Wood has played a key role in the history of architecture by adding warmth, versatility, and sustainability to buildings. Today, its use is experiencing a renewed interest, driven both by technological advancements brought about by the use of Cross-Laminated Timber (CLT) and by growing environmental awareness.
The following list is an index of articles, news, and projects published on ArchDaily that cover everything you need to know about the use of wood in architecture, from design strategies and the latest trends to its application in construction works and building materials.
Ancestral, vernacular, minimalist and harmonious. For many, these words have come to define the architecture of Japan, a country that has long served as a source of cultural and technological inspiration for countless societies worldwide. Popular Japanese techniques have reached even the most remote corners of the globe, gaining traction across various fields that range from technical craftsmanship to digital innovation. Within the realm of architecture, the appropriation and reinvention of various materials and construction systems –such as the use of carbonized wood in facades– has been an enduring theme.
As the world increasingly recognizes the importance of adopting sustainable construction practices, bamboo’s versatility, strength, and renewable qualities are generating significant momentum in the transition toward a circular material economy. From initial idea to completion, this article will provide you with valuable insights to begin your bamboo building project, from the perspective of Bamboo U.
With its unique blend of form, function, and sustainability, bamboo architecture stands out due to its complex geometries, tridimensional spatiality, and heavy reliance on craftsmanship. For many years, physical models have been central to materializing architects' visions and conveying intricate designs to the skilled craftspeople responsible for construction. Now, we are in the midst of a paradigm shift. The digital revolution is bringing computer-aided and parametric design tools to the forefront, unlocking bamboo's potential in ways never before imagined. This evolution presents exciting possibilities and new challenges for builders and craftsmen alike.
The burning question now is: Can we effectively translate these cutting-edge design innovations to the hands-on world of the craftsmen who bring these visions to life? At a recent 11 day Bamboo Build and Design Course at Bamboo U, we immersed ourselves in a world where technology meets tradition, experiencing the groundbreaking blend of bamboo construction and Augmented Reality (AR) technologies. Guided by the expertise of Dr. Kristof Crolla and Dr. Garvin Goepel from the University of Hong Kong and the Chinese University of Hong Kong, we embarked on an exciting journey to build not one, but two, charming grid shell domes, under the aid of holographic instructions. In this article, we explore this dynamic intersection of tradition and technology in the world of bamboo architecture from the perspective of Bamboo U.
Lo-tech Augmented Reality. Image Courtesy of James Corbett
Augmented reality (AR) software has been a common feature in professional design toolkits for a while. But the recent release of Apple’s Vision Pro glasses shows the mixed-reality wearables sector is making serious inroads in consumer markets too, as one of the world’s biggest names in consumer design and technology enters the market.
A major reason for the immense hype surrounding Apple’s foray into AR/VR hardware, however, is the decision to position it as ‘spatial computing.’ By taking the complexity of augmented reality, and using it to heighten a familiar consumer sector – personal computing – the Cupertino-based brand has simplified the whole experience, widening its understanding and appeal.
As one takes a visual tour through the city, one might spot structures that break the rhythm of finished architectural products. These are buildings encased in grids of metal or wooden sections, sometimes wrapped in colored nets, that communicate a moment of construction, repair, renovation, or demolition. They are called scaffolding systems, temporary structures built in the city to aid in the erection or maintenance of buildings. However, they have evolved to speak their own architectural language. As city-making is a continuous process, scaffolds serve as beacons, proposing silhouettes of the height, shape, or forms of new buildings. They step into the sidewalks, acting as shade or obstructions to the flow of human and vehicular traffic. In contrast to the permanence of architecture, they exhibit a sense of temporality that helps communicate time, the growth of neighborhoods, and the evolution of a city.
The Unhão complex, constructed in Salvador, Brazil in the 17th century, consisted of a sugar mill with a big house, chapel, and slave quarters. At the time, Salvador was one of the largest and most important Brazilian cities, and its port was the site of a large portion of the Portuguese colony's sugar exports, an economy fueled primarily by slave labor. The ensemble drew the attention of Italian-Brazilian architect Lina Bo Bardi at her first visit in 1958, during which she spent some years working and teaching in the city. Following Bo Bardi's decisive contributions, the buildings were restored and became the new home of the Museum of Popular Art and the Popular University. But within the whole complex, the element that draws the most attention for its plasticity, functionality, and symbolism is the helical wooden staircase.
Contemporary bamboo buildings may initially appear overwhelming to the novice observer. Yet, as you learn more about the structural logic of these inspiring edifices, you'll quickly realize that most employ one or a blend of the structural systems we're about to explore. The mystery unravels, transforming what once seemed complex into a clear composition of simple concepts. This article shines a light on four commonly employed structural systems in bamboo construction:
Almost two decades ago, in the downtown corridor of Columbus, Ohio, the century-old landmarked Lazarus Building underwent an extensive renovation to save the department store and restore it to its former glory. Sixty million dollars went into its restoration and transformation into a retail and office complex. During the construction, workers recycled nearly 5,000 pounds of steel, 2,000 pounds of concrete, and significant amounts of carpeting, ceiling tiles, and various wood- keeping 22,000 pounds of debris out of Ohio’s landfills. They also saved more than $25 million dollars by implementing this rigorous recycling process.
Minimaforms Presents The Order of Time at the Architectural Association School of Architecture Gallery. It is an immersive installation aimed to connect the preoccupations of physics, art, and architecture by revealing the ordering of spaces and constructed relationships through direct experience.
