Yard House, London / Assemble. Image Courtesy of Assemble
Assemble, a collective of artists, designers and architects based in London, have been shortlisted for the Turner Prize - the UK's foremost annual award for British visual artists. Much to the delight and surprise of members of the profession, this young collaborative team are the first spatial designers to be recognised by this prize in its three decade history, leading Sam Jacob to assert that they "represent something different: a validation of the belief that there are other ways of doing things." The four nominees for the award also include London artist Bonnie Camplin and German-born Nicole Wermers.
In an article for The Guardian, Turner Prize winning ceramic artist Grayson Perry has written for the first time about his "plans for a Taj Mahal in Essex." The designs for the House for Essex, which have been realised over the last three years by FAT and led by Charles Holland, are of a "secular chapel" in the heart of the southern English countryside. The building was commissioned by the Living Architecture Project, which is headed by Alain de Botton and are the proprietors of property designed by the likes of Peter Zumthor, MVRDV, and David Kohn. This, their fifth foray into experimental collaborative architecture between architects and artists, is set to open its doors for holiday letting this year.
London-based Wilkinson Eyre Architects have revealed plans for a major refurbishment of three 'Siamese' gasholders in King's Cross. The development will see the historic structures restored and repurposed for multi-residential use, and create over 140 apartments. Dismantled in 2001 to allow construction of the Channel Tunnel Rail Link, the Grade II-listed structures are currently undergoing refurbishment by Shepley Engineers in South Yorkshire, after which they will be relocated from their original site as part of a larger masterplan for King's Cross.
London's Victoria & Albert Museum have announced that David Bickle, formerly a partner at Hawkins\Brown, has been appointed as the new Director of Design, Exhibitions and FuturePlan. In this role Bickle will be responsible for the care and future development of the V&A’s buildings, as well as the presentation of all of the museum’s permanent collections and exhibitions. With the construction of Amanda Levete Architects' new addition on Exhibition Road underway - coupled with the V&A's plans for new exhibition spaces in Dundee, Scotland, and in East Stratford on the former site of the 2012 London Olympic Games - the museum is also in the process of helping to establishing a collection in Shenzhen.
The Listeners Project: four short films in the former BBC Television Centre. Image Courtesy of The Listeners Project
The Listeners Project, a small London-based initiative that works with young filmmakers in unique architectural spaces to develop and create short films, have taken residence in the former BBC Television Centre. The building, designed by Graham Dawbarn of Norman & Dawbarn in the late 1940s, has an iconic plan that resembles a question mark. The centre, which was once the beating heart of the majority of the British Broadcasting Company's television production, was listed in 2009 before it was finally vacated in 2013.
World Expos have long been important in advancing architectural innovation and discourse. Many of our most beloved monuments were designed and constructed specifically for world’s fairs, only to remain as iconic fixtures in the cities that host them. But what is it about Expos that seem to create such lasting architectural landmarks, and is this still the case today? Throughout history, each new Expo offered architects an opportunity to present radical ideas and use these events as a creative laboratory for testing bold innovations in design and building technology. World’s fairs inevitably encourage competition, with every country striving to put their best foot forward at almost any cost. This carte blanche of sorts allows architects to eschew many of the programmatic constraints of everyday commissions and concentrate on expressing ideas in their purest form. Many masterworks such as Mies van der Rohe’s German Pavilion (better known as the Barcelona Pavilion) for the 1929 Barcelona International Exposition are so wholeheartedly devoted to their conceptual approach that they could only be possible in the context of an Exposition pavilion.
To celebrate the opening of Expo Milano 2015 tomorrow, we’ve rounded up a few of history’s most noteworthy World Expositions to take a closer look at their impact on architectural development.
Balfron Tower: a building archive, created by London-based PhD student David Roberts and graphic designer Duarte Carrilho da Graça, is an online archive that brings together public documents related to Erno Goldfinger's Balfron Tower. Shining a light on all of the research material which Roberts has gathered over the course of his studies, archival documents from during the tower's design phase to the most recent press articles are presented in the form of a timeline. You are also allowed the option of downloading these documents in full.
