The Pavilion of Turkey at the 2016 Venice Biennale will feature an exhibition titled Darzanà: Two Arsenals, One Vessel, which links the cultural heritage between the language and architecture of dockyards in Istanbul and Venice. Curated by a team of Turkish architects, the display will present “a last vessel," that has been built using waste materials found at the Haliç dockyards in Istanbul, and transported to the Biennale.
As the 2016 Venice Biennale is set to begin this upcoming Saturday, May 28th, the first glimpses of the pavilions have begun to roll in through the social media wires. In addition to the event’s main exhibition, curated by this year's Pritzker Prize winner Alejandro Aravena, there will be 63 exhibitions held in country pavilions throughout the grounds responding to this year’s theme of “Reporting From the Front.” We've taken to Instagram to round up the best sneak peeks of the exhibitions coming together at architecture’s preeminent event—read on to take a look.
Following a competition that received 286 entries from 26 of the 32 states of Mexico, 31 proposals have been selected to be presented at the Mexican Pavilion at the 2016 Venice Biennale. Narrating the “deep history of social participation in Mexico,” the exhibit, “Unfoldings and Assemblages,” will feature “architectures assembled from fragments, modules, relations, stories, tactics, technologies and construction strategies.” The exhibit will focus on work and experiences that can change, propagate and adapt, rather than closed systems or final products.
The Republic of Seychelles will make their debut at the upcoming Venice Biennale with an exhibition titled Between Two Waters, Searching for Expression in the Seychelles. Curated by Andrés F. Ramírez, and featuring the work of local firm ADD.locus, the exhibition faces the Grand Canal and “transports visitors to the 115-island archipelago—the least populated nation in Africa,” exploring the identity of this nation while also investigating the architecture of every day life in the paradise islands.
.jpg?1463319513&format=webp&width=640&height=429)
Israel has unveiled its theme for the 2016 Venice Biennale: “LifeObject: Merging Architecture and Biology”. Their pavilion will be comprised of a large-scale sculptural installation and seven speculative architectural scenarios relating to Israel. The exhibition will focus on the relationship between biology and architecture, acting as a “research oriented platform.”
With the opening of the 2016 Venice Architecture Biennale almost upon us, architects, curators and artists have already started to migrate to the city to unlock pavilion doors and sweep out the past six months of hibernation from the previous biennale season. This year, however, one pavilion has confirmed that it will remain closed – the Canadian Pavilion will not be opening its doors. Closure of the space has been attributed to a much-needed renovation, which has been mentioned by those who have exhibited in the space, specifically Shary Boyle at the 2012 Venice Art Biennale. Nevertheless, there are whispers that the political nature of this year’s entry may have been another reason to keep the pavilion shut. That said, Canada will be present by staking claim in the Giardini with a provocative installation entitled Extraction.
For this year’s US Pavilion at the 2016 Venice Biennale, curators Cynthia Davidson and Monica Ponce de Leon have chosen twelve teams to speculate on possible architecture projects for four sites in Detroit, in an exhibition titled: The Architectural Imagination. After visiting Detroit last fall for site visits, community meeting, and discussions with faculty and students at the University of Michigan’s Taubman College of Architecture and Urban Planning, the teams have now released images for their projects. The curators hope to generate creative and resourceful work to address the social and environmental issues of the 21st century.
.jpg?1460846971&format=webp&width=640&height=429)
Can architects have a truly active role in pressing social problems? Malkit Shoshan, the curator of the Dutch Pavilion at the 2016 Venice Biennale, thinks so. Her career is evidence of this: advocating for the incorporation of a fourth 'D' in the criteria of the UN (Defence, Diplomacy and Development) in its peacekeeping missions around the world, Shoshan has sat at the same table as military engineers and policy makers to analyze the urban impact peacekeepers have left around the world.
The Swedish exhibition, “The Forests of Venice,” has been selected as a Collateral Event for the 2016 Venice Biennale. Initiated by Kjellander + Sjöberg and Folkhem; and curated by Jan Åman, the exhibit highlights wood as a sustainable material, while looking at "the interaction between nature and the man-made human habitat in order to respond to climate change and limited resources."