Three Sculptural installations are the highlight of the exhibition. Spherical organizations deployed through mathematical logic and designed to extend space within reflective light boxes, gifting its viewer a new immersive moment at every turn. ArchDaily had the chance to engage in a conversation with Theodore Spyropoulos; Artist & Architect at Minimaforms and Director of the Architectural Association’s Design Research Lab, on issues that tackled the interdisciplinary nature of architecture, the creative process of the installation, and how it influences the creation of spaces, buildings & cities.
Dismantling the system of slave and child labor in the architecture and construction industry does not seem like a simple task, especially on a global scale. However, this is precisely the mission of the Design for Freedom (DFF) initiative, created by CEO and founder of the Grace Farms Foundation, Sharon Prince, along with Bill Menking, professor and editor-in-chief of The Architect's Newspaper.
Through events and freely available tools, Design for Freedom seeks to "raise awareness and inspire responses to halt forced labor in the construction materials supply chain," offering paths to ensure transparency and ethics in the architectural production process.
As every professional in the building industry knows, construction can be a costly and endlessly time-consuming endeavor. Delays are almost more frequent than on-time construction, and can be induced by extensive bureaucratic requirements, weather and other unexpected circumstances, inadequate planning, too few personnel, or a whole host of other causes. Lengthy construction projects can also negatively impact public perception of a project even before it has been built, especially if the projects experience delays or inconvenience those who live or work close to the building site. Moreover, some projects simply need to be built along a faster timeline than is typically feasible for a traditional construction project. Thankfully, there exists a solution for those seeking to drastically reduce construction times: modular construction.
https://www.archdaily.com/949219/why-choose-modular-constructionLilly Cao
Library of Muyinga. Image Courtesy of BC Architects
Nowadays, the understanding of our building culture and the application of local construction methods may seem like a distant and obsolete concept given the role of industrialization and globalization in the construction industry. We can now obtain almost any material from around the globe just by searching the internet for a distributor in our region. But this practice has important implications for our society, from the loss of architectural identity to environmental costs related to high CO₂ emissions associated with the processes of extraction, manufacturing, transportation, and disposal of these materials.
The increasing global need to reduce our carbon emissions and use materials in more efficient ways has led us to research and learn about the origin of our region's resources, eventually leading to better understanding their applications within a circular economy approach. But why not look right under our feet? Soil is one of the most common materials on the planet, and when it is locally sourced, it does not generate considerable amounts of embodied CO₂. It seems that after industrialization, we have forgotten that building with earth was for many years a viable construction method for our ancestors in different parts of the world. We spoke with Nicolas Coeckelberghs, one of the four founders of BC Materials, a worker cooperative based in Brussels that has been working with earth, rediscovering its use, and sharing its knowledge on a global scale while working with a local conscience.
https://www.archdaily.com/999074/building-with-waste-transforming-excavated-earth-into-architectureEnrique Tovar
House at 9,000 feet, Intermountain Region of the United States. Image Courtesy of MacKay-Lyons Sweetapple Architects
The Canadian Wood Council has announced the winners of the 39th annual Wood Design & Building Awards program. The awards program honors and recognizes the remarkable contributions of architects worldwide who excel in wood design and construction. This year, the program attracted a record 181 nominations from 25 different countries, and 24 winning projects were chosen from the excellent pool of submissions.
Starting from the first sketches of a project, it is essential that the project's design restrictions are well defined. This will guide the project, making it more suitable for its location, owners, and local conditions. Among common restrictions, keeping the project cost low is perhaps the most ubiquitous. We spoke with the VAGA team, an office based in São Paulo, about the challenges and possibilities that working with a tight budget imposes:
Pretentious as it may sound, we can say with certainty that bamboo is one of the most promising materials for the future of the construction industry. Neil Thomas, principal engineer at atelier one, says that if we were to design an ideal building material, it would look a lot like bamboo. This is because it grows very fast, is present in many countries around the world, has a highly efficient cross-section, and has impressive load-bearing strength. But beyond its structural use in its raw form, bamboo is also a material that allows a high level of processing and can be laminated for flooring, fixtures and, as we will see in this article, for Structural Engineered Bamboo (SEB) structures, which are very similar to Engineered Wood. We spoke with Luke D. Schuette, founder and CEO of ReNüTeq Solutions, LLC, a company in St. Louis, Missouri, that has been working with this structural material technology.
Dozens of countries around the world have already banned the use of asbestos in the civil construction sector. Cheap to extract and abundant in nature, it is a natural fiber used to manufacture water tanks, insulation, partitions, tiles and decorative elements. Its properties include great flexibility and high chemical, thermal and electrical resistance, making it a seemingly ideal material. However, there is scientific evidence that links exposure to asbestos to several types of cancer, as well as to asbestosis - when the fibers of the mineral lodge in the pulmonary alveoli, compromising the respiratory capacity. The asbestos case shows how certain construction materials can –suddenly or not– become a distant memory because of their negative impacts. In addition to the effects on health, the use of materials with high energy consumption or made of rare raw materials is currently under pressure, as experts call to reduce their use or to make their manufacturing methods "greener". The penalty? Disappearing in the near future, becoming yet another in the list of banned building materials. In this article, we delve into some of these materials and what their risks are.
Everyone who has ever built anything—a model, a birdhouse, or small pieces of furniture—has a clear sense of the amount of things that can go wrong during the construction process. A screw that is impossible to tighten fully, a warped wooden board, an inattention or a miscalculation that can frustrate plans instantly. When we transport these small inconveniences to a building scale, with countless processes and many different people involved, we know how complex a work can become and how many things can get out of control, taking more and more time and requiring more and more resources to finish. And when we talk about a building that needs to float, be completely self-sufficient, and, after fulfilling its useful life, be completely reused—could you imagine the technical challenges of building something like this?
