The curatorial team for the U.S. Pavilion at the 2018 Venice Architecture Biennale have announced the seven designers who will create the pavilion’s main exhibitions. Consisting of architects, landscape architects, artists and designers, the group will produce responses to the theme of Dimensions of Citizenship, exploring “the meaning of citizenship as a cluster of rights and responsibilities at the intersection of legal, political, economic, and societal affiliations.”
Six teams have been shortlisted in a competition to restore and renovate the historic Clandon Park mansion in the county of Surrey, England, after the National Park property received heavy damage from a fire in 2015.
Organized by Malcolm Reading Consultants, the competition tasked teams with restoring and updating the interiors of the 18th-century Palladian house, as well as designing new flexible event spaces and visitor facilities within the existing building footprint.
The Urban Development Corporation (SAU-MSI) has announced the seven shortlisted teams competing for the design of the latest Centre Pompidou outpost in Brussels, Belgium. The finalist teams were selected from 92 entries to the competition, which sought proposals to transform the existing Art Deco Citroën Yser garage in the heart of the city into a mixed-use museum complex focusing on contemporary art and architecture.
To be known as the Citroën Cultural Centre, the $135 Million project will consist of 375,000 square feet (35,000 square meters) of public cultural, education and recreation space, including 160,000 square feet (15,000 square meters) designated for the new Centre PompidouBrussels. An additional 108,000 square feet (10,000 square meters) will host a museum run by Brussels’ International Centre for Urbanism, Architecture & Landscape.
A view of Sean Gallagher's work as seen in Morpholio's Trace App. Image Courtesy of Morpholio
If you visit an architecture office today, you may sense a slight change. The days of bulky desktops, ergonomic mouse pads and tower-high stacks of drawing sets are slowly giving way to digital pencils, tablets, and tons of architects’ hand-drawings—both physical and digital. Architects across the globe are clearing their desks, literally, and utilizing emerging touchscreen tools and software for designing, sharing and collaborating. It seems possible that, for the first time in years, the architecture profession could revisit Bernard Tschumi’s “paperless” studio which formed a key part of his tenure as dean of Columbia University’s GSAPP in the mid-1990s. However, this time, “paperless” starts with a pencil, instead of a click.
Six internationally-acclaimed teams have been selected as finalists in a competition to design a new home for London Symphony Orchestra and Guildhall School of Music & Drama to be known as the Centre for Music London.
Planned to contain a world-class concert hall, education, training and digital spaces, top-grade facilities for audiences and performers, and a number of supporting commercial areas, the Centre for Music building will become a new landmark within the heart of London, aimed at becoming “a place of welcome, participation, discovery and learning fit for the digital age.”
The Olympic Museum and Hall of Fame (USOM) has broken ground in downtown Colorado Springs, Colorado. Designed by Diller Scofidio + Renfro, the 60,000-square-foot building will be dedicated to the celebration and education of “the Olympic and Paralympic athlete and the unique human spirit that creates Olympians,” displaying the artifacts, media, technology and stories of American athletes and the historical power of the Olympic Games.
Located within the Yujiapu Pilot Free Trade Zone, the TianjinJuilliard School will become a center for performance, practice and research, and will welcome in the public with a series of communal spaces and interactive exhibitions focused on the creative process and performance of music. Upon completion, the campus will serve as an international hub for artists to learn and meet, as well as become the first performing arts institution in the country to offer a US-accredited master’s degree.
At this morning’s press event, The Museum of Modern Art in New York (MoMA) unveiled the completed renovations to the east end of its museum campus, while also revealing for the first time the full design of their multi-year expansion project designed by Diller Scofidio + Renfro in collaboration with Gensler.
With the completion of the east wing renovation, which began in February 2016, the museum has created two spacious third-floor galleries by reconfiguring 15,000 square feet of space, allowing for better flexibility in installing the collection and temporary exhibitions.
Designing a museum is always an exciting architectural challenge. Museums often come with their own unique needs and constraints--from the art museum that needs specialist spaces for preserving works, to the huge collection that requires extensive archive space, and even the respected institution whose existing heritage building presents a challenge for any new extension. In honor of International Museum Day, we’ve selected 23 stand-out museums from our database, with each ArchDaily editor explaining what makes these buildings some of the best examples of museum architecture out there.
The University of Chicago has unveiled new renderings of its planned David M. Rubenstein Forum that show major changes to the buildings’ form and relationship to the site. Designed by Diller Scofidio + Renfro, the new scheme shows a more homogeneous structure featuring a uniform zinc and glass facade that will help to better signify the distinct “neighborhoods” located within the 8-story tower.
