For this week the Architecture City Guide series headed to the city of Boston including neighboring Cambridge just across the Charles River Basin. This area has an overwhelmingly large amount of modern architecture in a small radius, and our list reflects just that. What buildings do you want to see added to our Boston list, share them with us in the comment section below.
The Architecture City Guide: Boston list and corresponding map after the break!
Headed for Palm Springs, California, BOOM Community is a new master-planned community costing $250 million and will provide an exciting new design for the desert that surrounds it. Collaborating to create this pedestrian friendly, neighborhood development are ten architecture firms, including Diller Scofidio + Renfro of New York. Envisioned for the gay community BOOM aims to provide an urban lifestyle promoting healthy living. Included within the masterplan: a boutique hotel, gym and spa, BOOM health and wellness center, and entertainment complex.
If you are a regular ArchDaily reader you know that we have been providing ongoing coverage of Eli Broad’s Broad Museum in Los Angeles. Nearly 120,000 sqf and $130 million dollars, invitations were given to six top architects to submit designs for the new museum. Rem Koolhaas, Herzog and de Meuron, Christian de Portzamparc, Ryue Nishizawa and Kazuyo Sejima, Diller Scofidio + Renfro and Foreign Office Architects competed and in August we informed you that Diller Scofidio + Renfro garnered the commission.
Today, the design for the Broad Museum has been released. Situated adjacent to Frank Gehry’s Walt Disney Concert Hall and Arata Isozaki’s Museum of Contemporary Art, the museum has become a key part of the Grand Avenue redevelopment project that has been losing steam.
This years architectural events in New York are bound to have a meaningful effect on the years to come; the decision by NYU to add another tower complementing I.M Pei’s existing Silver Towers complex (rather than their initial plan to demolish them), the opening of the first section of Brooklyn Bridge Park coupled with the completion of the High Line has re-established New York City as a key model to reference when it comes to designing urban public space, and finally construction began on Franklin Delano Roosevelt Memorial, by Louis Kahn, to name a few.
From transportation, urban planning, exhibitions, residential and office buildings follow the break to see the New Yorkers list of some of the most influential decisions surrounding architecture over the past year in New York.
“How Wine Became Modern: Design + Wine 1976 to Now” is a brand new exhibit at the San Francisco Modern Museum of Art. Co-created and designed by Diller Scofidio + Renfro, the exhibit was organized by Henry Urbach, SFMOMA’s Helen Hilton Raiser Curator of Architecture and Design. Bringing attention to the wine industry and its integration with the latest artists, designers and architects the exhibit will be on display at SFMOMA until April. A main part of the exhibit is featuring the architectural spaces that house the wine making process, tastings, museums, etc. Some big name architects who have developed designs for cutting-edge wineries include: Zaha Hadid, Frank Gehry, Norman Foster, Herzog and de Meuron, Renzo Piano and Alvaro Siza.
Amidst finishing the second installation of the High Line with James Corner Field Operations, and beginning to design the Broad Museum in downtown Los Angeles, DS + R has carved out a little pocket of time to add the finishing touches to their redesign of Lincoln Center. According to the Times, the team has turned their attention to the smaller details of project, specifically the Center’s electronic infoscape. It takes a lot to stop a New Yorker, yet Reynold Levy, Lincoln Center’s president, told the Times, “We think this will cause them to stop in their tracks and really take a look. We are endeavoring to create a feeling, engender a mood, provide a sense of the drama and the beauty of what goes on in our halls. We want to attract passers-by, but we also want to surprise Upper West Siders.”
More about the new infoscape after the break.
Back in May, when American philanthropist, Eli Broad, announced his plans to build a new museum in downtown Los Angeles, six invited top architects competed for the commission ( Rem Koolhaas, Herzog and de Meuron, Christian de Portzamparc, Ryue Nishizawa and Kazuyo Sejima, Diller Scofidio + Renfro and Foreign Office Architects). Yesterday, Broad confirmed that Diller Scofidio + Renfro (one of just two invited firms who have not been awarded the Pritzker) will design the 120,000 sqf downtown museum.
