"SU+RE HOUSE powers itself with clean solar power, and uses 90 percent less energy than its conventional cousins," says the winning team. "In the aftermath of a storm, SU+RE HOUSE can become a hub of emergency power for surrounding neighborhoods."
FuturArc Prize seeks forward-thinking, innovative design ideas for Asia. The Competition offers a platform to professionals and students who are passionate about the environment. Through the force of their imagination it aspires to capture visions of a sustainable future.
When it comes to sustainable architecture, the focus has historically been on designing buildings to reduce emissions. In recent years though, this focus has expanded to take into account the full life-cycle impact of a building and its components. But is this enough? In this article from ArchitectureBoston's Fall 2015 Issue, originally titled "Old is the new green," Jean Carroon FAIA and Ben Carlson argue that not only are most green buildings not designed with the full life-cycle of their materials in mind, but that even those which are they rely on a payback period that we simply can't afford. The solution? A dose of "radical common sense" in the form of preservation.
“Radical common sense” is the term a fellow preservation architect uses to describe a mindset that values repair over replacement. Why is this radical? Because, while reuse of water bottles and grocery bags is rapidly gaining ground, reuse of buildings and building components is not. And it’s not hard to see why: It is almost always less expensive and easier to replace a whole building and almost any of its elements — doors, windows, light fixtures — than to repair and reuse. Replacement also can offer measurable and consistent quality with product certifications and warranties not available for repaired items. Theoretically, a new building can ensure “high performance” and significantly reduce the environmental impact of building operations while creating healthier spaces. What’s not to like?
Maybe the old saying applies: If it sounds too good to be true, it probably is. We want and need “sustainability.” We want and need buildings, towns, and cities that are not bad for the environment nor the people who live and work in them. But is “new” the solution or the problem?
https://www.archdaily.com/775136/why-old-is-the-new-greenJean Carroon FAIA and Ben Carlson
New-Territories/ M4 has launched a Kickstarter campaign to fund MMYST, a hybrid architecture project that combines a hotel with a manufactured habitat for Swiftlets, a bird native to Thailand. Located in Krabi, the building will be used almost exclusively by backers of the project and will be set for removal in 10 years. In order to be realized, the project requires $200,000 in funding before October 25, 2015. Read more about this experimental project after the break.
Architect and engineer, Werner Sobek, is urging cities to become emissions-free by the year 2020 – for all cars and buildings to be entirely powered by renewable energy. Sobek shared this goal during his acceptance speech of the Fritz Leonhardt Prize in July 2015, saying that this goal is achievable, but only with the full support of automotive and construction industries. Although seven leading, industrialized nations have agreed to de-carbonization by the end of the century, Sobek believes that that would be too late. Read more about Werner Sobek’s vision of the future after the break.
Created by the Union International des Architects (UIA)in 2005, World Architecture Day is celebrated on the first Monday of October with the aim of reminding the world about the collective responsibility of architects in designing our future cities and settlements.
This year, the UIA has selected “Architecture, Building, Climate” as the theme of the day, seeking to highlight the essential role that architecture, design and urbanism have in the reduction of greenhouse gas emissions. With international climate treaty negotiations set to happen later this year, the “UIA members, working bodies and partners will mobilize on 5 October to promote actions and solutions that apply the enormous power of architecture and urban design in coping with global climate change, one of the greatest challenges of our time.”
Through small actions architects can collectively make a big difference and create significant changes. To celebrate World Architecture Day, we have rounded up a selection of projects that have taken steps towards the challenge of protecting our environment.
https://www.archdaily.com/774798/happy-world-architecture-dayAD Editorial Team
Text description provided by the architects. Following up a year of development, Penda has unveiled their installation for Beijing Design Week (BJDW) 2015 – Rising Canes, a structural system made entirely of bamboo and ropes. Meant to be a speculation system for larger developments, the installation is fully modular, ecological and easy to expand in every direction. Bamboo was chosen as the main construction material for its long traditional roots in China and fantastic structural capability, as well as part of a desire to fight its current obscurity as a construction material.
Aerial Rendered View. Image Courtesy of Vo Trong Nghia Architects
Known for their work in adding greenery to the cities of Vietnam, Vo Trong Nghia Architects have unveiled their latest set of condominiums for Ho Chi Minh City – three towers covered in bamboo. Located 3.5km from the centre of Ho Chi Minh City, their project “Diamond Lotus” has enough units for 720 families, with a total floor space of 67,240 square meters across its three buildings. Read more about this project after the break.
