Steven Holl: The Latest Architecture and News

Steven Holl Architects' new Visual Arts Building at the University of Iowa, completed last fall, has already begun to make its impact on the school's social environment, pairing Art Building West (also designed by SHA, in 2006) to create a revitalized Arts Quad with public spaces the whole campus can enjoy.

These two videos give an in-depth look at the new building. In the video above, Steven Holl and Senior Partner Chris McVoy tour the school while providing commentary about their design process, as well as the history of the site and the building's construction. Also check out the video below to see all the spaces in action.

Videos

Architecture, I believe, changes your life. It changes the way you can live life – the way you can see, the way you can feel. Like Winston Churchill says, ‘First we shape our buildings, and then they shape us.’ I think this house has that shaping ability.

In this video by directors Spirit of Space, architects Steven Holl & Dimitra Tsachrelia explain the core concepts and exploratory mission driving the architecture of the firm’s recently completed Ex of IN House. Watch as the architects lead you through the home's unique layout and construction, describing how the house “explores a language of space, aimed at inner spatial energy strongly bound to the ecology of the place - questioning current clichés of architectural language and commercial practice.”

“Writing about music is like dancing about architecture”

This well-known quote, most often attributed to comedian Martin Mull, compares attempting to explain music’s complex auditory intricacies with words to trying to interpret architectural forms through the motion of the human body – the underlying implication, of course, that it’s fruitless. 

But take a closer inspection of the analogy. Music and writing may be media for disparate senses, but, at their height, dance and architecture share a realm of space and light; both perform as formal exercises that relate to the human proportion of the body. Must dancing about architecture truly be an exercise in futility?

A year after premiering at the 2015 Chicago Architecture Biennial, last week Steven Holl and dance choreographer Jessica Lang’s “Tesseracts of Time” made its New York debut at the City Center mainstage. The 21-minute performance, designed as a part of Holl’s ‘Explorations of IN’ project, explores the relationship between performance and environment through four phases, which the designers liken to the passing of the four seasons.

Steven Holl has been awarded the 2016 Daylight Award in Architecture, which honors architects “who have distinguished themselves by realizing architecture or creating urban environments that showcase a unique use of daylight, for the benefit of overall quality of life, its impact on human health, well-being and performance, and its value to society.”

Steven Holl Architects has been selected as the winner of an invited competition to design the Rubenstein Commons at the Institute for Advanced Study (IAS) located in Princeton, New Jersey. The new Rubenstein Commons will be situated at the center of the campus and serve as a new forum for scholars to interact and share ideas. The IAS, which was home to where Albert Einstein worked for 22 years until his death in 1955, received the project funding from David Rubenstein, Co-Founder and Co-CEO of the Carlyle Group.

It is no secret that, in the last 10 years, a majority of the big budget construction projects have been centered in newly emerging world markets like China. But now, the markets may be turning. Steven Holl Architects is a strong example of this trend: with the groundbreaking of the Glassell School of Art in Houston on the 15th, the firm now has 8 projects under construction in the western world - 7 in the United States, and one in the United Kingdom. Owing to the steady strengthening of the US dollar over recent years, clients seem to be investing in high ticket architecture once again. After completing projects abroad such as the Sliced Porosity Block in Chengdu, and Nanjing’s Sifang Art Museum, Holl will now be working in cities like Richmond, Iowa City, New York and London.

Holl’s recent work also reflects a change in design scale. In projects such as the Linked Hybrid in Beijing and the Vanke Center/Horizontal Skyscraper in Shenzhen, design began at the urban level, resulting in inward-looking superstructures. In the firm’s return to the west, projects are usually designed as an object or extension of an existing environment, such as in their expansion project for the Kennedy Center. The reduced sense of scale is also evident in the square-footage in some of their recent designs, including a residence to be built at under 1000 square feet.

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Every year, the Architectural League of New York honors the rising stars of architecture with the Emerging Voices Award, a title offered only to the most promising professionals. Long known as a predictor of long-term career success, the award has been given to architects who have later become some of the best in the world, including Steven Holl, Toshiko Mori, and Tod Williams. For a recent article entitled 10 Emerging Voices Winners on the Program's Lasting Influence, Metropolis Magazine asked some of the award's most illustrious winners to discuss how their trajectories were changed by the award, and how they changed architecture.

Steven Holl Architects has broken ground on the “Ex of In House,” an experimental guest house and artist studio in Rhinebeck, New York. The house is part of the firms’ ongoing research project “Explorations of In,” which questions “current clichés of architectural language and commercial practice” and explores spatial language, energy, openness and public space.