The Buffalo AKG Art Museum (formerly known as the Albright-Knox Art Gallery) has announced that it will welcome its first visitors on the 25th of May, 2023. Revamped and expanded, the new campus designed by OMA/Shohei Shigematsu in collaboration with Cooper Robertson features “new work of signature architecture, the Jeffrey E. Gundlach building, and extensive renovation to existing buildings”.
Four teams have been declared the finalists in the competition to design the Portland Museum of Art campus expansion located in Portland, Maine. The finalist teams are led by Adjaye Associates, Lever Architecture, MVRDV and Toshiko Mori Architect + Johnston Marklee + Preston Scott Cohen. The project includes a 60,000 square feet expansion in the form of a six or seven-story structure planned to accommodate an increase in the number of visits and a growing collection of art. The museum is now asking for public feedback on the designs, as the projects are on view at PMA until December 11th.
The Smithsonian’s Hirshhorn Museum and Sculpture Garden has selected Skidmore, Owings & Merrill and Selldorf Architects to jointly develop the modernization plan for the Hirshhorn Museum’s interior and plaza. As the first renovation in the last fifty years, the museum plans to upgrade its galleries and public spaces in order to fit the contemporary requirements of a public museum of modern art. It also represents a response to the increased attendance during the past five years. The federal contract was awarded following a competitive process by Smithsonian Facilities in consultation with the Hirshhorn. The concept design, to be submitted in 2023, will be subject to a public consultation process.
Ennead Architects has revealed the design for the Wuxi Art Museum in the historic port city of Wuxi, China. The competition-winning design proposes a new center for art and culture that builds upon the tradition of the Chinese gardens, a practice with a long legacy in the region. The complex is located in the Shangxianhe Wetland Park, a natural environment that informs and influences the museum experience. According to the designers, the architecture behind the Wuzi Art Museum is conceived as a Taihu Scholar Stone, a contemplative spatial structure sitting quietly in the broader natural context and inviting visitors to pause.
Museums play a critical role in preserving local cultures, promoting a better understanding of our collective heritage, and fostering dialogue, curiosity and self-reflection. In recent years –and largely driven by the Covid-19 pandemic– technological advances have enabled users from all over the world to visit exhibitions virtually, at any time and from the comfort of their own home. However, although online tours are a good way of increasing accessibility, there is something about the in-person museum experience that will never get old: the ability to witness, embrace and closely admire artefacts, paintings and sculptures in their true form, as well as the chance to experience the unique ambiance and essence of a traditional museum setting. Viewing the Mona Lisa virtually will never live up to appreciating it face-to-face at The Louvre, for instance.
Selldorf Architects have released a revised version of the plans to remodel the National Gallery and the Sainsbury Wing, both classified as Grade-I-listed monuments. Sainsbury Wing is also the recipient of the 2019 AIA Twenty-five Year Award. The plans for the Sainsbury Wing, designed by Robert Venturi and Denise Scott Brown and opened in 1991, have faced intense criticism, with former RIBA Journal editor Hugh Pearman calling the remodeling plans “unnecessarily destructive”. The plans to remodel were first revealed earlier this year as part of the NG200 Project to celebrate the National Gallery’s bicentennial in 2024. The project proposes the remodeling of the Sainsbury Wing’s front gates, ground-floor entrance sequence, lobby, and first-floor spaces.
The construction of the new building of Palmer Museum has begun. Located at Penn State, USA, and scheduled to open in the spring of 2024, the new 6600 square meters complex will expand nearly double the space of the current gallery to host the growing collection of more than 10,000 pieces. The design features a series of pavilions, educational areas, and courtyards to boost accessibility to the art collections for students, staff, and the public. The construction aligns with the 50th anniversary of the museum along with a multitude of events, including the exhibition of Allied Works' pieces of the design process for the new Palmer Museum.
When the winners of the prestigious Aga Khan Award for Architecture are announced every three years, the architecture celebrated is arguably the best, most important work found around the world. While the 2022 cycle announcements are imminent, looking back at the six project laureates from 2019 proves to be a fruitful review.
Following an international competition, the Montreal Holocaust Museum (MHM) has selected architecture offices KPMB Architects and Daoust Lestage Lizotte Stecker Architecture to design the new downtown museum building. Located on Blvd. St-Laurent, the museum is scheduled for opening in 2025. The MHM chose to move from its current location in response to the growing demand for its educational programs, which tackle important subjects such as the Holocaust, genocide, and human rights. The new building will contain multiple exhibition spaces, classrooms, an auditorium, a memorial garden, and a dedicated survivor testimony room.
