mexico. 

As a consequence, the contemporary scene of Mexican photography has become a fundamental tool for architecture and has contributed to a better visual understanding of the works that are erected every day.

Photography and architecture are two disciplines that go hand in hand and whose relationship has been reinforced thanks to the digital tools that we currently have. For that reason, we have compiled the work of contemporary Mexican photographers who record our walk through the world we live in and contribute to constructing the image of contemporary Mexico. 

The New York Times has detailed accusations of sexual harassment made by five women against architect Richard Meier. The allegations have been made by four women who have worked with Mr. Meier, including two women describing incidents which have occurred over the last ten years. A fifth woman, who did not work at the firm, details an incident with Mr. Meier in the 1980s.

In response to the allegations put to Mr. Meier by the New York Times, the 83-year-old architect has said he will take a six-month leave of absence from his firm, and issued the following statement:"I am deeply troubled and embarrassed by the accounts of several women who were offended by my words and actions. While our recollections may differ, I sincerely apologize to anyone who was offended by my behavior."