1180 - The Gothic Choir. Image Courtesy of Histovery
Ahead of the official reopening of Notre Dame de Paris, scheduled for December 8, a series of exhibitions are happening worldwide, aiming to use immersive technologies and augmented reality to bring to a wider audience both the restoration efforts and the wider story of the beloved monument. The event aims to present significant chapters of the history of the iconic structure, from its medieval origins to its witnessing of historical events such as the coronation of Napoleon or the marriage of Henri IV, the 19th-century restoration which added the spire designed by French architect Viollet-le-Duc, and the devastating 2019 fire.
In the heart of Tallinn, where history weaves through cobblestone streets and ancient towers, stands the Ungern-Sternberg Palace — a monument that bridges the opulent past of Estonia's aristocracy with the vibrant world of contemporary academia. Now home to the Estonian Academy of Sciences, this historic building embodies Estonia's enduring dedication to knowledge and cultural preservation. Through Open House Tallinn, which highlights the city's architectural heritage, the palace's significant history, and remarkable architectural details are brought to a wider audience, offering unique insight into Estonia's cultural resilience.
Constructed in the 19th century as a symbol of aristocratic power, the palace has transformed from a private residence into a national hub of intellectual life. Its grand halls, once the scene of lavish gatherings, now foster scientific and academic pursuits, illustrating how heritage architecture can evolve alongside societal change.
In recent weeks, a series of significant architectural developments have been announced, showcasing the varied work of renowned firms from around the globe. These projects, revealed between late September and October 2024, emphasize the transformative potential of architectural design in rehabilitating historical structures, revitalizing urban areas, and proposing new facilities to meet the evolving needs of communities. Notable names such as Zaha Hadid Architects, Kohn Pedersen Fox (KPF), and Studio Egret West are among those leading ambitious projects, from the waterfront residences on Qetaifan Island in Qatar to the reimagining of London's Earls Court. This collection of recent announcements provides a glimpse into the ongoing evolution of urban landscapes and community-centric architecture.
Snøhetta has won an international competition for the design of the new stations for the city cable car in Koblenz, Germany. Given that the location is within the UNESCO World Heritage Site of the Upper Middle Rhine Valley, the project necessitates a sensitive and respectful approach to the historical context. The proposed stations are designed as contemporary architectural statements that harmonize with the existing heritage, blending into their surroundings.
From 1977 to 1983, the National Theatre in Prague underwent a major transformation with the opening of Nová Scéna, a modern counterpart to the traditional Neo-Renaissance theatre. For many years, Nová Scéna hosted the renowned Laterna Magika, the world’s first multimedia theatre. This groundbreaking performance style combined classical theatre with computer-generated visual effects, creating a unique dramatic experience. The striking glass building, a symbol of the communist era, became an iconic representation of the political power of the time. In recognition of its significance, this building was part of the Open House Prague festival in 2024—an annual event that invites the public to explore and appreciate the value of architecture.
Landscape architecture firm SCAPE together with Bjarke Ingels Group have announced plans to transform Connecticut's ManresaIsland into a public-oriented development as a hub for learning, exploration, and community engagement. Originally slanted for private waterfront housing, the new scheme aims to open up the area as a public park with ample waterfront access, a project led by SCAPE. Additionally, the decommissioned coal-fired power plant is set to be converted by BIG into a community hub for multiple activities including swimming, small and large-scale events, research, and educational rooms. Supported by a private philanthropic investment from Austin McChord, the project is set to open in 2030 through a phased development.
Montreal, located along the Saint Laurent River in Southern Quebec, is Canada’s second-largest city. Often renowned for its architectural diversity, its built environment reflects both its colonial past and modern evolution. As a former territory of "Nouvelle France," French language and culture remain dominant, which has in turn influenced the city's architectural character. Notably, Old Montreal features well-preserved buildings from the 18th and 19th centuries, most of which are a testament to the city’s industrial growth after the construction of the Lachine Canal. The area's heritage has been protected and restored through efforts by figures like Phyllis Lambert and organizations such as Heritage Montreal, allowing the city’s rich architectural history to coexist with its modern developments.
Montreal's multiculturalism is evident in neighborhoods like Little Italy and Little Portugal, with its diversity fueling a vibrant cultural scene. The city hosts a multitude of festivals every year, many held in open-air venues like Place des Festivals. Parc Jean-Drapeau, built for the 1967 World Expo, is another popular spot for large events while offering stunning views of the city skyline. Another relevant site is Mont Royal Hill, a park offering panoramic views of downtown and access to hiking trails, Saint Joseph’s Oratory, Beaver’s Lake, and other areas of architectural interest such as the Plateau.
As major cities continue to develop, we face intriguing challenges regarding the preservation and adaptive reuse of significant buildings, sites, and artifacts. This poses a complex question that involves political history, architectural theory, and cultural significance. Adaptive reuse extends beyond architectural and spatial designs; it allows cities and communities to reflect, reevaluate, and reinterpret their history from different perspectives. However, unlike books and words, buildings may not withstand the test of time themselves and serve as firsthand evidence of the stories they tell. How should we question ourselves on what to preserve and demolish? How can communities be involved in the active restoration or adaptation of historic buildings?
Prague, the capital of the Czech Republic, is one of Europe's best-preserved cities, having miraculously survived the widespread bombings of World War II. As the capital of the Czech Republic, Prague is home to over 1.3 million people and features an architectural heritage spanning centuries, covering a variety of architectural styles from Romanesque, Gothic, Renaissance, Baroque, and Rococo, to Modernist, Deconstructivism, and contemporary tendencies. The Old Town Square, where various architectural styles coexist, is a testament to this diversity. Known as the "Mother of all Cities," “the Golden City and “The City of a Hundred Spires,” Prague blends history and contemporary culture seamlessly. Its origins, steeped in legend, add to the city's charm.
