Gensler has released details of their proposed Tower Fifth in New York City. If realized, the 1556-foot-tall scheme would be the second-tallest building not just in New York, but in the Western Hemisphere. Located east of Fifth Avenue between 51st and 52nd Street, the tower will sit adjacent to St. Patrick’s Cathedral.
According to Gensler, who designed the scheme in collaboration with developer Harry Macklowe, the tower “creates a new paradigm for how a supertall structure meets the street and interacts with its neighbors.”
https://www.archdaily.com/910068/genslers-tower-fifth-in-new-york-city-will-be-the-second-tallest-building-in-the-western-hemisphereNiall Patrick Walsh
The development’s larger 35-story, 400-foot-tall structure will twist alongside a second 300-foot-tall sister tower, both clad with bronze and travertine, sharing a connected podium and skybridge.
Chrysler Building. Image Courtesy of Tishman Speyer
New York City's famed Chrysler Building is up for sale for the first time in over 20 years. According to the Wall Street Journal, the art deco office tower’s current owners officially placed it on the market, though the building's value has yet to be released. Designed by William Van Alen, the building was bought by Tishman Speyer in 1997. As an iconic part of the New York skyline, the building is admired for its distinctive ornamentation based on Chrysler automobiles.
The results of the LA+ ICONCOCLAST competition have been published, asking designers to reimagine and redesign New York’s Central Park following a fictional eco-terrorist attack. In total, over 380 designers from 30 countries submitted over 190 designs, culminating in five equal winners.
Hailing from the UK, USA, China, and Australia, the winning entries ranged from "megastructures to new ecologies and radical ideas for democratizing public space.” Jury chair Richard Weller praised the winners for “how designers can move beyond the status quo of picturesque large parks and embrace the challenges and opportunities of the 21st century.”
https://www.archdaily.com/908708/re-imagining-new-yorks-central-park-after-an-eco-terrorist-attackNiall Patrick Walsh
A rejection of the bland and cold functionality of Midtown's crystal skyscrapers, the AT&T building was intended to encourage a more playful approach architecture in the corporate world; the crazy socks beneath a three-piece suit. It was not without controversy. Upon its completion, the building was derided for its decorative and outsized pediment and occasionally dark interior spaces. Indeed, the building's arched entry spaces were among the only architectural elements to be met with praise from both critics and the public.
The Spur & The Plinth. Image Courtesy of James Corner Field Operations and Diller Scofidio + Renfro
Next year New York's iconic High Line will open a new public space for art designed by James Corner Field Operations and Diller Scofidio + Renfro, with artwork by Simone Leigh. The public space will be the newest section of the elevated park dedicated to a rotating series of contemporary art commissions. The first art project in the space will be Brick House, a sixteen-foot-tall bronze bust of a black woman by Brooklyn’s Simone Leigh.
Studio Cadena’s Happy installation has been unveiled in New York's Flatiron Plaza. The project is the winner of the fifth annual Design Competition hosted by the Flatiron/23rd Street Partnership Business Improvement District (BID) and Van Alen Institute. As the centerpiece of the annual holiday program, the installation was selected by a jury with expertise across the worlds of design and public art, including representatives from the Flatiron Partnership, New York City DOT Art, and Van Alen Institute’s board of trustees.
Michael C. Rockefeller Wing. Image Courtesy of wHY Architecture
The Metropolitan Museum of Art in New York City has selected Kulapat Yantrasast and wHY Architecture to renovate its Michael C. Rockefeller wing. With arts produced in Africa, Oceania and the Americas, the 40,000-square-foot wing is located on the southern side of the Fifth Avenue museum. The $70 million project aim is showcase the collection of arts and artifacts from sub-Saharan Africa, the Pacific Islands, and the Americas.
Nike House of Innovation 000 continues the athletic brand’s redefinition. As a company that prides itself on the innovative design of its foot and athletic wear, Nike has chosen to design its retail locations to reflect a new generation in sports performance. The House of Innovation maintains a foundation in flexible design, allowing the retailer to provide its patron with an immersive brand experience.
The store concept is described as “one floor, one world.” Each floor, inspired by the sounds and movement of New York, highlights different collections within the Nike brand. The retail program of each floor gets more specific as the levels increase. The 68,000 square-foot, six-level destination is the second Nike House of Innovation. The first was opened in Shanghai last month. These stores are the first of a new generation of sport retail experiences for Nike, numbered sequentially around the globe.
