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In the realm of media architecture and its role in supporting struggles for social justice, the recent Media Architecture Biennale 2023 (MAB23) in Toronto, Canada, shed light on a captivating aspect: The rapid and vast propagation of solidarity lighting in response to Russia's invasion of Ukraine in 2022. The synchronized illuminations, infused with activism and global art projects, became a powerful emblem of worldwide support for Ukraine during its time of crisis. Two emphatic female political leaders in Europe initiated the lighting solidarity message. Surprisingly, the blue and yellow Ukrainian flag illumination on iconic buildings worldwide defined an image of solidarity even faster in the press than large crowds of people in anti-war protests the weekend after the war began.
The Royal Institute of British Architects (RIBA) has announced the six projects selected for the shortlist of the 2023 RIBA Stirling Prize. The annual award is one of the United Kingdom's most prestigious recognitions in the field of architecture, judging projects on a range of criteria, including design vision, innovation, originality, and the capacity to engage and delight the occupants and visitors. Sustainability and accessibility are also crucial conditions for the selection. This edition’s shortlist includes projects by architects such as Apparata, Sergison Bates Architects, and Adam Khan Architects, featuring for the first time at the Stirling Awards Shortlist, as well as practices that have previously won, Witherford Watson Mann Architects and Feilden Clegg Bradley Studios.
From the grid plans of ancient Greek cities to the Renaissance's idealized urban layouts, the history of urban planning is a reflection of evolving power structures and societal priorities. Across the world, many African and Asian cities simultaneously existed without clear visual manifestation. the organizational structure being deeply embedded in cultural needs and social relations. Urban development is marked by a dichotomy - the contrast between top-down planning strategies led by influential entities and governing bodies, and the bottom-up initiatives driven by local communities. This interplay shapes cities, influencing aspects from infrastructure and public spaces to housing models and urban character. Delving into the differences between these strategies is essential to crafting a harmonious urban landscape that caters to the needs of its residents.
Graffiti, as an art form, has a complex relationship with gentrification. On one hand, it has engaged the streets and urban fabric as a canvas for people to express themselves culturally and socio-politically. This expression could be a form of rebellion by ethnic minorities and disadvantaged groups in certain neighborhoods, or it can build up a sense of cultural uniqueness and social expression, giving a neighborhood a positive character and attracting newcomers. However, over the years, the latter has been an agent of gentrification, spiking up property values to accommodate richer residents and alienating the native communities of those neighborhoods.
In certain instances, artists recognize their role in this urban scheme and tweak their art form through its style, message, location, and action as direct forms of protest to fight against gentrification. From Brixton, Shoreditch, and Hackney in London, Williamsburg and Bushwick in New York, to The Canal Saint-Denis and Belleville in Paris, the use of graffiti on the streetscapes of these neighborhoods can either protest or inspire different forms of development.
WilkinsonEyre has been selected to design a new college campus on the Olympic Way in Wembley, London, to serve as the new educational facility for the College of North West London. The project is designed to cater to over 300 students per week in addition to the 250 staff members. The new facility will offer classes in engineering, the built environment, and green skills, as well as digital technology, computing, health, and social care. The new campus scheme has recently been granted planning permission at the Council’s Planning Committee meeting and has now been passed to the Greater London Authority for final approval.
While visiting this year’s Serpentine Pavilion, the ArchDaily team has a chance to sit down with French-Lebanese architect Lina Ghotmeh, the designer behind the temporary structure built in the Kensington Gardens in London. The conversation touched upon Ghotmeh’s motivations and concepts that prompted this pavilion titled À table, conceived as an invitation to sit down together at a table, to enjoy sharing food and engaging in open dialogues. Delving into her Lebanese roots, the architect also expands on her methodology and the desire to create space for conversation and decision-making while encouraging conviviality among people of different backgrounds and experiences. The ArchDaily team also talked to Hans Ulrich Obrist, artistic director at the Serpentine Galleries, about the pavilion as a platform for architecture and the arts.
As one takes a visual tour through the city, one might spot structures that break the rhythm of finished architectural products. These are buildings encased in grids of metal or wooden sections, sometimes wrapped in colored nets, that communicate a moment of construction, repair, renovation, or demolition. They are called scaffolding systems, temporary structures built in the city to aid in the erection or maintenance of buildings. However, they have evolved to speak their own architectural language. As city-making is a continuous process, scaffolds serve as beacons, proposing silhouettes of the height, shape, or forms of new buildings. They step into the sidewalks, acting as shade or obstructions to the flow of human and vehicular traffic. In contrast to the permanence of architecture, they exhibit a sense of temporality that helps communicate time, the growth of neighborhoods, and the evolution of a city.
London’s architectural history is a rich tapestry that weaves together styles of various periods and influences. In the post-war era, the city experienced a surge in modern architecture, becoming a canvas for experimentation. New stylistic movements saw their expression crystalized through buildings such as Richard Rogers’ Lloyd’s Building, one of the most representative examples of High-Tech architecture, or the Barbican Estate, a large-scale housing estate that became the iconic structure for Brutalist architecture.
London’s contemporary architectural landscape continues to evolve, in part through the works of internationally-recognized architects such as Norman Foster, Zaha Hadid, and Thomas Heatherwick. This varied blend of styles, and ways of expression reflects the city’s ability to embrace architectural movements of global significance. As a center for innovation, London continues to attract established and emerging architects who shape its skyline and contribute to its international architectural discourse, with each new building offering a glimpse into the ever-changing nature of London’s urban fabric.
The Royal Institute of British Architects (RIBA) has announced the 30 winners of the 2023 RIBA National Awards for Architecture, providing an insight into the country’s architecture, design, and social trends. Among the key themes observed this year, the need to rebuild communities and to find sustainable ways of practicing stand out as the main concerns of the participant architects. The response to these themes is varied, ranging from buildings that aim to offer opportunities for collaboration for students to creating stimulating social spaces for the elderly or providing creative programs at a neighborhood scale. All the projects selected have been in use for at least one year and have provided data regarding their environmental performance. Examples of sustainable design include both new buildings, following the Passivhaus certification, and renovation of existing structures.