Prisons are often seen as problematic for their local communities. After centuries of correctional facilities discouraging economic growth and occupying valuable real estate as a necessary component of towns and cities, many of these institutions have been relocated away from city centers and their abandoned vestiges are left as unpleasant reminders of their former use. In fact, the majority of prisons built in the United States since 1980 have been placed in non-metropolitan areas and once served as a substantial economic development strategy in depressed rural communities. [1] However, a new pressure is about to emerge on the US prison systems: beginning in 2010, America's prison population declined for the first time in decades, suggesting that in the near future repurposing these structures will become a particularly relevant endeavor for both community development and economic sustainability. These abandoned shells offer architects valuable opportunities to reimagine programmatic functions and transform an otherwise problematic location into an integral neighborhood space.
Why repurpose prisons rather than starting fresh? The answer to this question lies in the inherent architectural features of the prison typology, namely the fact that these structures are built to last. People also often forget that prison buildings are not limited to low-rise secure housing units - in fact, prisons feature an array of spaces that have great potential for reuse including buildings for light industrial activity, training or office buildings, low-security housing, and large outdoor spaces. These elements offer a wide variety of real estate for new programmatic uses, and cities around the world have begun to discover their potential. What could the US learn from these examples, at home and overseas?
New London Architecture (NLA), an independent resource and forum for debate about the city's built environment, have unveiled a new, large-scale interactive model of the UK capital. Designed to provide a visual history of the city, NLA also intend for it to spark questions about its future. This model replaces an earlier one, which was revealed on the day that it was announced that London's bid to host the 2012 Olympic Games has been successful. Now, a decade later, the present projection of the city's built future has been mapped across the model, highlighting the locations of the 263 tall buildings planned or under construction. Visitors are also able to track the route and impact of new transport links, such as HS2 and Crossrail.
Nearly two hundred years after construction first began, and 150 years after being formally closed to the public, Isambard Kingdom Brunel's Rotherhithe shaft in the Thames Tunnel is slated to become London's newest performance space.
Thanks to a cantilevered staircase by local firm Tate Harmer, members of the public will be granted access to one of London's best-kept pieces of engineering history.
If approved, Robert A.M. Stern will build London's most expensive flats. Aiming to replace a 1960s car park and a number of other buildings in city's Mayfair district, the £2 billion "Audley Square House" apartment block is being commissioned by Phones4U billionaire John Caudwell.
The great schools of architecture have been around since time immemorial, or at least that's how it can often feel. In London, a city particularly dense with institutions of this calibre, this is perhaps felt more acutely. How, then, do you develop an entirely new school in this tightly packed environment which has the potency and capacity to compete? Will Hunter, former executive editor of the London-based Architectural Review, began a process to do just this with an article in 2012. Following this, he set up the ARFA—Alternative Routes For Architecture—in order to explore different models for architectural education, calling upon professionals and academics to contribute to a series of informal discussions.
“When the tuition fees in the UK escalated to around £9000 per year in 2013, it got me thinking about different models for architectural education,” Hunter recalls. The casual meetings held around this time gradually become more serious until, “at a certain point, we decided to test them: to make a school.” The project gathered momentum from that point on and now, two years later, the London School of Architecture(LSA) are preparing to take in their first ‘trailblazing cohort’ of postgraduate students.
The Architects' Journal have reported that London based practice Rogers Stirk Harbour + Partners (RSHP), headed by Richard Rogers, has refined its in-house structure "as the practice continues to implement its long-term succession plan." The practice, who will move into their new home on level fourteen of the Leadenhall Building following its completion last year, will operate one studio led by Richard Rogers alongside partner Simon Smithson; another by Graham Stirk with partner Richard Paul; and a third headed by Ivan Harbour.
"I’m particularly pleased to welcome Farshid because the Royal Academy architects currently comprise a more distinguished group than at any time in its long history," commented Christopher Le Brun, president of the Royal Academy.