The newly transformed Arkansas Museum of Fine Arts in Little Rock, US, is ready to open to the public on April 22, 2023. Designed by architecture practice Studio Gang in collaboration with Polk Stanley Wilcox and landscape architecture and urban design practice SCAPE, The Museum’s new architectural identity aims to signify its role as a leading arts institution in the region. One of the Museum’s most recognizable features, the folded plate concrete roof, is now complete. The new roofline spans the length of the building, connecting the new construction and the renovated spaces to create a coherent architectural character for the cultural institution.
Herzog & de Meuron and landscape designer Piet Oudolf are collaborating to create Calder Gardens, which will house and display artworks by American sculptor Alexander Calder. Located between Vine Street and Benjamin Franklin Parkway in Philadelphia, the 6,500 square meter site will house a two-story building, half of which is developed underground. Instead of developing the site as a typical museum, the team decided to transform it into a garden as an attractive alternative for the people of Philadelphia.
In honor of Virgil Abloh's prolific legacy in the fields of architecture and design, the Brooklyn Museum has put together "Figures of Speech", an exhibition that offers visitors an unprecedented look into the artist’s work of over nearly two decades. Running from July 1st, 2022 until January 29th, 2023, the artist's prototypes are presented alongside finished works of art, products, and fashion designs, along with his myriad inspiration, from centuries-old paintings to contemporary signage at construction sites.
The Portland Museum of Art, along with architects from Dovetail Design Strategists have announced four renowned architecture firms shortlisted for the unification and expansion of Portland Museum of Art’s new campus in the heart of Downtown Portland, Maine. Under the theme of "Art for All", PMA’s mission, vision, and commitment to Sustainability and Diversity, Equity, Accessibility, and Inclusivity were the basis of the value proposition guiding the museum unification and expansion, with a goal to "reflect a challenge to museums and cultural institutions to do more to create centers of belonging and foster social change".
Fortunately, architecture has the power to solve numerous issues of the modern world and how we live in it, and there are infinite ways of doing so. However, not all architecture is effective in providing solutions while also being sensitive and thought-provoking. With a portfolio that is getting richer every year, SO–IL, an architecture practice based in New York City, has proven that buildings can actually do this and much more.
Ennead Architects and Kahler Slater have unveiled the design of a new 200,000 square-foot museum building in Milwaukee, Wisconsin. Set on a 2.4 acre site in the Haymarket neighborhood, the design is based on four core principles: community, nature, education, and the preservation of the museum’s vast collections. The project is expected to break ground in late 2023 and open to the public in 2026.
Following five years of construction, Portuguese architecture firm Aires Mateus has completed its awaited mudac: museum of Contemporary Design and Applied Arts in Lausanne, Switzerland. The sculptural building is part of a new cultural district and urban regeneration plan promoted by the Canton of Vaud, the City of Lausanne, and the CFF (Swiss Federal Railways), which features three art museums that translate the memory of the site, echoing its former industrial status with prismatic geometric forms, concrete surfaces, and sharp lines.
During his latest esplanade in Switzerland, architectural photographer Paul Clemence captured the newly inaugurated museum, highlighting its unique concrete geometry, play of shadow and light, and how the architecture complements its surroundings.
This article was originally published on Common Edge.
Despite its dazzling collection of masterpieces, London’s National Gallery has been cursed with a series of ill-advised architectural schemes over its two-century existence. Only once have its leaders made a truly inspired and visionary choice: in the mid-1980s, the gallery held a competition, won by Venturi, Rauch and Scott Brown (VRSB) of Philadelphia, to build a special collections building.
The addition was constructed from 1988 to 1991, using funds donated by the Sainsbury family as a gift to the nation and was immediately hailed as one of the finest buildings of its type erected in the 20th century. It has remained popular with Londoners and has served well as an expansion of William Wilkins’s undistinguished classical building ever since. Experts on the work of Robert Venturi, John Rauch, and Denise Scott Brown consider it one of their masterpieces. Apparently, the National Gallery has a different opinion.
In Mexico, until recently, unknown to many, an architectural project has been slowly revealing itself to society. The Environmental Sciences Museum (MCA for its Spanish acronym) of the University of Guadalajara in the state of Jalisco is one of the most ambitious architectural projects in Western Mexico. Not only because of its unusual architecture but also because of how it seeks to communicate the mission of a natural history museum, one that can hardly be called traditional.
