Waugh Thistleton Architects or WTA has won an international design competition in collaboration with In Praise of Shadows and Land Arkitektur, to deliver the new head office of Gotlandshem, the national housing association of the Swedish island of Gotland in Visby, Sweden. The project, low carbon, and low impact building will be a multifunctional place, providing a healthy hub for businesses, accessible by the whole community.
A new six-story net-zero carbon office development in Vauxhall, London, UK has been granted planning commission by the city council to move further. Designed by FCBStudios, the timber workspace named Paradise, will transform an abandoned site on old Paradise street, and replace the existing disused roastery.
Constrained by a lack of transportation and resources, vernacular architecture has started adapting the distinct strategy of utilizing local materials. By analyzing projects which have successfully incorporated these features into their design, this article gives an overview of how traditional materials, such as tiles, metal, rocks, bamboo, wooden sticks, timber, rammed earth and bricks are being transformed through vernacular architecture in China.
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Earlier this month, Steven Holl Architects designed and created their project Obolin, a sculpture made locally from a single panel of cross-laminated timber, or CLT. It was made for and is now exhibited in the Art Omi Sculpture and Architecture Park, an art center that seeks to explore the intersection of architecture and art through the production of pavilions, installations, landscape interventions, and built environments designed by architects.
The Atlassian Sydney Headquarters, the soon to be “world’s tallest hybrid timber building” is being built in Sydney, Australia. Designed by SHoP in partnership with BVN, the 40-story high tower will provide, once completed in 2025, a new and innovative space for technology giant Atlassian.
This article was originally published on The Architect's Newspaper as "Architects apply the latest in fabrication, design, and visualization to age-old timber."
Every so often, the field of architecture is presented with what is hailed as the next “miracle building material.” Concrete enabled the expansion of the Roman Empire, steel densified cities to previously unthinkable heights, and plastic reconstituted the architectural interior and the building economy along with it.
But it would be reasonable to question why and how, in the 21st century, timber was accorded a miracle status on the tail-end of a timeline several millennia-long. Though its rough-hewn surface and the puzzle-like assembly it engenders might seem antithetical to the current global demand for exponential building development, it is timber’s durability, renewability, and capacity for sequestering carbon—rather than release it—that inspires the building industry to heavily invest in its future.
Grafton Architects was selected as the winning firm to design the Anthony Timberlands Center for Design and Materials Innovation at the University of Arkansas. In collaboration with Modus Studio for the planned campus design research center, the design on the project is scheduled to begin this summer.
Vincent Callebaut Architectures has imagined The Rainbow Tree, a modular mass timber condominium tower in Cebu City, Philippines. Revealing the cultural and natural Filipino heritage, the project, named after an iconic and colorful tree from the Philippines the Rainbow Eucalyptus, was entirely conceived in a way to reduce the carbon footprint of the building.
It may sound like a silly rhyme, but it’s true: wood is good. As a construction material, wood is beautiful, practical, and versatile. The great strength, light weight, and excellent insulating properties of wood make it ideal for many applications, especially at a time when timber is delivering efficient solutions at different scales. Despite these benefits, wood is highly susceptible to decay, especially when used outdoors.
Centennial College, Ontario's first public college, has collaborated with DIALOG, Smoke Architecture, and EllisDon to design and build the first zero-carbon, mass timber higher-education building in the country. Scheduled for completion in 2023, the new gateway structure will bring together Indigenous and Western cultures in both form and function.
A team of five firms have come together to design the first large-scale timber building in Western Australia. Lyons Architecture is working with Officer Woods, The Fulcrum Agency, STH and Aspect Studios on the new academic building at Murdoch University in Perth. Constructed from locally sourced timber, the four-story project will include offices, learning spaces, and informal gathering areas.
The barnyard typology is an endearing staple of rural architecture. Simple in construction, and traditionally shaped from necessity rather than aesthetic, barns have nonetheless continued to spark the imaginations of those seeking a contrast to the fast-paced, dense, globalized reality of urban life. They also spark the intrigue of designers. Whether it is refurbishing historic farms for modern use, or constructing an entirely new addition to the countryside, architects have drawn inspiration from the industrial origins of traditional barnyards to reinterpret elements such as modularity, timber expression, and refined ornamentation.
The history of timber construction stretches back as far as the Neolithic period, or potentially even earlier, when humans first began using wood to build shelters from the elements. The appearance of the first polished stone tools, such as knives and axes, then made wood handling more efficient and precise, increasing the thickness of wood sections and their resistance. Over the decades, the rustic appearance of these early constructions became increasingly orthogonal and clean, as a result of standardization, mass production, and the emergence of new styles and aesthetics.
Today we are experiencing another seminal moment within the evolution of timber. Nourished and strengthened by technological advances, new prefabrication systems, and a series of processes that increase its sustainability, safety, and efficiency, timber structures are popping up in the skylines of cities and in turn, is reconnecting our interior spaces with nature through the warmth, texture, and beauty of wood. Where will this path lead us? Below, we review 7 trends that suggest this progress is only set to continue, increasing both the capabilities and height of timber buildings in the years to come.
Powerhouse Company has revealed a new design for Floating Office Rotterdam (FOR), the headquarters of the Global Center on Adaptation (GCA). As the team states, construction will start this spring, and the all-timber project will be both energy-neutral and self-sufficient. The GCA will be housed in the Rijnhaven in Rotterdam for a period of 5 to 10 years.
Henning Larsen has created a proposal for Copenhagen’s first all timber neighborhood. Made for Fælledby, the plan includes 40 percent undeveloped nature, aiming to illustrates how new developments can embrace environmentalist principles. The project would transform a former dumping ground site into a model for sustainable living, accommodate 7,000 residents in an entirely timber construction.
The world’s greenest football stadium, designed by Zaha Hadid Architects will be built in Gloucestershire, England after planning permissions were finally granted by the local council.
Glued Laminated Wood (Glulam) is a structural material manufactured through the union of individual wood segments. When glued with industrial adhesives (usually Melamine or Polyurethane resin adhesives), this type of wood is highly durable and moisture resistant, capable of generating large pieces and unique shapes.
One of the most practical and functional spaces of any residential project is the kitchen. Its artificial surfaces – be it countertops, kitchen benches, or coverings – contain most of the space's equipment. Thus, it’s essential to build kitchens with the most resistant and hygienic materials. Aside from these requirements, it's also important to pay attention to aesthetics and profitability, while adapting the space to the dynamics of each family.
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.jpg?1573485211 "The Roof House / MILODAMALO. Image © Ilya Ivanov")
