This interview was initially published in Spanish by City Manager as “Jan Gehl, ciudades para la gente.”
Jah Gehl is recognized as a follower of Jane Jacobs, the “grandmother” of urbanism and humanist planning. He has been a professor at the Danish Real Academy of Fine Arts in Copenhagen and visiting professor in Canada, the United States, New Zealand, Mexico, Australia, Belgium, Germany, Poland, and Norway. In 2000, he created his own consultancy along with Helle Søholt, Gehl Architects, in Denmark, where he completed diverse urban projects from around the world using data and strategic analysis.
The below text comes from an interview with the Danish architect, theorist and world leader in urban development, and promoter, following Jane Jacobs, of the human scale in the design of public spaces.
The Kingdom of Saudi Arabia has announced ambitious plans to build a $500 billion technological megacity “the size of a country” that will be run entirely of renewable energy sources. Known as NEOM, the innovation hub will cover a 10,232-square-mile (26,500-square-kilometer) area in the northwest of the country along the Red Sea and Gulf of Aqaba. The city is planned to extend into neighboring Egypt and Jordan, making it the first private zone to span three countries.
In the age of green screen backgrounds, hyperrealistic renderings and the endless run of superhero movies that rely heavily on special effects, some directors are still betting on turning cities into protagonists of their music videos. In the nineties, Michael Jackson visited Brazil and filmed They Do Not Care About Us in one of the most dangerous neighborhoods in South America – but do you remember which city it was?
Here we compiled ten music videos where the cities, their neighborhoods and their inhabitants serve as the stage for actors, singers, and dancers to display their art around the world.
Can you recognize the cities where these music videos were filmed? Take the test below and find out.
Tristram Hunt—director of London's Victoria and Albert Museum (V&A)—has expressed concern about one of the city's most successful semi-pedestrianized zones: Exhibition Road in the Royal Borough of Kensington and Chelsea. As reported by The Art Newspaper, Hunt has argued that the traffic arrangements are “confusing, dangerous and unsatisfactory”. His answer, following a traffic collision on October 7, 2017, which injured 11 people, is to fully pedestrianize the area.
As urban areas develop, each city forms a unique structural logic. With this structure usually conceived on an ad-hoc basis, political terms such as “metropolitan area” and “neighborhood” are not always useful when analyzing and comparing the performance of cities. In a quest for new analytical tools, Robin Renner has devised an anatomically-based classification system in his new book Urban Being: Anatomy & Identity of the City. Through a thoughtful investigation of existing urban areas from around the globe using satellite images and personal experiences, Urban Being offers an insight into how transportation networks and streetscapes can be best organized to promote a healthy metropolitan environment.
Renner’s analysis ranges from macro-regions that can even cross country borders to the defined spaces between arterial roads in cities, which he calls "urban cells." As the neighborhoods and units in which inhabitants reside, urban cells are important when examining the identity and efficiency of a city. They are defined by both their physical properties and the actions that take place inside of them. Below is a small sample of how Renner analyzes urban cells from the book.
The people of Manchester, UK, recently gained access to an entirely new way to access local news and engage with their city: OtherWorld, a pilot news experiment from startup studio Like No Other and Google’s Digital News Initiative. OtherWorld uses Bluetooth and cutting-edge beacon technology to deliver geo-located news directly to your smartphone for free, without installing an app. Referred to on the OtherWorld website as “living media,” as users walk around the city and pass by story locations, a silent notification will pop up on their phones, disappearing again as they walk out of range. Because the news you see on OtherWorld is directly related to the space you’re currently occupying, the system ensures that the news you’ll see is relevant to you. This unobtrusive method allows users to choose whether and how they will engage as well as adding an evanescent, elusive quality to the stories; you could walk right by and miss one if you aren’t paying attention.
In this way, OtherWorld illustrates the layers of our cities that are often invisible to us, bringing them into focus and allowing a deeper level of exploration into even a familiar city neighborhood. Focusing on stories that involve a real-world experience, users could become aware of an event nearby, a volunteer opportunity, a public meeting, or any number of other possibilities—thereby involving themselves in the public space and public realm in a way they would not have otherwise been able to.
Clay Cockrell, a psychotherapist from New York (where there are so many psychotherapists that they could have their own neighborhood) takes her sessions outdoors. These sessions specifically entail walking, in places like Central Park or Battery Park, or wherever else the client prefers to go, as the location of the consultation is totally flexible. Though her method and fees are relatively similar to any other psychotherapist, the one marked difference is the environment in which the doctor-patient interaction takes place. The typical sofa, leather chair, Persian rug and prop library are all replaced with the street´s pavement, gravel or the park where the patient chooses to go.