A few days ago, we shared some information about the second segment of Field Operations and DS+R’s High Line, including construction shots to show the progress being made. Today, we share renderings from the firms which illustrate some of the cool features we can look forward to seeing. The second phase will include a “spur” – a framed space recalling the historical billboards that once attached to the railway, a “floating platform” which rests above the exposed girders, “Chelsea Thicket” – a dense stretch of trees and shrubs, a “flyover” where the walkway rises into the canopy of sumac trees, and of course, a grand lawn for lounging.
Take a look at the renderings after the break, and we’ve also included a video of the whole project to see how the pieces will come together.
Eli Broad, an American philanthropist, is getting ready to design the newest home for his extensive art collection. For his latest museum project, on the corner of Grand Avenue and 2nd Street in Los Angeles, Broad invited six of the professions’ leading minds to compete. Resting across the street from Gehry’s Walt Disney Concert Hall and Arata Isozaki’s 1986 Museum of Contemporary Art, Broad’s museum with include approximately 40,000 square feet of top-floor exhibition space, along with offices for the Broad Art Foundation.
Two events will take place next week at Columbia University. On Monday, ‘Pointless’, a lecture by Elizabeth Diller. Then on Wednesday, ‘Re:Activators’, a lecture by Jürgen Mayer H. Both events will take place at 6:30 PM in Avery Hall, Wood Auditorium, Columbia University.
A restricted competition for a new museum in the middle of one of the most iconic places in Rio de Janeiro, the Avenida Atlantica at Copacabana, has just been awarded.
The building will host the Museu da Imagen e de Som (Image and Audio Museum), that as of now is desegregated through the city in separate offices. The new building will host in one place facilities for the conservation and study of the brazilian visual heritage, along with a state-of-art museum.
The competition included the local practice Bernardes & Jacobsen, that has been previously featured on ArchDaily, along with Sao Paulo´s Isay Weinfeld (see his previous works featured on AD), Brasil Arquitetura and Tacoa Arquitetos. On the international side we have the regulars Daniel Libeskind and Diller Scofidio + Renfro, along with the japanese architect Shigeru Ban.
Just when I was writing this post, I found that the competition was awarded to Diller Scofidio + Renfro, at a ceremony held today.
I´ve heard a lot of buzz about this competition in Twitter and Facebook from our brazilian readers, it seems to be generating a lot of debate as of now. And it´s very obvious, as the building will be erected on a very iconic avenue, at a close distance from Museum of Modern Art by Affonse Eduardo Reidy and the Niteroi Contemporary Art Museum by Brazilian master Oscar Niemeyer.
Not much to say about the winning entry by DS+R, it´s just another project along their line. But it´s not just the jury who voted unanimously for their project, they also won a reader´s poll at the main Brazilian news site O Globo.
And Libeskind… seriously?
My vote goes to Isay Weinfeld. And yours?
Images from all the projects so you can be the judge, after the break.
Diller Scofidio + Renfro‘s Creative Arts Center for the Brown University campus is slated for completion in 2010. The new 36,000 square foot center will include a 200 seat recital hall, 35mm screening facility, recording studio, multimedia lab, gallery space and large multi-purpose production studios.
More about the Arts Center and more images after the break.
The New York Highline, a project by James Corner Field Operations with the collaboration of Diller Scofidio + Renfro has been open to the public for a few weeks (as we reported previously on AD) and as a New Yorker who has waited patiently for the project to finish, I was anxious to stroll along the latest addition in Manhattan. The visit was a completely new way to experience the city. Just the idea of observing Manhattan by walking above (and through) it, rather than being an actual part of it, made the Highline a project one must encounter to feel what the space can offer.
More about some impressions after a visit to the Highline and more pictures after the break.
Photos Iwan Baan
In May 2003, James Corner Field Operations with Diller Scofidio + Renfro competed against 720 teams from 36 countries to win the infrastructure conversion project of the New York City High Line. More than half a decade later, the High Line’s transition to a public park is almost complete. On June 8th, architects, elected officials, and advocates watched as Mayor Michael Bloomberg cut the ceremonial red ribbon, officially announcing the opening of the first of three sections. The new park offers an alluring break from the chaotic city streets as users have an opportunity to experience an elevated space with uninterrupted views of the Hudson River and the city skyline.
More info about the park, including an incredible set of photos by architecture photographer Iwan Baan and a video by Brooklyn Foundry after the break.
UPDATE: We corrected some credits of this project. You can see the full list here.
