Fotografia: The Latest Architecture and News

With its monumental form, swept diagonal lines and elevated concrete walkways, the Issam Fares Institute building at the American University of Beirut by Zaha Hadid Architects emphasizes movement, evoking the speed of contemporary life as it presides over a connecting system of pedestrian walkways. Begun in 2006 and completed in 2014, Hadid’s award-winning concrete and glass building makes a bold statement with its prominent 21-meter, two-story-tall cantilever, which creates a covered courtyard and reduces the footprint of the building to avoid blocking circulation routes. The elevated walkways carry pedestrians through the branches of huge Cypress and Ficus trees, many of which significantly predate the building at 120 to 180 years old.

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Appreciated within the industry but often maligned by the general public, brutalism came to define post-war architecture in the UK, as well as many countries around the world. In his 1955 article The New Brutalism, Reyner Banham states it must have “1, Formal legibility of plan; 2, clear exhibition of structure, and 3, valuation of materials for their inherent qualities as found.”

One Kemble Street, a 16-story cylindrical office block originally named "Space House" and designed by George Marsh and Richard Seifert, clearly exhibits all of these characteristics, creating a landmark in the heart of London that remains as striking today as it was upon its completion in 1968. Photographing the Grade-II listed building throughout the day, photographer Ste Murray manages to beautifully capture the building’s essence, celebrating its 50 year anniversary while also highlighting the intrigue of its form in a way that suggests parallels to contrasting ideologies.

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In his latest photo series, "Viennametry," Hungarian photographer and printmaker Zsolt Hlinka captures the unexplored voids in Vienna’s patchwork of historical and contemporary architecture. After previously studying the symmetrical corner buildings of grandiose Budapest, Hlinka has moved north to Austria on his quest to find geometry and symmetry within the urban landscape.

There's an old, weary tune that people sing to caution against being an architect: the long years of academic training, the studio work that takes away from sleep, and the small job market in which too many people are vying for the same positions. When you finally get going, the work is trying as well. Many spend months or even years working on the computer and doing models before seeing any of the designs become concrete. If you're talking about the grind, architects know this well enough from their training, and this time of ceaseless endeavor in the workplace only adds to that despair.

Which is why more and more architects are branching out. Better hours, more interesting opportunities, and a chance to do more than just build models. Furthermore, the skills you learn as an architect, such as being sensitive to space, and being able to grasp the cultural and societal demands of a place, can be put to use in rather interesting ways. Here, 3 editors at ArchDaily talk about being an architect, why they stopped designing buildings, and what they do in their work now. 

Architecture photographer Marc Goodwin is continually adding to his world atlas of architecture offices. While photographing studios in Barcelona, Goodwin spent a little extra time at the post-World War I cement factory Ricardo Bofill transformed into his studio, gardens, and residence. After the cement-filled silos were uncovered, Bofill defined a new structure and program for his architectural fortress.

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Architectural photographer Marc Goodwin captures the unique workspaces of architects around the world. So far, Goodwin’s photography has helped us imagine what office life might be like as an architect in London, Paris, Beijing, Shanghai, Seoul, the Nordic countries, and now, Barcelona. Read on to see the spaces where architects from Ricardo Bofill to Fermin Vazquez design solutions that impact our world.

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A great photograph is often as important as a great building—sometimes even more. From the pages of glossy magazines to the galleries of digital publications and online portfolios, high-quality photography is crucial for contemporary architects. Yet the array of camera options, equipment, accessories, and technical jargon (aperture, ISO, shutter-speed, etc.) can be dizzying, if not intimidating. So what happens when the camera in your iPhone is no longer enough?

To ensure emerging practitioners and professionals alike take the perfect shot, Eric Reinholdt summarizes at length the photography equipment used in his own practice in this two-part video from 2016. The first instalment on the architect, writer, and photographer's channel 30X40 Workshop makes it clear that his preference is a digital SLR camera. The 20+ megapixel image quality as well as range of larger aperture lenses with added versatility are crucial features for large format printing and digital publishing. Canon and Nikon are among the suggested brands as they are established with a large offering of products. And, are expected to provide additional upgrade paths as new equipment is released.