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Rising over global cities, the modern skyscraper has long been a symbol of economic growth and environmental decline. For years, they have been reviled by environmentalists for being uncontrolled energy consumers. Malaysian architect Kenneth Yeang acknowledged the skyscraper as a necessity in modern cities and adopted a pragmatic approach to greening the otherwise unsustainable building typology. Yeang’s bioclimatic skyscrapers blend the economics of space with sustainability and improved living standards.
Can you imagine a world in which the built environment around us is 3D printed from living materials? That buildings will germinate, bloom, wither, produce new kinds of material, and eventually return back to the soil? To Grow a Building is a performative lab space that 3D prints - in real time - a live structure. The project presents a new approach to integrating flora into the design process, by developing a novel material for 3D printing, through which seeding is an inseparable part of the fabrication process. To Grow a Building is a gate into a future world in which there are people who build buildings, and there are people who grow them.
In the current scenario of a climate crisis, thinking about an architectural project without defining ecological guidelines has become practically unacceptable. One of the main emitters of carbon dioxide and other pollutants, the construction sector is increasingly looking for new ways and means that can make works more sustainable and, in some way, mitigate damage to the environment. Thinking about ecological materials can be one of the fundamental steps, but, which materials are these?
Titled "Who is We", the Pavilion of the Netherlands at the 17th International Architecture Exhibition – La Biennale di Venezia deconstructs normal concepts of space, visualizing what is often overlooked behind the structures that typically define urban spaces. Curated by a team led by Francien van Westrenen, the pavilion will be on display from 22 May to 21 November 2021.
In a design proposal for Soprema’s new company headquarters in Strasbourg, France, Vincent Callebaut Architectures envisions an 8,225 square-meter ecological utopia. The building, called Semaphore, is described in the program as a “green flex office for nomad co-workers” and is dedicated to urban agriculture and employee well-being.
An eco-futuristic building, Semaphore is inspired by biomimicry and intended as a poetic landmark, as well as aiming to serve as a showcase for Soprema’s entire range of insulation, waterproofing, and greening products. The design is an ecological prototype of the green city of the future, working to achieve a symbiosis between humans and nature.
A combination of geographical features has seen the city of Sivas remain one of the greatest focal points of settlement and transit in the Greater Anatolia Region of Turkey. The region is divided in two by the Kızılırmak River, the longest river entirely within Turkey, and it has long been regarded as a barrier to unification. Due to access and safety concerns, Kızılırmak River has been separated from Sivas, perceived as something outside of the city perimeter. Now, advancements in flood mitigation have opened up the possibilities for the river to be re-integrated into the city fabric.
To investigate the possible role of the river in holistically reuniting the two halves of the area, the Sivas Municipality opened a competition to design a six million square meters of land adjacent to the waterfront. A scheme from a team comprised of ONZ Architects and Mdesign took an approach which equally considered the site in terms of its biological and cultural possibilities. Their design establishes the Kızılırmak River Corridor as an "ecological and recreational spine," managing the floodplain and integrating vital public program throughout.
