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The Kuwait Pavilion, titled 'Rethinking Rethinking Kuwait,' at the 18th International Architecture Exhibition — La Biennale di Venezia, delves into innovative architectural and urban design methods arising from space and time. The project is an ongoing exploration addressing the consequences of modernist urban planning, which erased much of Kuwait's historic built environment.
Along the longest river in the world, the Nile River, various landscapes and natural environments have been negatively impacted by interventions that do not consider the context or respect local cultures. In response, NiLab the Egyptian Pavilion at the 18th International Architecture Exhibition of La Biennale di Venezia, aims to revisit these places and highlight the value of architectural design in promoting more sustainable and culturally aware development along the river. The exhibition titled "NiLab: Nile as Laboratory", recognizes the Nile's exceptional geographical size, historical significance, and impact on natural and human landscapes, making it an ideal backdrop for reflection on contemporary issues.
Successfully challenging the audience to think in a different and more empathetic way, Lesley Lokko’s biennale is an authentic portrayal of a highly intricate subject. Inaugurated on May 20, the 18th International Architecture Exhibition – La Biennale di Venezia, titled The Laboratory of the Future, has already sparked worldwide discussions.
Taking a broader perspective on architecture, the exhibition shifts its focus towards the discipline rather than just the profession. It’s not “about building buildings per se”, explains the curator to ArchDaily. Instead, it seeks to question our conventional understanding of architecture, and with that, architectural exhibitions. The 2023 Biennale is a laboratory in every sense of the word, a global platform of experimentation, and a space to explore new ideas in the absence of spaces that allow us to do so. "It borrows its structure and format from art exhibitions, but it differs from art in critical ways which often go unnoticed", states Lesley Lokko in her initial statement.
Onsite, in Venice at the 18th International Architecture Exhibition, ArchDaily had the chance to meet with the curator Lesley Lokko to discuss the first impressions and the main themes of this edition of the Biennale, following up on the previous interview recorded before the opening of the event. Featuring 63 National Pavilions, 89 Participants, and 9 collateral events in the city, the 2023 Venice Architecture Biennale represents one of the most important international events for the architectural profession. The conversation addressed Lesley Lokko’s approach to curating the theme and focus of the event, understanding Africa as “The Laboratory of the Future,” the desire to bring both authenticity and empathy to the architectural discourse, while creating a space for voices not typically heard in global exhibitions.
The Kiran Nadar Museum of Art (KNMA) has revealed an architectural model of its new building during the 18th International Architecture Exhibition - La Biennale di Venezia, as part of the Curator’s Special Projects, titled Mnemonic, presented at the Arsenale - Artiglierie in Venice. The building, designed by Ghanian-British architect Sir David Adjaye in collaboration with S. Ghosh & Associates as the local architect of record, is set to become India’s largest cultural center. The project is scheduled to open in Delhi in 2026.
The Brazilian Pavilion titled Terra [Earth], curated by Gabriela de Matos and Paulo Tavares won the Golden Lion for Best National Participation at the 2023 Venice Architecture Biennale. Selected by a jury comprising Italian architect and curator Ippolito Pestellini Laparelli as president, Nora Akawi, Thelma Golden, Tau Tavengwa, and Izabela Wieczorek, the winning intervention at the 18th Venice Architecture Biennale "proposes to rethink the past in order to design possible futures, bringing to the fore actors forgotten by the architectural canons, in dialogue with the curatorship of the edition, Laboratory of the Future".
Broadcasted live on the Biennale’s official page, the ceremony taking place at Ca’Giustinian, the headquarters of La Biennale di Venezia, also awarded the Golden Lion for Best Participant in the International Exhibition The Laboratory of the Future", to DAAR (Alessandro Petti + Sandi Hilal), while the Silver Lion for a promising young participant in the International Exhibition The Laboratory of the Future went to Olalekan Jeyifous. Other recognitions included a special mention to Thandi Loewenson, to Wolff Architects, Ilze Wolff, and Heinrich Wolff, to Twenty Nine Studio / Sammy Baloji, and to the national pavilion of Great Britain, titled "Dancing Before the Moon" curated by Jayden Ali, Joseph Henry, Meneesha Kellay, and Sumitra Upham.
