The designs by Snøhetta for the renovation of the building at 550 Madison Avenue have launched the building to the forefront of the debate about the preservation of Postmodern heritage. The plans include replacing the stone facade with undulating glass in order to transform the building's street presence. Should plans progress, the once prominent arched entry will sit behind fritted glass and stone covered columns will be unwrapped to create a hovering datum.
Designed by Natalie de Blois and Gordon Bunshaft of SOM and completed in 1961, 270 Park Avenue (formerly known as the Union Carbide Building) is considered a key example of the International Style in New York City that extended and even improved upon the precedent set by Mies van der Rohe’s Seagram Building.
But after new zoning legislation for the neighborhood was passed last year, the building’s current owner, JPMorgan Chase, has announced plans to raze the 707-foot-tall building in favor of a new, hi-tech supertall replacement. If plans go through, it would be the world’s largest and tallest building ever to be intentionally demolished.
SPYSCAPE, a new interactive spy museum dedicated to immersing visitors into the world of espionage, has opened in New York City. Designed by Adjaye Associates, the 60,000-square-foot museum features a range of interactive exhibitions housed within a moody material palette of glowing lights, smoked glass, fiber cement and corten steel.
New York City’s most buzzy megaproject, Hudson Yards, may have just added two more huge names to their list of notable architects, if a new report from the Wall Street Journal is to be trusted.
According to a source the WSJ describes as “a person familiar with the matter,” Santiago Calatrava and Frank Gehry will both design new residential towers for the second phase of the 28-acre complex, located at the north end of the High Line in west Manhattan.
After funding issues threatened to halt the project last year, plans for the Ronald O. Perelman Performing Arts Center at the World Trade Center are now back on track after an agreement made between the venue and the Port Authority of New York and New Jersey.
Renderings have been revealed for another landmark addition to Brooklyn’s skyline: 80 Flatbush, a dual tower and school complex to be built in the borough’s fast growing Downtown.
Located on a triangular site directly across the street from TEN Arquitectos’ recently completed 300 Ashland and steps from the Barclay’s Center, 80 Flatbush will consist of a mix of new-built and renovated historic structures. Two towers designed by Alloy Development – the taller of which will reach 986 feet – will flank two new schools designed by Architecture Research Office and two 19th century buildings that will be repurposed as retail and cultural facilities. Open spaces will be designed by Nelson Byrd Woltz Landscape Architects.
New York’s most highly anticipated cultural venue, The Shed, is giving visitors the chance to preview some of their innovative programming a year before its planned opening at a temporary pavilion designed by architect Kunlé Adeyemi of NLÉ and artist Tino Sehgal.
To be located at the corner of Tenth Avenue and 30th Street in Manhattan – across the street from the rising Hudson Yards development and future home of the Shed – the pavilion has been designed to accommodate a variety of program types with its reconfigurable structure. Events will include concerts, dance battles, discussion panels and more.
A new infinity pool offering unparalleled views of New York City is to be constructed atop KPF’s upcoming Brooklyn Point tower. At 680 feet above grade – nearly 100 feet higher than the iconic infinity pool at the Marina Bay Sands Hotel in Singapore – when completed the pool will become the “highest residential infinity pool in the Western Hemisphere."
AIA New York and the Center for Architecture have announced five practices as winners of the 2018 New Practices New York awards, founded to identify and promote the city’s emerging young architects. Established in 2006, the awards are given biennially to practices headquartered in New York and in operation for 10 or fewer years.
Under this year’s theme of Consequences, firms were asked to submit portfolios containing design ideas that promoted “the capacity of architectural practice to offer transformative value within the broader context of the city.”
Courtesy of ArandaLasch + Marcelo Coelho with Formlabs
The collaboration of Aranda\Lasch + Marcelo Coelho has been selected as the winners of this year’s Times Square Valentine Heart Design competition for their 3D-printed proposal, Window to the Heart.
