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Modern Heritage: The Latest Architecture and News

George Smart on Why Documentation Is Such a Powerful Preservation Tool

This article was originally published on Common Edge.

George Smart is an unlikely preservationist, almost an accidental one. The founder and executive director of USModernist, a nonprofit dedicated to the preservation and documentation of modern houses, Smart worked for 30 years as a management consultant. “I was doing strategic planning and organization training,” he says. “My wife refers to this whole other project as a 16-year seizure.” Recently I spoke with Smart about his two websites, the podcast, the house tours his organization conducts, and why documentation is such a power preservation tool.

CHYBIK + KRISTOF Transforms Heritage Textile Factory Into Art Gallery in the Czech Republic

CHYBIK + KRISTOF architecture studio has been announced as the competition winners for a new cultural landmark that will transform and re-activate public space in Ústí nad Orlicí, Czech Republic. This former textile factory will be converted into a multifunctional cultural hub available to the public. The newly revitalized building will contribute to the existing cultural infrastructure, located near the main square of the city.

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Diller Scofidio + Renfro Unveils Plans to Restore Frank Lloyd Wright’s Kalita Humphreys Theater in Dallas

Diller Scofidio + Renfro, in collaboration with Dallas Theater Center, unveiled the design proposal for the Kalita Humphreys Theater master plan, centered around one of Frank Lloyd Wright’s lesser-known buildings. Over the years, neglect and additions have compromised the building’s integrity. The project aims to restore the mid-century theater to its original state by applying a multifaceted approach. According to the architects, this includes surgical extraction, selective reconstruction, preservation, and a faithful reinterpretation of Wright’s design intent. The master plan also aims to transform the surrounding public green space into an active and attractive park connected to Turtle Creek and Katy Trail, some of the most visited destinations in Dallas.

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Plans to Renovate the Sainsbury Wing and National Gallery in London Receive Approval by the City Council

The Westminister City Council adopted a resolution to grant planning permission to the National Gallery for a series of adaptations, including Selldorf Architects’ restoration proposal for the Sainsbury Wing, originally designed by Robert Venturi and Denise Scott Brown. The plans to remodel were revealed earlier this year as part of the NG200 Project to celebrate the National Gallery’s bicentennial in 2024. The first intervention proposal for the Sainsbury Wing was met with widespread criticism, which led to a revision of the plans, released in October this year.

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Designed by Louis Kahn, the Complex at IIM in Ahmedabad Faces the Threat of Demolition Once Again

On November 3rd, 2022, the Indian Institute of Management Ahmedabad (IIMA) announced the decision to end the restoration works for elements of the campus designed by Louis Kahn with Indian architects Balkrishna V. Doshi and Anant Raje in 1962. The decision affects the faculty blocks, classroom complex, and dorms other than dorm D15. According to the statement, the institution plans to replace some of the buildings, as the complex is “facing structural damage, deterioration and have become uninhabitable, posing a safety concern for the campus's residents.” This represents a reversal of the decision to withdraw the first demolition plans following global protests, announced in January 2021.

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Cultivating “A Certain Warmth” Inside 550 Madison, One of Manhattan’s Quirkiest Towers

550 Madison Avenue (née the AT&T Building, more recently Sony Plaza) is among the more recognizable figures on New York’s skyline. Designed by architect-provocateur Philip Johnson, the 37-story skyscraper stands out thanks to its curious headgear: a classical pediment broken by a circular notch, inviting frequent comparisons to the top of a Chippendale grandfather clock. A singular, if largely inoffensive presence on today’s icon-heavy streetscape, the design was positively shocking on its debut in 1979, when Johnson himself appeared on the cover of Time holding a model of the project, then still four years from completion. The image heralded the arrival of something new in American architecture: the fading of the flat-crowned Modernist towers of the midcentury and the onset of the Postmodernist wave.

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Theodore Prudon: ‘Modernism Has Never Been a Popular Movement’

This article was originally published on Common Edge.

Theodore Prudon, the founding president of Docomomo US, recently stepped down as the organization’s head. (Robert Meckfessel is the new president.) “Docomomo” is shorthand for the group’s mission: the documentation and conservation of buildings, sites, and neighborhoods of the Modern movement. Prudon has had a storied career as a preservationist, architect, and educator, heading his own practice and teaching at Columbia University. In October, he was presented with the Connecticut Architecture Foundation’s Distinguished Leadership Award at the newly reborn Marcel Breuer building in New Haven, which began its life in 1970 as the Pirelli Tire Building and is now the Hotel Marcel (designed, planned, and developed by architect Bruce Redman Becker).

The Hutong Renovation in Beijing: Reimagining Tiny Spaces in a Historic Neighbourhood

For centuries, Hutongs have been recognized as one of the most treasured types of vernacular housing in China. Witnessing the cultural and historical transformation in Beijing ever since the Yuan Dynasty (1271 – 1368), the name Hutong is derived from a Mongolian word that means ‘water well’. In fact, this term was given to small streets that originated during the Yuan Dynasty when the emperor attempted to organize the urban fabric in a grid-like pattern in order to manage properly property ownership and to form an efficient transit system.

Brutalist Beirut: Showcasing a Forgotten Modern Heritage

In recent years, people started to regain interest in a movement that dates back to the last century; a movement, first introduced during the 1940s and 1950s, through the works of Le Corbusier and Alison and Peter Smithson. With monolithic structures, modular shapes, and impressive massing, Brutalism highlights architectural integrity. This movement is highly characterized by rough, raw, and pure surfaces that underline the essence of the substances in question. Spread across the globe, architects have adopted and developed their own vision of this modern movement, creating contextual variations.

In the midst of all the chaos currently taking place in the city of Beirut, we look back on the Lebanese capital’s hidden Brutalist gems. To shed the light on a movement that's often neglected and forgotten, Architect Hadi Mroue created a series of images that highlight the Lebanese Brutalism movement as well as its evolution as an important part of the Lebanese modern heritage.

Getty Foundation Announces Grants for Architectural Conservation of 11 Modern Buildings

As part of its Keeping It Modern initiative, the Getty Foundation announced over $1.7 million will be dedicated as architectural conservation grants to eleven iconic 20th-century buildings this year. Including national and international sites such as Eero Saarinen's recently renovated Gateway Arch in St. Louis, Missouri, and Oscar Niemeyer’s Rashid Karami International Fairground in Tripoli, Lebanon, the organization has supported 54 conservation projects since 2014.

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The Demolition of Delhi's Hall of Nations Reveals India's Broken Attitude to Architectural Heritage

On the morning of April 24th, Delhi’s architecture community reacted in shock and disgust to the news that the city's Hall of Nations and the four Halls of Industries had been demolished. Bulldozers had worked through the previous night at the Pragati Maidan exhibition grounds in central Delhi, where the Indian Trade Promotion Organisation (ITPO) razed the iconic structures to the ground, ignoring pleas from several Indian and international institutions.

The Hall of Nations, the world’s first and largest-span space-frame structure built in reinforced concrete, holds special significance in India’s post-colonial history—it was inaugurated in 1972 to commemorate twenty-five years of the young country’s independence. The demolition was met with widespread condemnation by architects and historians alike, not just because of the loss of an important piece of Delhi's heritage, but also for the clandestine manner in which the demolition was conducted.