Film: The Latest Architecture and News

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Commissioned for the exhibition “Casa Balla - From the house to the universe and back” at MAXXI museum in Rome, Italy, Bêka & Lemoine’s have released their latest film OSLAVIA. The cave of the past future, a tour inside the house-atelier where Giacomo Balla, prominent Futurist painter and major figure of the avant-garde of the early 20th century lived. The Futurist house where the artist lived and worked from 1929 until his death will be open to the public for the first time during the time of the exhibition.

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Videos

Canada’s contribution to the 17th Venice Architecture Biennale explores Canadian cities’ established “career” in cinema as stand-ins for the world’s metropoles, raising questions of authenticity, architectural identity and the collective understanding of the built environment. Curated by David Theodore of McGill University and realized by Montréal architecture and design practice T B A / Thomas Balaban Architect, the exhibition Impostor Cities highlights the diversity and versatility of Canada’s cityscapes as portrayed on film.

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Rare are the fields, from arts and culture, that have so many things in common with architecture, as film does. Acknowledging that this is far from new, this topic has been debated by theorists and authors from both fields ever since the beginning of the 20th century. Architecture has been trying to embody subtle and poetical features from film while cinema has historically served as a means to discuss, represent, and denounce topics tightly related to architecture and cities.

An interesting example of this overlapping can be found in the contemporary production of French-Italian film company Bêka & Lemoine, whose works show a sensible look towards the details and the simplicity of the architecture and urban spaces. Currently encompassing thirty feature films, Ila Bêka's and Louise Lemoine's portfolio casts light on the everyday life of different cities around the world, revealing an attentive gaze to the most trivial aspects of human existence in the urban realm.

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In the last decades, architecture has embraced the medium of film to explore new readings of spaces and atmospheres. Crafting a visual narrative of the underlying design concepts while also establishing a connection with the viewer, architecture films use cinematic camera movements and carefully curated sound designs to convey emotion and create a compelling impression of the built object. The article looks into architecture films as a means of capturing the experience of a space, with films by 9sekunden, a team of young designers who combine their passions for film and architecture into an alternative means of exploring architectural atmospheres.

The new Garage Screen cinema designed by SNKH Architects was just unveiled in Moscow. The winning project of the second Garage museum of contemporary art competition for the design of a pop-up summer cinema “resembles an inverted Bedouin tent”. Selected out of 136 submissions from Armenia, Belarus, Kazakhstan, Kyrgyzstan, and Russia, the intervention is not instantly recognizable as a cinema, reinventing the usual design.

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The recent success of Parasite, the award winning film directed by South Korean director Bong Joon Ho, has created a conversation around the emphasis of architecture and interior spaces in movies. This particular film does an excellent job of blurring the boundaries between the two disciplinary fields, to the point where the architecture is not just the background of the set, but it has been placed at the forefront of the storyline, and takes on the leading role in many scenes.

Chicago is one of the most photogenic cities in the world. Its sparkling lakefront, dramatic skyline, diverse ethnic neighborhoods, and gritty industrial sites have long captured the attention of locals and visitors alike, including Hollywood movie producers. Here the city often serves as not only a backdrop, but also as a starring role--almost as important as the characters themselves.

Architecture enjoys a close connection with moving picture, perhaps because of the limitless imagination it allows. Our mind can be taken far away to utopian worlds where we live different realities with our eyes and skin; movies can carry us to new and distant places, where we face new unusual realities.

However, besides carrying us to distant places, movies can also be a vehicle of social criticism. This is not news, as it has been done for almost as long as cinema has existed. The evolution of this role is relative to the topic of critique that has developed over time, as have our habits and ways of living. In this sense, one of the most emerging problematic of nowadays is climate change.from architecture to arts and, clearly, the movies.