Envisioned as the “world’s largest lens,” the installation was in response to its location within one of the world’s most instagrammed places, Times Square. The 12-foot-diameter Fresnel lens, designed with 3D-printing manufacturer Formlabs and structural engineer Laufs Engineering Design, will capture the image of the square within the heart-shaped window at its center, bending and distorting the surround myriad lights and colors.
Miodrag Živković, Monument to the Battle of Sutjeska, 1965-71, Tjentište, Bosnia and Herzegovina. View of the western exposure. Photo: Valentin Jeck, commissioned by The Museum of Modern Art, New York, 2017.
The Museum of Modern Art will explore the architecture of the former Yugoslavia with Toward a Concrete Utopia: Architecture in Yugoslavia, 1948–1980, the first major US exhibition to study the remarkable body of work that sparked international interest during the 45 years of the country’s existence. The exhibition will include more than 400 drawings, models, photographs, and film reels culled from an array of municipal archives, family-held collections, and museums across the region, introducing the exceptional built work of socialist Yugoslavia’s leading architects to an international audience for the first time.
While the exterior of Philip Johnson’s iconic AT&T awaits its fate in an upcoming New York City landmarks designation hearing, demolition of its granite-clad interior lobby has already begun.
Citing the fact that the lobby had already been altered in the 1990s – including the removal of the “Golden Boy” statue – when the building switched tenants from AT&T to the Sony Corporation, the Landmarks Preservation Commission decided last month that the interiors were not deserving of landmark status.
Thomas Heatherwick is touching the New York Architecture Scene again, revealing his design for a pair of residential towers in a pair of renderings. The two towers will flank either side of the New York High Line, located at 18th Street, it will situate itself adjacent to Frank Gehry’s IAC Headquarters building.
Exterior View. Image Courtesy of Adjaye Associates
Plans for Adjaye Associates’ new home for the Studio Museum in Harlem are moving forward, as permits for the project have been filed with the city.
Replacing the museum’s current home, an existing century-old building repurposed in the 1980s by architect J. Max Bond Jr, the new building at 144 West 125th Street will rise 122 feet to become a new stand-out on the historic 125th Street Corridor.
New York Magazine asked some of New York City’s distinguished architects how they would improve the city and save it from climate change. NY Mag reported on their findings.
Construction on the transformation of Eero Saarinen’s iconic TWA Flight Center into the new TWA Hotel has hit major milestone, as the project has now topped out.
New renderings have revealed of Adjaye Associate’s first New York City residential tower, 130 William, as foundational work on the project is underway. Located in the Financial District not far from the World Trade Center complex, 130 William will rise 66 stories to contain 244 luxury condominiums.
2017 was another banner year for skyscraper construction.
According to the 2017 Tall Building Year in Review, the annual web report from The Council on Tall Buildings and Urban Habitat (CTBUH), a record-breaking 144 buildings 200 meters tall (656 feet tall) or higher were completed in 2017, led by the 599-meter-tall Ping An Finance Center and 555-meter-tall Lotte World Tower.
In the report, CTBUH outlines this year’s trends in tall building design. Notably, 2017 proved to be the most geographically diverse year in history for tall buildings, with 69 cities across 23 countries completing new towers, an significant increase from 54 cities and 18 countries in 2016. Of those numbers, 28 cities and 8 countries completed their new tallest building.
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.jpg?1513377408 "Future TWA Hotel Grand Ballroom. Image © Max Touhey")
.jpg?1513377347 "Workers and partners fill the Saarinen terminal building at the topping out event. Image © Max Touhey")
.jpg?1513377471 "MCR CEO Tyler Morse and Turner Construction's Rick Faustini and Gary McAssey standing next to the north hotel tower crane with ceremonial flags. Image © Max Touhey")
.jpg?1513377418 "Workers pour concrete on top floor of north hotel structure. Image © Max Touhey")
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Nick__Ulivieri__Photography.jpg?1513267321 "150 North Riverside / Goettsch Partners. Image © Nick Ulivieri Photography")
Hufton_Crow_025.jpg?1513272972 "Raffles City Hangzhou; Hangzhou, China / UN Studio. Image © Hufton+Crow")
