Designed by Kohn Pedersen Fox Associates (KPF), the Ping An Finance Center is located in the heart of Shenzhen’s Fuitan District. The building contains over 100 floors of office space located above a large public podium, with a multi-story atrium providing retail, restaurants and transit options to the city and greater Pearl River delta region.
A 1,400-foot-tall mixed-use skyscraper by Zaha Hadid Architects may be the next supertall structure to hit midtown Manhattan. Located at 666 Fifth Avenue between 52nd and 53rd Street, the project is the brainchild of Kushner Properties, who currently co-own the existing 483-foot-tall building with Vornado Realty Trust.
Estimated to cost up to $12 billion, the company is currently negotiating a multi-billion dollar deal with Chinese holding company Anbang Insurance Group to finance the project. If plans to buy out the building go through, Kushner would be in the clear to begin construction on the ZHA-designed tower, which would rebrand the property as 660 Fifth Avenue and offer 464,000-square-feet of residential space, an 11-story hotel, and a 9-story retail podium.
Responding to this phenomenon, architect Ioannis Oikonomou of oiio architecture studio has proposed an alternate solution, called “The Big Bend,” that asks the question: “What if our buildings were long instead of tall?”
Dubai’s newest mega-attraction, a 150-meter-high, 93-meter-wide picture frame structure dubbed the “Dubai Frame” is approaching completion after a nearly two-year delay, and is set for opening in the second half of this year. At a cost of $43.60 million, the new building will stand as a symbol of the city’s rapid rise from modest settlement to gleaming metropolis, giving visitors a panoramic view of the boundary-pushing skyscrapers from the coast of the Persian Gulf.
It also may stand as a symbol of something far less idyllic: intellectual property theft.
In the upcoming years, Dubai may become home to one of the world’s newest radical architectures—the first ever, rotating skyscraper. Designed by Dynamic Architecture’s Davis Fisher, the 80-story, 1,273-foot tower proposal features independent floors that can rotate 360 degrees in both directions, in order to provide more comprehensive views.
A static central core will connect the rotating floors together, each of which will be prefabricated off-site and attached to the tower afterward.
Chicago may be about to receive a new supertall skyscraper in the heart of the Loop – but it would require the demolition of one of the city’s most polarizing buildings, the James R. Thompson Center, designed by Chicago architect Helmut Jahn.
Owned by the state, the postmodernist Thompson Center and its colorful glass atrium have been the subject of both criticism and adoration since its opening in 1985. But wear on the building throughout the years has led to an estimated maintenance bill of $326 million, prompting the state government to find ways to rid itself of the potentially crippling costs.
As long as there have been buildings mankind has sought to construct its way to the heavens. From stone pyramids to steel skyscrapers, successive generations of designers have devised ever more innovative ways to push the vertical boundaries of architecture. Whether stone or steel, however, each attempt to reach unprecedented heights has represented a vast undertaking in terms of both materials and labor – and the more complex the project, the greater the chance for things to go awry.
In its annual report, the 2016 Tall Building Year in Review, the Council on Tall Buildings and Urban Habitat (CTBUH) has announced that 2016 saw the completion of a record 128 buildings 200 meters or higher. This number surpasses the previous record of 114 completions set in 2015. Eighteen of these buildings became the tallest in their city, country, or region, and ten earned the designation of supertall, at 300 meters and above.
The key to engineering wood strong enough to support skyscrapers may lie in the interaction between molecules 10,000 times narrower than the width of a human hair.
A new study by researchers at the Universities of Warwick and Cambridge has solved a long-held mystery of how key polymers in plant cells bind to form strong, indigestible materials such as wood and straw. By recreating this ‘glue’ in a lab, engineers may be able to produce new wood-based materials that surpass current strength capabilities.
I see it a bit as my mission to document things in Hong Kong which are vanishing, which are disappearing, primarily through urban renewal
In this short film from Yitiao Video, photographer Michael Wolf explains the vision behind his momentous photo series, “Architecture of Density,” in which he captures the immense scale and incredible intricacies of the city of Hong Kong.
After living in city for 9 years and travelling abroad to work, Wolf describes the somewhat unpleasant circumstances which led him to turn his attention to his own environment.
Attracting a wide array of speakers from a multitude of structural and architectural fields from across the globe, this cutting edge industry event provides a unique opportunity for delegates to shape the future of the Australian skyline in years to come.
Eric Parry Architects’ 1 Undershaft has been granted planning permission from the City of London Corporation’s Planning Committee, which will allow the 73-story tower to become the tallest building in the London Financial District and the second tallest building in the UK, behind only The Shard.
Many have walked by and wondered what purpose this vast, windowless skyscraper in the heart of Manhattan serves. 33 Thomas Street, also known as the "Long Lines Building" (LLB), is an impenetrable monolithic fortress amid canyons of glass and steel. Ostensibly an AT&T telecoms building, the New York Timeshave recently reported (based on investigative work by The Intercept) that this "blank face[d] monument to privacy" may in fact be a NSA (National Security Agency) listening post, hidden in plain sight.
https://www.archdaily.com/799980/monument-to-privacy-is-this-manhattan-skyscraper-a-nsa-listening-postAD Editorial Team
BIG’s VIA 57 West has been unanimously chosen as the winner of the 2016 International Highrise Award (IHA) for the world’s most innovative highrise.
One of the world’s most important architectural prizes for tall buildings, the award is presented by Deutsches Architekturmuseum (DAM) every two years to the project that best exemplifies the criteria of future-oriented design, functionality, innovative building technology, integration into urban development schemes, sustainability, and cost-effectiveness.
Photographer Paul Clemence of ARCHI-PHOTO has shared images of 56 Leonard Street by Herzog & de Meuron. Nearing completion, the 60-story residential tower will be the tallest structure in Tribeca when it opens later this year. The concept of 56 Leonard Street is to disrupt the monotony of typical high-rise city buildings with a more varied articulation achieved by stacking recognizable individual houses. Shifted floor slabs create differentiated corners, cantilever, and balcony conditions that provide apartments with their own unique characters. Developed from the inside out, the pixelated rooms are arranged such that the base of the tower reacts to the street conditions and ripples upward to merge with the sky.
As part of a masterplan along the Chicago River, the River Beech Tower is a residential high-rise which, if built, would be taller than any existing timber building. The collaborative team behind River Beech consists of architects Perkins+Will, engineers Thornton Tomasetti and the University of Cambridge. Currently a conceptual academic and professional undertaking, the team state that it could potentially be realized by the time of the masterplan’s final phases.
The career of Japanese architect Kenzō Tange features a curious anomaly: he received the same commission twice. In 1952, during the early stages of his career, Tange designed an administrative building in Yūrakuchō, Tokyo, for the city's metropolitan government. Over thirty years later, when the government relocated to Shinjuku, Tokyo, he again won the commission to design its administrative building. Completed in 1991, this would be one of his last, and most ambitious, projects. The second incarnation now dominates the city’s skyline, its highly distinctive design guaranteeing it landmark status. Nicknamed Tochō (an abbreviation of its Japanese name Tōkyō-to Chōsha), its architectural references to both tradition and modernity act as a visual metaphor for the eclectic city over which its inhabitants govern.