Concept image of environment by Li Xiaodong, commissioned by the Royal Academy of Arts, London, detail.Li Xiaodong
The Royal Academy of Arts’ (RA) in London will soon be transformed into a multi-sensory “architectural maze” with the construction of seven installations by seven world-famous architects for the exhibit, Sensing Space: Architecture Reimagined. Participants, handpicked by curators Kate Goodwin and Drue Heinz, include Alvaro Siza, Eduardo Souto de Moura, Pezo von Ellrichshausen and Kengo Kuma.
Graphic designer and curator Kenya Hara has put together a three week-long exhibition in Tokyo focusing on the future of the Japanese house. Hara argues that the housing industry can no longer be isolated but must be combined with other industries, technologies and ideas, including energy, transportation, communication, household appliances, the "vision of happiness" pursued by adults, the representation of Japanese traditions and aesthetics as well as a future vision of health. All of these elements he hopes to present and discuss at the House Vision Exhibition where more than ten types of futuristic houses are on display and daily seminars with expert urban planners, developers, contractors, architects, telecom and even gas organizations have been taking place.
Located in front of the Kamiari-mon gate in Asakusa, Kengo Kuma’s Culture Tourist Information Center serves as a beacon to the local area as well as housing programs to serve both tourists and the local community. This video via ja+u takes you through the 7 stacked volumes that make up the 8 internal floors that house a wide variety of programming ranging from meeting rooms to tourist information kiosks. The construction uniquely integrates HVAC equipment in the gaps between the stacked volumes. The interior structure of heavy timber members are left exposed which complement the dynamism of the vertical volumes, while the language of wood is continued onto the exterior by means of laminated timber louvers.
Through our interview program, I’ve had the chance to meet with some of the world’s most renowned architects, while creating a moment to share their views about the profession with our readers.
Tea ceremonies have evolved a great deal since they first got their start in the ninth century, and as the ceremonies have grown and shifted in purpose, so have the tea houses that hold them.
Initially tea was seen as a medicine used to cultivate the mind, body and spirit; tea was seen as good for monks because it helped them to stay awake for long periods of meditation. For this reason, the military class sponsored the construction of large zen temples for monks to drink tea in. As tea began to grow in popularity beyond the temple, tea ceremonies became a source of entertainment for members of the upper class who could afford to gamble, read poetry and attend tea parties in extravagant pavilions. More information after the break.
On the occasion of the Settimana milanese del Design 2010, during which the Japanese architect presented an impressive installation anticipating the new work of architecture, Kengo Kuma himself gave a video-interview on the meaning of the very “CCCWall” (photos here / video here), its conception and tangible character. The image and voice of the Japanese architect allow the viewers to approach the ceramic masterpiece which will be inaugurated in Casalgrande, Reggio Emilia.