Snøhetta has proposed Lunar for the International Competition of the Landmark Design of Qianhai's New City Center. Inspired by the city's pioneering past and technology-driven future, the proposal is satellite-like structure that resembles landmarks in the era of data and technology. The proposal ranked second place in the competition alongside Sou Fujimito's floating tower.
The internationally-acclaimed architecture firm Snøhetta has recently been selected to design two new art spaces in Australia and United States. Snøhetta will create the new Heysen Art Gallery in Adelaide- a rammed earth structure blending into the landscape and housing the works of renowned artists Hans and Nora Heysen. The studio was also selected to lead the expansion and re-design project for Dartmouth College Hopkins Center for the Arts, a vital creative hub for the New England Region.
Snøhetta has unveiled a new Central Campus Building for Ford Motor Company, part of the transformation of its Research & Engineering (R&E) Campus in Dearborn, Michigan. As the result of a 3-year research and planning process, the project was created in collaboration with IBI Group as the Architect of Record, Ghafari as the Engineer of Record, and Arup leading sustainability and engineering.
As the oldest institution of higher learning in the United States, Harvard has emerged as one of the world's most well-known universities. Organized into ten academic faculties and the Radcliffe Institute for Advanced Study, it is spread across 200 acres and centers on Harvard Yard in Cambridge. Developed along the Charles River adjacent to the Allston neighborhood of Boston, Harvard has the largest financial endowment of any academic institution. This has supported a number of different campus building projects across the university’s history.
Simple in form but complex in substance, “What is Architecture?” remains an existential question for a lot of architecture students and young professionals. In an attempt to define this ever-changing interrogation and expose the different visions out there, the interview series: WIA – What is architecture? asks four, straightforward, questions to world-leading architectural designers and thinkers. Seeking to uncover their opinion on what architecture is and what it can do, these short videos reveal responses to “What is architecture? What can architecture do? What is your architectural position? and What is your design method?”.
ArchDaily has collaborated with WIA to release every week, 4 of these conversations, and to invite you to take on the challenge and answer these questions. This second article of the series highlights the ideas and visions of Odile Decq from Studio Decq, Kjetil Thorsen from Snøhetta, Florencia Pita & Jackilin Hah Bloom from Pita & Bloom, an architectural design collaborative based in Los Angeles, and Jeffrey Kipnis, an American architectural critic and theorist.
The Second Studio (formerly The Midnight Charette) is an explicit podcast about design, architecture, and the everyday. Hosted by Architects David Lee and Marina Bourderonnet, it features different creative professionals in unscripted conversations that allow for thoughtful takes and personal discussions.
A variety of subjects are covered with honesty and humor: some episodes are interviews, while others are tips for fellow designers, reviews of buildings and other projects, or casual explorations of everyday life and design. The Second Studio is also available on iTunes, Spotify, and YouTube.
This week David and Marina are joined by Craig Dykers, co-founder of Snøhetta, to discuss how architecture can cause both segregation and innovation in offices and in the U.S. Capitol; having meaningful dialogue with non-architects; the messiness of life; creating beautiful architecture that aids the larger society; the struggle for equality; a brief history of the contemporary profession of architecture and its current state; relying on theory in architecture; and more. Enjoy!
Seeking to give insights into the architectural creative centers of the world, Rainer Taepper created an architectural book that doesn’t feature buildings and plans. Looking behind the scenes, the architecture photographer highlighted both the working spaces of international design firms and the creative people, who contribute to the conception of a building.
Transforming the typical artistic experience, Snøhetta proposed a design to renovate the Blanton Museum of Art at The University of Texas at Austin. The comprehensive grounds remodeling seeks to “unify and revitalize the museum campus, […] through architectural and landscape improvements”. Construction is scheduled to begin in early 2021 and conclude by late 2022.
Snøhetta has revealed its first built project in Hong Kong, Airside, a 176,000 square meters mixed-use building. Located in the center of the former Kai Tak airport, the project commissioned by Nan Fung Group comprises a 200-meter tower merged seamlessly with its base.
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Building in nature constitutes a contradiction, as architecture enables immersive access to the landscape, while at the same time, natural landmarks are being slowly engulfed by tourists. The human presence in natural landscapes is an interplay of scales, a juxtaposition of archetypal shelters against the vast sceneries, as well as a negotiation between access to the landscape and environmental conservation. Exploring a variety of attitudes and formal strategies, the following takes a look at what could be learned from the experiences and design philosophies of several architects and practices that have perfected ways of addressing architecture in the landscape.
International design practice Snøhetta has been selected as the recipient of the 2020 National Design Award for Architecture by Cooper Hewitt, Smithsonian Design Museum. The honor recognizes both the impact of the studio's work, as well a particular focus on social and environmental sustainability. The awards are meant to increase awareness and understanding of how design improves everyday life.
Snøhetta has won the international architecture competition to design the new city hall in Cheongju, South Korea. Working with local partner Tomoon Architects and Engineers, the team proposes new connections to the urban context to promote a sense of shared ownership for citizens and visitors alike. The design aims to create an open, inclusive city hall for Cheongju that will serve as a symbol of collaboration and civic engagement.
Urban acupuncture is a design tactic promoting urban regeneration at a local level, supporting the idea that interventions in public space don’t need to be ample and expensive to have a transformative impact. An alternative to conventional development processes, urban acupuncture represents an adaptable framework for urban renewal, where highly focused and targeted initiatives help regenerate neglected spaces, incrementally deploy urban strategies, or consolidate the social infrastructure of a city.
Snøhetta was selected as the winner of the Theodore Roosevelt Presidential Library Competition. Selected from three shortlisted proposals in the last step of the contest, including Studio Gang and Henning Larsen, the winning project “is informed by the President’s personal reflections on the landscape, his commitment to environmental stewardship, and the periods of quiet introspection and civic engagement that marked his life”.
Skateboarding is its own urban experience. As interactive public spaces and tactile surfaces, skate parks have slowly begun to shape the way we think about urban design. Beyond the boundary of parks themselves, skaters look at the architecture of the built environment outside of its intended purpose, and in turn, are rethinking how we gather, move around, and reimagine the future of urban life.
Snøhetta, Studio Gang and Henning Larsen have unveiled their designs for the new Theodore Roosevelt Presidential Library in North Dakota. The teams were selected from 12 firms, and the final design will be made to respond to the ecology of the Badlands. The three proposals showcase integrated architecture and landscape approaches designed to celebrate Theodore Roosevelt’s life.
In May, Alphabet’s Sidewalk Labs announced that it would cancel its high-profile Quayside project because of “unprecedented economic uncertainty.” The statement marked the end of a three-year initiative to create a living, urban “testbed for emerging technologies, materials, and processes.”
Reversing the traditional order of city planning, Sidewalk Labs imagined building a new urban district on Toronto’s waterfront from the internet up, with sensors and other data collection infrastructure embedded in the fabric of a large city block. The ambitious development—with an area of 2.65 million square feet, including 1.78 million square feet of residential space—was to be built entirely from mass timber; indeed, the extensive use of modular cross-laminated timber (CLT) and glue-laminated timber (glulam) was a chief selling point of the design (by Heatherwick Studio and Snøhetta, using a kit-of-parts developed by Michael Green Architecture).
As architecture is increasingly reliant on renderings to convey its message and depict the unbuilt, many practices turn to seasoned 3D artists to help them portray their designs in the most favourable light; thus they externalize visualizations to a handful of firms.
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