Dutch practice MVRDV has broken ground on Radio Tower & Hotel, a 21,800-square-meter mixed-use high rise located in the Washington Heights area in northern Manhattan. The 22-storey building is MVRDV’s first major project in the United States and combines hotel, retail, and office functions in vibrantly stacked blocks. The project was designed to reflecte the vivacious character of the neighborhood and set a direction for future development.
From city master plans to pocket-sized products, Zaha Hadid Architects (ZHA) have explored architectural formalism through innovative digital design methods. In 2006, the collaboration with furniture-makers and fashion houses led to the creation of Zaha Hadid Design that served both as an iterative process for and a resultant of ongoing architectural design.
A pop-up exhibition, located suitably on the ground floor of ZHA's renowned condominium along the High Line in New York City, features a scale model of the building itself on display. To honor and present the work produced by the firm in the last four decades, the Zaha Hadid Gallery showcases a series of projects in a wide range of mediums including the six 'Silver Models' that represent eight of the firm's key works.
Courtesy of carriage trade, photo: Nicholas Knight.
An exhibition has opened at New York’s Carriage Trade Gallery celebrating the photography of Denise Scott Brown, highlighting the significance of pop art in the American vernacular. The project was initiated by Scott Brown, and first exhibited in Venice in 2016, with the latest events in London and New York initiated by PLANE-SITE.
The exhibition, titled “Photographs 1956-1966” is co-curated by Andres Ramirez, with 10 photographs selected, curated, and featured for limited sale. As well as being on display at the Carriage Trade Gallery, a concurrent exhibition is taking place in the Window Galleries at Central Saint Martins, University of the Arts, London.
The new scheme will replace the existing Manhattan premises of the US investment bank and is expected to total 2.5 million square feet. The headquarters will house around 15,000 employees across 70 levels, replacing the original 52-story scheme designed by Skidmore Owings and Merrill in the 1960s.
https://www.archdaily.com/905321/foster-plus-partners-chosen-to-design-jp-morgan-chase-headquarters-in-new-york-cityNiall Patrick Walsh
This article was originally published on July 29, 2016. To read the stories behind other celebrated architecture projects, visit our AD Classics section.
Upon opening its doors for the first time on a rainy winter’s night in 1932, the Radio City Music Hall in Manhattan was proclaimed so extraordinarily beautiful as to need no performers at all. The first built component of the massive Rockefeller Center, the Music Hall has been the world’s largest indoor theater for over eighty years. With its elegant Art Deco interiors and complex stage machinery, the theater defied tradition to set a new standard for modern entertainment venues that remains to this day.
Adjaye Associates‘ 130 William Street residential tower in Lower Manhattan has begun installation of the building facade. As New York YIMBY reports, last week the hand-cast concrete arches started getting installed. Made to recall New York City’s historic fabric from the 19th and early 20th centuries, the facade was designed around an eclectic material and color palette. Once finished, the tower will include 244 new luxury condominiums in the Financial District.
In a permanent state of architectural transience, New York City continues to be adorned with new skyscrapers with every passing day. Historically fueled by financial prosperity coupled with the demand for commercial space, the only way to continue to build was up. Blue Crow Media’s latest map, “Art Deco New York Map” showcases over sixty buildings from the era, celebrating the eclectic nature of Art Deco architecture that is so deeply inherent to the identity of the city.
Plaza by the Williamsburg bridge. Image Courtesy of Lasse Lyhne-Hansen
Paul Rudolph, despite vaulting to international success in the early 1940s and 50s for his Brutalist structures, saw an abrupt end to the popularity of his signature style as postmodernism gained prominence. As tastes shifted to different fare, so too did Rudolph's approach - leaving a number of his unbuilt proposals to gather dust.
This article was originally published on June 16, 2016. To read the stories behind other celebrated architecture projects, visit our AD Classics section.
Built in the early days of airline travel, the TWA Terminal is a concrete symbol of the rapid technological transformations which were fueled by the outset of the Second World War. Eero Saarinen sought to capture the sensation of flight in all aspects of the building, from a fluid and open interior, to the wing-like concrete shell of the roof. At TWA’s behest, Saarinen designed more than a functional terminal; he designed a monument to the airline and to aviation itself.
This AD Classic features a series of exclusive images by Cameron Blaylock, photographed in May 2016. Blaylock used a Contax camera and Zeiss lenses with Rollei black and white film to reflect camera technology of the 1960s.
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