Europe: The Latest Architecture and News

Okuda, the Spanish artist who has been converted into one of the biggest figures in pop surrealism, is continuing his artistic journey in France. After paying homage to the Mona Lisa in the façade of a 19 story building and designing a trampoline above the Seine River, the artist has now taken on the façade of the Valette Castle (1864) in Loiret, which has been abandoned since the 80’s.

The work is titled “Skull in Mirror” and reactivates the Valette Castle whose history links France and Spain. In 1936, during the time of the Spanish Civil War, Republicans purchased the castle, where initially it housed children evacuated from conflict and then later, political exiles. In the 50’s, Spain, under Franco’s rule reclaimed it and used it for holiday camps. Two decades later, the castle was converted into a Spanish school and by 1986 was left abandoned. In 2002, it was acquired by the Pressigny-les-Pins council and a private company. 

Videos

Over the past two years alone, more than a million people have fled the Syrian conflict to take refuge in Europe, strenuously testing the continent’s ability to respond to a large-scale humanitarian crisis. With the Syrian Refugee Crisis still unresolved, and temporary refugee camps now firmly established on the frontiers of Europe, architects and designers are devoting energy to improving the living conditions of those in camps fleeing war and persecution.

One emerging example of humanitarian architecture is Maidan Tent, a proposed social hub to be erected at a refugee camp in Ritsona, Greece. Led by two young architects, Bonaventura Visconti di Modrone and Leo Bettini Oberkalmsteiner, and with the support of the UN International Organization for Migration, Maidan Tent will allow refugees to benefit from indoor public space – a communal area to counteract the psychological trauma induced by war, persecution, and forced migration.

+ 19

Videos

The European Commission and Europa Nostra have unveiled the winners of the 2017 European Union Prize for Cultural Heritage / Europa Nostra Awards, which honor achievements in conservation, research, dedicated service, and education, training and awareness. Out of 202 applications from 39 countries, 29 winners have been selected.

The winners of the 2017 European Union Prize for Cultural Heritage / Europa Nostra Awards are:

The Award for Architectural Heritage Intervention AADIPA, arises from the belief that heritage, as a vehicle for social integration and an economic vitalizing resource for the community, deserves to be appreciated and encouraged. In the current context, in which architectural heritage is considered not only to be a fundamental instrument of knowledge but also a first rate socio-economic resource for the sustainable development of the territory, the disclosure, distinction and recognition of works and quality projects contributing to the preservation of the collective memory is imperative.

After a career as a professional skateboarder, Helsinki-based Janne Saario has become one of few landscape architects in the world with a practice devoted completely to designing skate parks for young people. Saario’s designs—all of which are located in Europe—diverge from the typical brutalist stereotypes of concrete skate park masses, and rather, are site-specific and heavily influenced by their natural surroundings.

“Young people are our hope and future,” says Saario. “And by offering beautiful and meaningful surroundings to grow, like wonderful skate parks, we can make a positive change on their picture of the world and future behavior.”

PLH Arkitekter has been announced as one of two winners in the international design competition for Rail Baltica, organized by The European Railroad Lines, Ltd. As a part of the European transport network, Rail Baltica will be a multi-modal public transport hub in the Latvian capital of Riga, with a railway bridge crossing the Daugava River.

The focal point of the project will be a train station building “that creates a strong visual identity in the cityscape, strengthening the sense of Riga as a metropolis.” Inspired by the archetypal form of the arch and the Art Nouveau period, the building will feature canopies that resemble arched fern leaves. On the north side of the building, the canopy shape allows for a unique view over the historic city, ideal for travelers entering or leaving the city to create a strong sense of place.

+ 6

The origin of Gothic architecture, a style which defined Europe in the later Middle Ages, can be traced to a single abbey church in the northern suburbs of Paris. The Basilique royale de Saint-Denis (Royal Basilica of Saint-Denis), constructed on the site of an abbey and reliquary established in Carolingian (800-888 CE) times, was partially rebuilt under the administration of Abbot Suger in the early 12th Century; these additions—utilizing a variety of structural and stylistic techniques developed in the construction of Romanesque churches in the preceding centuries—would set medieval architecture on a new course that would carry it through the rest of the epoch.

+ 4

The Fundació Mies van der Rohe has announced the three winners of the inaugural Young Talent Architecture Award (YTAA) 2016. Established this year to “support the talent of recently graduated Architects, Urban Planners and Landscape Architects who will be responsible for transforming our environment in the future,” 9 finalists were selected from a shortlist of 30 projects, which was then narrowed down to 3 winners.

One of the key challenges faced by the European currency union, the Euro, was that of their design. In 2002, when the banknotes entered circulation across large parts of the European Union, the imagery that they possessed had to represent a continent of cultures. The answer: to create fictitious illustrations or, as the European Central Bank states, "stylised illustrations [of windows, doorways and bridges], not images of, or from, actual constructions." In a recent exhibition architect Anna Pang, in collaboration with Johan Holkers and Rolf Stålberg, have attemped to present the "fictive architecture" of the Euro as sugar sculpture.

+ 30