The 18th International Architecture Exhibition – La Biennale di Venezia, titled The Laboratory of the Future, will hold its official inauguration on Saturday, May 20th, and will remain open to the public until November 26th, 2023. The pre-opening events happening on May 18th and 19th include the awards ceremony, during which an international jury led by Ippolito Pestellini Laparelli as president will award the official prizes: Golden Lion for best National Participation, Golden Lion for best participant, and Silver Lion for a promising young participant in the biennale. The Golden Lion for Lifetime Achievement will be awarded to Demas Nwoko, Nigerian-born artist, designer, and architect, during the inauguration ceremony on May 20th.
As one of the most important and visited contemporary architecture exhibitions worldwide, the Venice Architecture Biennale extends beyond the grounds of the Giardini and the Arsenale, and at Forte Marghera to engage the whole city in discussing relevant issues, challenges, and opportunities of the architectural profession. To explore more diverse perspectives of the overarching theme, “Africa: The Laboratory of the Future,” 9 collateral events have been officially announced as part of the 18th International Architecture Exhibition of La Biennale di Venezia.
The events, which are admitted by curator Lesley Lokko and promoted by non-profit national and international bodies and institutions, take place in several locations scattered around the city. They offer a wide range of contributions and participations that contribute to the diversity of voices represented at the exhibition in Venice.
The National Pavilion of the Czech Republic presents the exhibition “The Office for a Non-Precarious Future” at the 18th International Architecture Exhibition of La Biennale di Venezia. The exhibition investigates current pressing issues faced by the architectural profession and especially by young practitioners by asking the initial question: ”How can architects design a better world if they themselves work in a toxic working system?.” The pavilion is commissioned by Helena Huber-Doudová and will present the works of exhibitors Eliška Havla Pomyjová, David Neuhäusl, and Jan Netušil. As the Czech ad Slovak Pavilion at the Giardini della Biennale is under reconstruction, the Czech Republic will exceptionally use the Arsenale in the Artiglierie section as its exhibition space. The Czech and Slovak Pavilion in Giardini will serve only as a digital hub to complement the main presentation.
For the 18th International Architecture Exhibition – La Biennale di Venezia, the South African Pavilion explores the architectural representation of social structures through an exhibition titled “The Structure of a People.” Prior to the exhibition, the pavilion curators, Mr. Stephen Steyn, Dr. Emmanuel Nkambule, and Dr. Sechaba Maape, conducted a national architecture competition titled “Political Animals,” aimed at gathering artifacts crafted by lecturers and architecture students to represent the structures of their schools or universities. The resulting models and miniature architectures, produced by ModelArt, will be exhibited within Zone III, Political Animals, as part of the South African Pavilion.
Built on a cluster of 118 small islands in the shallow Venetian Lagoon, the city of Venice, Italy, has captivated the imagination of architects and tourists alike. The area has been inhabited since ancient times, becoming a major financial and maritime power during the Middle Ages and Renaissance, as proven through the rich architecture that characterizes the city to this day. With influences from the Byzantine, Gothic, and Renaissance styles, the city represents a palimpsest of architectural narratives, overlapping and influencing each other. In recent years, Venice has become a major attraction for architects drawn to the La Biennale di Venezia, the most important Architectural Exhibition featuring national pavilions, exhibitions, and events to explore new concepts and architectural innovations.
Beyond the Biennale, Venice itself is an open-air museum for architecture lovers. While the city is best known for its historical buildings, Modernist and contemporary interventions add a new layer of interest, with many contemporary architects working with the historical fabric, like OMA’s intervention and rehabilitation of Fondaco dei Tedeschi, or David Chipperfield’s renovation of Procuratie Vecchie, one of the buildings that define Piazza San Marco. In addition to what the city has to offer, the site of the Venice Biennale is also marked by interventions by famous architects such as Carlo Scarpa, Sverre Fehn, and Alvar Aalto, made permanent due to their outstanding qualities.
For the 18th International Architecture Exhibition – La Biennale di Venezia, the Pavilion of Ukraine presents an exhibition titled “Before the Future,” focusing on the paradox of “building a future from a collapsing present.” The intervention reimagines two spaces, one in Arsenale and one in Giardini, to evoke protective structures that have become emblematic of feelings of safety while under threat for Ukrainian society. The curatorial team, composed of Iryna Miroshnykova and Oleksii Petrov, of the Kyiv-based architectural office ФОРМА, and Borys Filonenko, independent curator, art critic, and lecturer, set out to work with specialists from numerous fields to further explore the theme “Laboratory of the Future.”