With the 2017 Salone del Mobile now behind us, photographer Laurian Ghinitoiu has shared a collection of photographs from Milan Design Week. From housing prototypes to immersive "digital installations", the annual design show—which is often touted to be the fourth largest of any kind in the world—this year brought together a wide range of practitioners and design companies. In Milan, unusual collaborations are the order of the day.
AIA New York has announced the winners of their 2017 AIA New York Design Awards, highlighting the best new projects located in the Empire State or completed by AIA NY registered architects across categories of architecture, projects, interior design and urban planning.
Within the four categories, winning projects have been granted either an “Honor” or “Merit” distinction. Each project has been chosen for its “design quality, response to its context and community, program resolution, innovation, thoughtfulness, and technique.” The winners scale in scale from temporary exhibitions to large-scale urban interventions.
This year 22 of the 35 winners were New York City-located projects, including the grand prize winner, Diller Scofidio + Renfro’s striking Roy and Diana Vagelos Education Center at Columbia University’s medical campus. Continue reading to see the full list of winners.
Pierre Chareau was an architect whose buildings have almost all been demolished; an interior designer whose designs have all been remodeled; and a film set designer whose films you cannot see. These are not the most auspicious circumstances on which to mount a retrospective, but an ongoing exhibition at the Jewish Museum, imaginatively designed by Diller Scofidio + Renfro (DS+R), attempts it nonetheless.
Chareau, who is best known for his one surviving building, the Maison de Verre in Paris, defies neat classification. Without any sort of architectural training, he worked briefly as a furniture designer for a British firm then struck out on his own, creating an idiosyncratic corpus of furniture, interior designs for life and cinema, and even several homes.
Continuing in her firm’s tradition of blurring the lines between architecture, art and environment, Elizabeth Diller, founding partner of Diller Scofidio + Renfro, is producing an opera for the High Line. Dubbed the “Mile Long Opera,” the production will be set along New York’s new favorite attraction, which was designed by DS+R with James Corner and Piet Oudolf and opened to the public in 2009.
Mayor Bill de Blasio and the New York City Public Design Commission have announced the winners of their 2016 Awards for Excellence in Design. Established in 1983, the award has been bestowed annually to projects from the city’s five boroughs that “exemplify how innovative and thoughtful design can provide New Yorkers with the best possible public spaces and services and engender a sense of civic pride.” Both built and unbuilt projects are considered for the award. Previous winners have included Studio Gang’s Fire Rescue 2 (2015), the Louis Kahn-designed Four Freedoms Park (2014), and Steven Holl’s Hunters Point Library (2011).
The Illuminated River Foundation has unveiled the six designs shortlisted to transform the river Thames in London by lighting up key bridges along the length of the river. The six teams were selected in September and asked to work their initial schemes into concept designs for the Westminster, Waterloo, London and Chelsea bridges. The teams comprise: Adjaye Associates; A_LA; Diller Scofidio + Renfro; Leo Villareal with Lifschutz Davidson Sandilands and Future\Pace; Les Éclairagistes Associés with ecqi and Federico Pietrella; and Sam Jacob Studio with Simon Heijdens. Read on to see all six designs.
The first stage of Columbia University’s new Manhattanville Campus, consisting of two buildings by Renzo Piano Building Workshop, is nearly complete, with a move-in and grand opening slated for spring 2017.
The Piano-designed Jerome L Greene Science Center and Lenfest Center for the Arts are the first two buildings to be completed within the larger campus masterplan, conceived by Piano in collaboration with SOM, that will eventually encompass nearly 19-acres between 125th and 133rd streets in northwestern Manhattan.
The winners of the 2016 Leading Culture Destinations Awards have been announced. Presented this past weekend at a ceremony in London, the LCD Awards are given annually to recognize the success of “museums, art organizations, and cultural destinations from around the world [that] are investing in iconic architecture, cross-sector collaborations, [and] audacious programming […] to diversify the experiences offered to visitors and establish their global reputations.”
This year, awards were presented in four categories: Leading Cultural Destination of the Year; Best New Museum of the Year (for museums opened in the past 15 months); Best Soft Power Destination of the Year (a new award for 2016, given to destination who exhibit 'excellence, relevance, transparency, accountability and sustainability'); and the Traveller’s Award for Best Place to Visit.
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