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The purpose of the architectural competition is to bring attractive ideological solutions for the proposal of a new multi-purpose building of the philharmonic orchestra in České Budějovice. The topic of the competition is the design of a multi-purpose centre of the South Czech Philharmonic with a variable hall for an audience of up to 1,000 persons, combined with an open stage for open-air concerts with all the necessary amenities for the artists as well as for the visitors of the cultural installation of the South Czech Philharmonic.

Philadelphia, the City of Brotherly Love, draws millions of visitors annually, and in 2016, will host dozens of different events such as concerts, sporting events, and festivals. The city has an opportunity to bring Philadelphia history to the heart of each of these events through the use of mobile visitor centers.

Design a mobile visitor center, using shipping containers. The centers will be transported and set up in various locations around the city, based on a specific event.

The International VELUX Award for students of architecture is a competition that wants to encourage and challenge students to explore the theme of daylight - and to create a deeper understanding of this ever-relevant source of energy, light and life. The award encourages projects that celebrate the privilege of being a student with curiosity and with the willingness to think “out of the box” – as well as consider the social, sociological and environmental dimension of daylight.

The Department of Spatial and Sustainable Design, Vienna University of Technology, and the Society of Architecture and Spatial Design is organizing the BLUE AWARD, an international student competition for sustainable architecture. The prize is overseen by the UIA, International Union of Architects, represented by its former President Albert Dubler.

The competition is open to university students of Bachelor’s and Master’s Degree programs as well as for students working on a diploma thesis or dissertation in the academic fields of architecture, urbanism or regional planning and civil engineering. The submitted project must be part of a supervised coursework, having taken place during one of the following semesters: Summer Semester 2014, Winter Semester 2014/15, Summer Semester 2015, Winter Semester 2015/16 and Summer Semester 2016.

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A very exciting opportunity is presented to architects and students worldwide for your work to be showcased in an international documentary film, alongside some of the greatest living architects of our current time.

We are seeking examples of architectural projects which exemplify the use of advanced and dynamic digital techniques in the process of analysis, design exploration and final outcome of a design work.

One or a combination of several computer-based tools must have been implemented in the processes of data collection/ information processing, simulation and development about the project and be evident in early stages of the design as well as the final work. We are looking for contemporary, cutting edge uses of computer technology from pre-existing or new design projects.

ABOUT :: [TRANS-] is a critically-reviewed academic journal published in print and online, inviting expressions of interest for submitting works of design, writing, or multi-media on the topic of design process and design communication for Vol. No. 2 to be published in May 2016.

TOPIC ::
In the second volume, [TRANS-] will explore the topic of [TRANS-]lation.
In a largely results-based society, how do designers evaluate process? How can a more thorough assessment of the translation that occurs during creative activities make us better communicators and collaborators with end users, consultants, clients, and all others we affect through design?

ELIGIBILITY ::
[TRANS-] accepts submissions from

TRANS-PLAN is an international student design competition organized by A2G (Architecture Gallery at the Faculty of Architecture University of Manitoba). The competition is open to all students registered in spatial design and or exhibition design disciplines.

Euclid understood lines as ‘breadthless lengths,’ defined by two points and stretching on into infinity. But delineations can also be as small and simple as a flick of the wrist; the mind moving out of the hand into a gesture. Vassily Kandinsky believed lines to be ‘created by movement – specifically through the destruction of the intense self-contained repose of the point.’ Process is suggested; moments emerge from the continuity to form a rhythm. When the abstract becomes physical, delineations unite and exclude. Sociologist T.K. Oommen sees ‘the very story of human civilization’ in shifting and overlapping boundaries of all kinds. Whether blurred or accentuated, instantaneous or permanent, representational or manifest, intentional or happenstance, DELINEATIONS in the landscape are consequential. They have a story to tell.