The Kingdom of Bahrain announced its participation at the 18th International Architecture Exhibition of La Biennale di Venezia with a pavilion exhibition titled “Sweating Assets.” Curated by architects Latifa Alkhayat and Maryam Aljomairi, the exhibition highlights the relationship between the extreme heat and humidity that characterizes Bahrain and the inherent need for comfort. The curators aim to show how the necessary cooling infrastructure can be maximized through adaptive means and resource management while reducing its negative impact on the environment.
Deliberated by the Board of Directors of La Biennale di Venezia and upon recommendation by Curator Lesley Lokko, the International Jury of the 18th International Architecture Exhibition, which will open on the 20th of May 2023, and will run until the 26th of November, 2023, has been selected. The 2023 jury will include Italian architect and curator Ippolito Pestellini Laparelli as president, Palestinian architect and curator, Nora Akawi, American director and curator of The Studio Museum in Harlem, Thelma Golden, South-African founder and co-editor of Cityscapes Magazine, Tau Tavengwa; and Polish Izabela Wieczorek, architect in Spain and a researcher and educator based in London.
The International Jury will award the "Golden Lion for Best National Participation", the "Golden Lion for the best participant in the International Exhibition The Laboratory of the Future", as well as the "Silver Lion for a promising young participant in the International Exhibition The Laboratory of the Future". The Jury may also award a maximum of one special mention to a National Participation, and a maximum of two special mentions to the participants in the International Exhibition The Laboratory of the Future. The announcements and awards ceremony will take place in Venice on Saturday, May 20th, 2023.
The National Pavilion of Ireland will present an exhibition titled “In Search of Hy-Brasil” at the 18th International Architecture Exhibition of La Biennale di Venezia. The pavilion set out to explore diverse cultures, communities, and experiences of Ireland’s remote islands in the search for new ways of inhabiting the world. A team of five architects has been selected as the curators of the exhibition: Peter Carroll, Peter Cody, Elizabeth Hatz, Mary Laheen, and Joseph Mackey. The pavilion will be open to the public from May 20th to November 26th, 2023; afterward, the installation will tour Ireland in 2024, bringing voices from peripheral locations into mainstream conversations around our global future.
For the 18th International Architecture Exhibition – La Biennale di Venezia, the national pavilion of Latvia will be transformed into “TCL,” a supermarket that gathers architectural ideas and products of different origins. Commissioned by Jānis Dripe and the Ministry of Culture of the Republic of Latvia, the exhibition is curated by Uldis Jaunzems-Pētersons, and designed by a team comprising Ernests Cerbulis, Ints Menģelis, Toms Kampars, and Karola Rubene. The Pavilion will be open from May 20th until November 26th, 2023.
At the 18th International Architecture Exhibition – La Biennale di Venezia, Qatar Creates will present the documentary exhibition "Building a Creative Nation”, at the ACP - Palazzo Franchetti, from May 14 through November 26, 2023. This will be the first time that Qatar's newest cultural institutions are highlighted outside their home country.
ELEMENTAL, Herzog & de Meuron, Office for Metropolitan Architecture (OMA), Philippe Starck, and UNStudio are just a few of the internationally renowned architectural firms working with Qatar Museums to establish five new cultural facilities in Qatar. The new constructions will be overseen by Qatar Museums, tasked with maintaining and expanding Qatar's cultural assets through managing the nation's expanding network of museums, heritage sites, festivals, and public art installations.
For the 18th International Architecture Exhibition – La Biennale di Venezia, The Albanian Pavilion set out to respond to the theme “The Laboratory of the Future” with the exhibition “Untimely Meditations or: How We Learn to Live in Synthesized Realities.” The project seeks to introduce and understand new typologies of civic spaces by repurposing the rendering engine as a mechanism for exploration. The curatorial team is composed of architects Martin Gjoleka, and Era Merkuri, exhibiting together with architect Ani Marku and 3D digital artist Geraldo Prendushi.