Skidmore, Owings & Merrill LLP (SOM) has unveiled their design for the U.S. Department of Energy’s Oak Ridge National Laboratory (ORNL): a 3D-printed building powered by a 3D-printed vehicle developed by ORNL. Dubbed AMIE, the project was developed in collaboration with ORNL, University of Tennessee (UT), Clayton Homes, General Electric, Alcoa, NanoPore and Tru-Design. SOM was able to take the design from concept to completion in less than a year.
Combining mobile power with energy-efficient design and photovoltaic (PV) panels, the AMIE presents possibilities for human shelter off-the-grid. Following previous work by SOM, demonstrating the use of 3D printing for complex, organic geometries, the new building combines structure, insulation, air and moisture barriers, and exterior cladding into one shell.
Following a turnkey competition, NORD Architects was awarded the contract for their design of the new FuresøCity Hall in Denmark. The project, consisting of 2,000 square meters of renovation and 3,400 square meters of new space, is set to finish by 2017 and will house 300 employees. Driven by sustainable and democratic design, the new city hall is estimated to reduce annual operating costs by 8 million DKK for the Furesø government. Read more about this upcoming project after the break.
Students worldwide are invited to submit drawings “that inspire, communicate, and engage” with the theme of Sustainability Through Architecture. Thus, drawings “should focus on sustainability and architecture’s ambition to take an active part in the change of our society,” and “should address architecture’s ability to contribute to a sustainable environment on all scales—concepts, utopias, buildings, landscapes, and cities.”
Dubbed Smog Free Tower, the 7-meter-tall vacuum acts as a filter that uses patented “ozone free ion technology” to clean 30,000 cubic meters of air per hour using only minimal wind and electrical energy.
Located in the underdeveloped Pingdi Subdistrict of Shenzhen, the project site is a part of the Shenzhen International Low Carbon City, a roughly 53 square kilometer area less than two hours away from Hong Kong with the goal of utilizing low-carbon and carbon-zero technologies in order to significantly boost sustainable development.
IBR is calling for submissions from individuals, teams, and even research institutes, design institutions, and any others, to participate in one, two, or all three of the competition’s categories.
Lorcan O’Herlihy Architects (LOHA) has designed a speculative system of interventions for the Los Angeles River that “examines the relationship between urbanization and water use to develop new models of densification that recognize and tap into existing ecological and infrastructural patterns.” Called WATERshed, the design is part of the A+D Museum’s ongoing “Shelter: Rethinking How We Live in Los Angeles” exhibition that explores new typologies of housing in Los Angeles.
With their model for urban regeneration, LOHA hopes to address issues like the ongoing California drought, as well as the United Nation’s prediction that by 2030, nearly half of the world’s population will be living in areas of high water stress. Thus, the plan utilizes the Los Angeles River as a resource for water use and management in order to provide a path for sustainable growth in Los Angeles, and an example for other cities.
Utah-based community project Summit has announced Mountain Architecture Prototype (MAP), an SPM Design Competition, "to select the design of a cabin prototype in an effort to push forward the conversation around what it means to build responsibly at 8,400 feet in the Wasatch [Mountain] Range.”
The competition seeks submissions for a structure of up to 2,500 square feet, which will be located on a 12 degree sloped site at SummitPowder Mountain. Sustainable designs are highly encouraged, particularly with the use of natural materials.
“I think that [sustainability education] is a massive responsibility of ours: to go beyond what we’re being asked to do, and to teach our clients what a good building is, and to get them to look at buildings in different ways, and get them to do […] the right thing.”
Concrete blocks. Ever since manufacturers developed techniques to make them cheaper than traditional clay-fired bricks, concrete blocks have been one of our most ubiquitous construction materials. However, this ubiquity comes at a price: worldwide, the production of concrete accounts for around 5% of all man-made carbon dioxide emissions, and concrete blocks (as opposed to in-situ concrete or concrete panels) contributes a significant portion of these emissions.
To curb these runaway carbon emissions, a California-based company called Watershed Materials is developing alternatives to the traditional concrete block which uses less cement, dramatically reducing the amount of carbon dioxide produced; they even have a product in the works which they hope will offer a widely applicable concrete block alternative which uses no cement at all.
Is there a designer who does not dream of the perfect lighting concept, which conveys a feeling of well-being and shows the architecture at its best? Unfortunately, however, it is often the case that the brief received from the client causes difficulties. All too often discussions are peppered with such terms as LEDs and lux levels,causing an unconscious shift in thinking in the direction of norms and technology instead of placing questions about requirements and lighting quality at the centre of discussion. But what exactly is quality lighting design?
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