Peaking above some contemporary New York favorites – such as Gehry’s IAC Building and Field Operations + DS+R’s High Line – Jean Nouvel’s 100 Eleventh Avenue adds yet another touch of character to Manhattan’s West Side. ArchRecord‘s great pieces on curtains walls gave us a better look at Nouvel’s textured glass curtain wall.
More about the curtain wall after the break.
A year ago, we featured a set of Tim Harris’ early construction photos of Jean Nouvel’s Doha Office tower previously on AD, and now photographer Nelson Garrido has shared some new shots of the 45 story cylindrical structure. The building’s dia-grid gives much character to the project, as it not only provides structural support but also gives the volume a textured appearance from far away that turns into a more delicate patterning in closer range. The facade is layered with metal brise-soleil based on a traditional Islamic pattern. The fairly standard geometry module becomes a complex visual as it is rotated and flipped to provide maximum shading for the interior of the building. In this way, the arrangement of the panels is both functional and supplies the aesthetic touch that will define the tower.
French architect Jean Nouvel has been selected to design this years Serpentine Gallery Pavilion.
Since 2010, the Serpentine Gallery has commissioned world’s most renowned architects to design a temporary structure to host summer events. The list includes Zaha Hadid, Frank Ghery, Rem Koolhaas, Toyo Ito, Daniel Libeskind, Oscar Niemeyer, Alvaro Siza + Souto de Moura, SANAA (previously featured at AD), danish artist Olafur Eliasson, and several collaborations with Cecil Balmond and ARUP.
Nouvel proposes a vivid red metal structure, which trough the reflection of its materials (steel, glass, fabric, polycarbonate) remind of classic british icons, such as the phone box or the London buses, while contrasting with the green of the park. A free standing 12m tall wall marks the presence of the pavilion.
More images after the break.
A few weeks ago, we shared Jean Nouvel’s design for 53 West 53rd Street, a 1,250 foot project that would dominate the site. Reactions to the project were different across the board as some felt the tower would push New York forward in the architectural world, whereas others did not agree with the scale or aesthetic of the project. As we previously mentioned, Nouvel’s project had a long way to go before construction, and this week, as Nicolai Ouroussoff reported for the New York Times, it seems that the City Planning Department has decided to shorten the proposed tower by 200 feet.
More about the City Planning Department’s decision after the break.
With the countless number of ridiculously tall skyscrapers planned for around the world, it is remarkable the controversy an 82-story skyscraper for Midtown Manhattan can create. Three years ago, MoMa completed an $858 million expansion, yet the museum is still in need of additional room to house its growing collections. The Modern sold their Midtown lot to Hines, an international real estate developer, for$125 million. Hines, in turn, asked Pritzker Prize Laureate French architect Jean Nouvel to design two possible solutions for the site. “A decade ago anyone who was about to invest hundreds of millions on a building would inevitably have chosen the more conservative of the two. But times have changed. Architecture is a form of marketing now, and Hines made the bolder choice,” reported Nicolai Ouroussoff for The New York Times.
“Bolder” is certainly fitting to describe Nouvel’s Torre de Verre which is planned for 53 West 53rd Street. The 1,250 foot tower will offer approximately 40,000 sq feet of new gallery space for the MoMa, in addition to 150 residential apartments and 100 hotels rooms. The tower’s unique silhouette will dominate the Midtown block, rising higher than the iconic Chrysler Building. Its irregular structural pattern has been called “out of scale” on numerous occasions by opponents of the project. Some complain that the tower will “violate the area’s integrity” noting that its height will obscure views and light. Shadow studies show that the building may plunge apartments in the area and the ice-skating rink at Central Park into darkness.
The aesthetic is definitely foreign to Midtown and, yet, while most are quick to reject change, the tower will sit in an area surrounded by highly revolutionary buildings. Its new neighbors include Philip Johnson’s “Lipstick Building” at Third Avenue; Hugh Stubbins’ Citicorp Building at Lexington Avenue, Mies van der Rohe’s Seagram Building and SOM’s Lever House at Park Avenue. At some point in time, each of those buildings exemplified a change in style, and yet now, they are staples in the area’s heritage.
With controversy still surrounding Nouvel’s design as it moves through the city’s review process (ULURP), John Beckmann and his firm, Axis Mundi decided to do something about it. A few short days ago, Axis Mundi unveiled a conceptual alternative design for 53 West 53rd Street. The alternative features a 600 foot, 50 story mixed use building that ”rethinks the tall buildings that have become synonymous with New York City’s identity.” Beckmann explained, ”Historically, the skyscraper was a unitary, homogeneous form that reflected the generic, flexible office space it contained…The Vertical Neighborhood is more organic and more flexible–an assemblage of disparate architectural languages. It reflects an emerging reality for tall buildings as collections of domestic elements: dwellings, neighborhoods, streets.”
More images and more about Axis Mundi’s alternative after the break.
The La Defense is a 160 ha business district in the west of Paris, currently under a renewal plan to strengthen its place among the great international business districts. The plan is managed by the EPAD (The Public Establishment for Installation of La Défense), an organization formed by local authorities, government and neighbors focused on developing the La Defense for the best interests of its 20.000 residents and 150.000 inhabitants in floating population.
The renewal includes several high rise sustainable towers. One of this towers, the Tour Signal, entered an international closed competition for teams of architects/investors/developers, on which EPAD didn’t impose a site. The candidates were thus able to choose their sites either from among the entrances to the business district (South Gate and West Gate), either from sites subject to demolition operations. The Tour Signal will thus endow the business district with a new landmark in 2013.
The finalists for this project were Jacques Ferrier Architectures, Foster + Partners Ltd, Studio Libeskind Architect, Ateliers Jean Nouvel and Wilmotte et Associes SA.
And a few days ago, the winner was announced: Ateliers Jean Nouvel, project shown on the video above.
More pictures of the Jean Nouvel proposal, and the rest of the candidates/finalists after the jump.