Interview: The Latest Architecture and News

Vladimir Belogolovsky speaks with Antoine Predock about the soon-to-be-built Bahías, a community of 13 houses in Costa Rica, inspired by a vision of manmade foliage.

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Despite the emergence of collective and interdisciplinary practices, architectural entrepreneurship remains a vague discipline. As academic institutes focus on cultivating students' hard skills during their undergraduate years, their soft skills are often overlooked, left to be acquired or strengthened during their work experience. Stepping into the "real world", fresh graduates who decide to venture into their professional journey as freelancers or in start-ups, often find themselves overwhelmed with questions; 'How do I convince the client? Am I communicating my concept properly to the contractors? Am I charging the client enough? Why is the project not being executed like I designed it? Why is this project taking a lot more time than I intended it to? How can I run a successful business if I've never taken a business course in architecture school?'

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This article was originally published on Common Edge.

Exploring the question of slavery in Architecture, the building materials and the construction industry, Michael J. Crosbie interviews Sharon Prince, the women behind Design for Freedom, discussing the initiative's report "on the pervasive use of slavery in the design and construction industry, and how design professionals can respond".

"The house is among the first concepts shared by society and architecture", states André Tavares and Pippo Ciorra, curators of the exhibition called At Home: Projects for Contemporary Housing, on display at Garagem Sul / Centro Cultural Belém, in Lisbon. The show, which is the unfolding of another one previously held at the MAXXI Museum in Rome, gathers pieces from the huge collection of the Italian institution and seeks intersections with contemporary Portuguese architectural production. Its main topic – the house, the home – has never been more discussed than right now.

Bringing together houses of different scales, built in diverse locations by various methods and techniques, and designed by Italian, Portuguese and international architects, the exhibition gathers, in groups of three, projects from which it is possible to weave relationships that go beyond geographies and materialities and foster reflections about the future of housing and what the home of tomorrow will look like.

We had the opportunity to talk with Tavares and Ciorra about the exhibition, its motivations and expectations with its opening in the physical venue of Garagem Sul. Read below.

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Videos

Many architects and designers have highlighted the importance of taking into account all five senses during the design process, in order to create a successful user experience. Fortunately, many strategies have been implemented to facilitate the experience of those who are physically impaired, however, little is being done to aid those who feel helpless and restricted due to mental illnesses and traumatic experiences.

Healing from these experiences is a journey that requires a lot of effort from both the individual and everything and everyone around him/her. Oftentimes, victims of trauma are advised to spend more time in the outdoors, embracing the restorative qualities of nature. But what about interiors? Since people are now spending almost 90% of their time indoors, it is only natural that these spaces contribute to the healing process as well. And while these spaces can look beautiful with an abundance of natural light and neutral color palettes, are they truly beneficial to their mental health?

Desplans and KooZA/rch have revealed the three final winners of the #mycityscape competition. Inviting young creatives to this conversation, the open call questions the definition of the city, by asking “What establishes the identity of a city? What distinguishes one urban environment from the other? And What defines our relationship to the built landscape we inhabit?”

Trying to find the tools to map the city of the 21^st century, the competition encouraged young creatives to record the essence of their cityscape into one image. After selecting 12 shortlisted entries, the contest solicited a wider audience to decide the final winning designs, by voting for their favorites on social media. Following the release of the results, Christele Harrouk from ArchDaily had the chance to talk about the #mycityscape competition with both Desplans and KooZA/rch, discussing the theme and the whole process. Discover in this article the exchange as well as the final winning designs.

Under the theme of “good neighbors”, the IE School of Architecture and Design celebrated World Architecture Day, highlighting the importance of our commitment and collective responsibility for the future of human beings, societies, and built environments.

To celebrate the projects that have impacted our daily lives positively, the university showcased these buildings on their social media platforms and asked renowned architects and program directors on the importance of maintaining a sense of community and what makes buildings our good neighbors. The school hosted its dean Martha Thorne and award-winning international architect Jeanne Gang during a live interview on Instagram to discuss the evolution of the field of architecture after this year’s new set of living conditions.

“It all started with the question: What if I’m going to build my own house?" It was this consideration that prompted Alexis Dornier to note that when he's providing architectural design service he's mostly catering, filtering and catalyzing input from other people that have budgets, preferences and tastes and it’s up to him to channel or organize that and let it "stream through" him. Using his craft to put it in order. "But what if you did not have that other hand [designer's help]? What would you do?”

Archdaily’s Hana Abdel, projects curator, sat down with Alexis Dornier to discuss his latest venture as co-founder of Stilt Studios, a company “focused on making Architectural design accessible to a greater audience of people. People who wouldn’t be able to afford an architect or don’t want to go through the trouble of working with an architect. So, what if we could create a product, or an architecture that almost works as a product.”

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Investing in virtual projects has probably never been more timely, after all, we have been partially deprived of contact with the concrete world. Exploring the singularities of the present moment and the power of online engagement, a group of architects from Angola started an ambitious work: pursuing a new identity for Angolan architecture.

Formed by Yolana Lemos, Kátia Mendes, Mamona Duca, Elsimar de Freitas, and Gilson Menses, Grupo BANGA is responsible for the project Cabana de Arte (Art Hut), which combines the efforts of young architects and artists from Angola in virtual works that seek to bring visibility to emerging professionals and bring architecture closer to people's daily lives.

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Facades are the first barrier outside a building. They weather rain, snow, winds, sun, and temperature changes. Their primary function is to keep interiors free of water, thermal bridges intact, and internal atmospheres as comfortable as possible. This reality is why the detailing of facades is usually done by experienced architects or specialized companies, who understand materials and construction methods well and are able to select the best solutions for each circumstance. But some projects have facades with such complex detailing, encompassing thousands and thousands of lines, hatches, and dimensions, that they inspire a particularly awestruck response. Making these drawings didactic, technical, and, above all, beautiful, is a task few can achieve to perfection. We spoke with Troy Donovan, the creator of the 188,000 follower Instagram account @the_donnies, who does this job like few others. Read the interview below.

“I’ve known since I was a child that change would never happen on its own. My dream was to make a positive change as a woman architect and urban planner.” Architect, Activist, and Founder of Warch(ée) NGO, Anastasia Elrouss has been involved in architecture and advocating for women in the field, for nearly 15 years. Through her own practice, she is always seeking to create interventions that are constantly adapting to the users and the environment, “putting the human layer at the center of the architectural experience”. Through her platform, she is encouraging an ongoing conversation about gender equality and the role of women in the workplace and the world.

Archdaily’s Hana Abdel, project curator and Christele Harrouk, senior editor, had the chance to sit with Anastasia to discuss her journey, her creative process, her deeply-rooted involvement with women in the field and the inception of both her NGO and architectural practice.

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