Courtesy of David Kohn Architects, noA Architecten, and Asli Çiçek
The team comprised of David Kohn Architects, noA Architecten, and Asli Çiçek has won the international competition for the redesign of SMAK, the Municipal Museum of Contemporary Art in Ghent, Belgium. The project includes the reconfiguration of the museum grounds and the extension of a cluster of historic buildings in the center of the city. Established in 1999, the Stedelijk Museum voor Actuele Kunst aims to redefine its relationship with the city and to create more appropriate space for the design of its extensive contemporary art collection.
Whether rising to the highest room of the tallest tower in a Disney-esque castle, giving an admirer the chance to confess their love on an apartment buildingfire escape, or connecting a basement or attic room with a decorative period feature, there’s something unavoidably romantic about spiral staircases. But there’s more function behind these coiling forms than just their good looks.
One common-held theory is that spiral staircases were first installed in historic castles as vertical baffles, tiring out enemy infiltrators before they could make it to the top. This is why – it is said – many are set to turn clockwise on the ascent, so attackers have a smaller arc for swinging weapons (mostly held in right hands) than defenders making their descent.
As cities grow and evolve, the question of preserving, rehabilitating, or adapting historic sites arises. The intervention in such buildings requires a delicate balance between honoring their heritage and meeting contemporary demands. Often, the most innovative and radical solutions emerge when architects attempt to renew a building while maintaining its original footprint and as many features as possible. They then create modern extensions that either harmonize or contrast with the original structure. This approach not only revitalizes the building but also celebrates the synergy between the past and present, including materials, construction technology, architectural movements, stories, and overall building quality. The layering of both old and new elements through harmony or contrast requires an intelligent and sensitive approach that gives the building a unique aesthetic and a new meaning.
RSHP has unveiled the urban and architectural design for the new Bayeux Tapestry Museum. The intervention is created to house and display the Bayeux Tapestry, an embroidered cloth measuring 70 meters in length and depicting the events leading up to the Norman Conquest of England in 1066 and culminating in the Battle of Hastings. The almost 1000 years-old artifact is also included in UNESCO’s “Memory of the World” list. The project proposes a contemporary extension of the 17th-century seminary where the Musée de la Tapisserie de Bayeux is located.
MAD Architects has announced the completion of the Jiaxing Train Station, the first transportation infrastructure project developed by the architecture office. Located in the historic city of Jiaxing, 100 kilometers southwest of Shanghai, the project involves the replacement of a dysfunctional station that had stood at the site between 1995 and 2019. As China has developed significantly in terms of urbanization, its train stations have grown into complicated, widespread, and uninviting infrastructures. Through their project, MAD Architects strive to return to a human scale, to create a facility that responds to the newest developments in transportation technology, while creating spaces that are comfortable and easy to navigate for its users.
Cameroon boasts a rich architectural heritage of Catholic Christian worship buildings. These buildings encompass various styles, including contemporary designs, Terracotta brick explorations, and Gothic, and Byzantine architectural influences. Since the arrival of missionaries and colonial communities in 1890, numerous religious buildings have been constructed with the involvement of local communities. These buildings not only contributed to the development of the Christian faith but also served as venues for the exchange of architectural ideals between the local and foreign communities.
During this period, Cameroon explored the Gothic and Byzantine movements, which had reached their peak in Europe, to create these churches. They were interrogated through local building practices and now represent the historical heritage of the country's cathedrals.
Bologna officials announced plans to secure and repair the leaning Garisenda Tower, a medieval structure in the center of the Italian city. Earlier last month, the area surrounding the tower was secured after raising fears of collapse, as monitoring has found shifts in the direction of the tilt. The 47-meter-tall tower leans at a four-degree angle, similar to its more famous counterpart, Leaning Tower of Pisa. The Garisenda Tower has been a defining feature of Bologna’s skyline along with its neighboring Asinelli Tower, which is around twice the height and also leans, though at a smaller angle, and is usually open for tourists to climb.
Located 270km north of Dakar, the capital of Senegal, and near the border with Mauritania, is the Island of Saint-Louis. It is a prominent colonial city in West Africa, known for its blend of Mediterranean architecture with a tropical climate. Saint-Louis was founded by the French Colony in 1659 as its first trading post on the Atlantic coast of Africa. It later became the capital of French West Africa (AOF) and Senegal. However, it lost this status in 1902, which led to its economic decline.
This complex history has made Saint-Louis a melting point for different layers of architecture and urbanism. The island showcases a grid urban form with double-storey villas, which is typical of 19th-century French colonial urbanism. Additionally, it features tropical courtyards, shaded balconies, 1920s art déco houses, and early '30s modern civic buildings. However, due to its economic and infrastructural isolation, this architecture and urban heritage have continuously degraded. Therefore, it seeks new interventions for the conservation, restoration, and re-adaptation of the city.
The Norwegian studio of Powerhouse, in collaboration with KIMA arkitektur, has won a design competition for the transformation and extension of one of the historical buildings located in the center of Landbrukskvartalet. Known as the Agricultural Quarter, a former farming and industrial site in central Oslo, the area is now scheduled to go through an urban revitalization process to be transformed into an active neighborhood based on the design philosophy of ‘new meets old’.