This interview was originally published by Metropolis Magazine as "MIT on the Frontier: An Interview with Hashim Sarkis."
The organising committee behind the Pavilion of China at the 2016 Venice Biennale (the China International Exhibition Agency) have revealed that the exhibition will be entitled Back to the Ignored Front, themed around "things and designs that embody traditions of the past and have a lasting presence." Based on the premise that Chinese architecture has been pioneering in the nation’s modernization for the last three decades the show, which will be on display in the Arsenale, intends to tackle how these "developments generally focus only on the new ‘futuristic’ frontier." 'Spectacular’ buildings and cities are, in their words, "erected one after another, seldom taking a glance at the things passed by – ancient traditions and daily lives."
Kristy Balliet, Assistant Professor at the Knowlton School of Architecture, is the Columbus-based half of BairBalliet, who will be presenting their work as part of the Pavilion of the United States at this year’s Venice Biennale. Her research focuses on the exploration of volume as an architectural medium. Balliet's interest in the city of Detroit began long ago. Related to her interest in contemporary forms of volume, her research started to reimagine the typology of the architectural "midrise" (10-15 story building). Detroit, along with other Midwest cities, requires an innovative tactic for urban infill and associated embedded volumes. This topic has been explored within her own work and as a topic for research design studios at the Knowlton School of Architecture.
In celebration of the four decade career of the late Zaha Hadid, Fondazione Berengo will host an exhibition of her paintings, drawings, and models at the 16th century Palazzo Franchetti in Venice, coinciding with the 2016 Venice Biennale. The exhibition will display the full range of Hadid's design work from built projects, to those under construction, and others ultimately never realized. Some of the early, unrealized work that will be represented includes Malevich’s Tektonic, a bridge concept for the Thames River, which Hadid developed while she was still a student at the Architectural Association School in London (1976-77), as well Peak Club, Hong Kong (1982-83), Hafenstrasse, Hamburg (1989), Grand Buildings, Trafalgar Square, London (1985), the Victoria City master-plan for Berlin (1988), and the Cardiff Bay Opera House (1994-95).
FAVELAS, named after the Brazilian creeping plant ’favela’ have existed in Brazil since the late 19th century. Wretched areas of closely packed dwellings were planted in the cities, on the outskirts of the cities, and continued to spread rampantly, growing out of all control. The problem became worse around 1950 when the industrialization of Brazil led to mass migration from rural areas to the big cities. At first the municipal administration tried to resolve this problem by building social housing. Some of the favelas were bulldozed and their inhabitants were forced to resettle elsewhere. But areas of informal settlements have continued to grow. According to the Secretaria Municipal de Habitação the slum’s residents are already 22% of the population in Rio.
Singapore-based WOHA’s “Fragments of an Urban Future” will be on display at the 2016 Venice Biennale, addressing some of the critical issues that megacities face today -- “unprecedented urbanization, accelerating climate change and the need for preservation of tropical biodiversity.” Part of the Global Art Affairs Foundation’s collateral exhibition, “TIME SPACE EXISTENCE,” WOHA’s contribution will be housed in the Palazzo Bembo.
Curated by Juan Román and José Luis Uribe, Chile’s pavilion at the 2016 Venice Biennale will present 15 architecture projects that aim to transform the daily life of people living in rural areas of the country.
Victoria_and_Albert_Museum__London.jpg?1462899945&format=webp&width=640&height=429)
The 2016 Venice Biennale will see the inaugural collaboration between La Biennale and London's Victoria & Albert Museum (V&A) with an exhibition located in the Sale d’Armi (Arsenale) entitled A World of Fragile Parts. The show aims to explore the threats facing the preservation of global heritage sites and how the production of copies can aid in the preservation of cultural artefacts.
The Board of Directors of La Biennale di Venezia, upon recommendation from Alejandro Aravena, have announced the jury for the forthcoming Venice Biennale who will award the Golden Lion for Best National Participation, the Golden Lion for Best Participant in the International Exhibition Reporting From the Front, and the Silver Lion for a Promising Young Participant in the International Exhibition Reporting From the Front. They will also have the opportunity to award one special mention to National Participations and two special mentions to the participants in the International Exhibition.