Walking is much more than covering a certain distance by foot. It is also one of the most basic tools to achieve what is commonly referred to as “clearing the mind.” Walking is a free resource, easily accessible and almost always available, and facilitates the return to a calmer world where the mind can make connections free of interferences with the body, and the body, in turn, can connect with the ground that it walks on and the environment it is surrounded by.
On Thursday 29 of June, Jan Gehl the Danish architect and urban planner, spoke at the Conference “Thinking urban: cities for people” organised by UN-Habitat and the Official Architects College of Madrid (COAM as it is abbreviated in Spanish) about the urban transformations that have occurred in Copenhagen as a result of the errors of the modernist movement and the challenges facing the cities in the 21st century.
In a prior discussion with José María Ezquiaga (dean of COAM), and José Manuel Calvo (councilor of the Sustainable Development Area at the Madrid city council) at the Conference, Gehl highlighted the urban paradigm at the time of his student years, which is referred to as the Brasilia syndrome.
Ah, Invisible Cities. For many of us, Italo Calvino’s 1972 novel reserves a dear place in our libraries, architectural or otherwise, for its vivid recollections of cities and their curiosities, courtesy of a certain Marco Polo as he narrates to Kublai Khan. And while the book doesn’t specifically fit the bill in terms of conventional architectural writing, it resists an overall categorisation at all, instead superseding the distillation of the cities it contains into distinct boundaries and purposes.
For though there is a certain kind of sensory appeal that is captured in the details of places, the real beauty of Invisible Cities lies in the masking of underlying notions of time, identity and language within these details – a feat that is skillfully accomplished by both Marco and Calvino. With this in mind, here are three of many such principles, as revealed by the layered narrative of Invisible Cities.
It is said that the world is increasingly developed when in fact it is, undeniably, more technological and globalized. However, it seems risky to talk about development when the advances do not appear everywhere or for all inhabitants.
In such an uneven picture, a select few of the global population enjoy these advances, while a huge number live below the poverty line.
Such contrasts often go unnoticed in the city's daily life, however, are set forth on a diptych relationship with the urban layout, being, at the same time the cause and consequence of deep marks in city design. In Brazil, for example, we have the slums and poor communities that contrast with the buildings and upper-middle-class homes architecture, designed and built with all the necessary resources.
Architecture, as both a profession and the built environment, currently finds itself at a crossroads in trying to adapt to a world in constant flux. Cities and its people face continuous socio-economic, political and environmental change on a daily basis, prompting a necessary rethink in the evolution of sustainable urbanization. With a focus on housing, society and cultural heritage, RIBA’s International Conference, Change in the City, aims to offer insight into the “New Urban Agenda” and how architects can play an interdisciplinary role in future urban development.
Speaking in an interview ahead of the conference, Norman Foster is a strong advocate for a careful consideration of what aspects of urban life need to be prioritized when designing cities of the future. For an increasingly global society, Foster stresses the need for architecture to surpass buildings and tackle its greatest obstacle – global warming, honing in on its roots and factors involved to create viable urban solutions.
“The world’s most sustainable eco-city,” Masdar City, is preparing for its next phase of development, as unveiled in the award-winning detailed master plan (DMP) by CBT. Depicted in a comprehensive masterplan by Foster + Partners, Masdar was originally envisioned as a carbon-neutral elevated city without cars, instead featuring pod-based transportation located below the podium. As the first phase was constructed, including the Masdar Institute of Technology, a new vision for the city began to emerge, eventually leading to CBT’s pedestrian-oriented innovation community plan for Phase 2.
This article was originally published on Common Edge as "How Photography Profoundly Reshaped Our Ideas About Cities."
Early in the 19th century, an invention arrived that would change the form and function of cities for generations.
Like all new technologies, it started out rudimentary, expensive, and nearly ineffectual. But it caught many imaginations and developed dramatically, eventually reaching the point of mass accessibility. Soon enough, it took aim at the public realm, with consequences that were indirect and unintended yet profound.
It reconfigured streets. It influenced the height of buildings. It altered foot traffic. It recast the relationship between buildings and streets. It changed how people felt about their cities and changed their points of reference. It turned cities into abstractions and, in some ways, turned city-dwellers against each other. Its influence nearly complete by the close of World War I, the invention has remained fundamentally unchanged, and is still universally celebrated, to this day.
All this with the press of a button.
For the past fifteen years, global headlines have depicted, through harrowing imagery, the effects of war on cities across the Middle East. An inevitable fracturing of law and order leads to an explosion of crime which we imagine could not be tolerated in a region at peace. However, when cities in war zones are set aside, an overwhelming yet underreported narrative emerges – 86% of the world’s most dangerous cities are in Latin America and the Caribbean.
Citymapper, which is just over five years old, has become the go-to mobility app for the majority of the world's major cities. It's strength lies in its accuracy and integration: the app parses local data and always seems to deliver the fastest route, even in comparison to its leviathan, data-rich competitors – Google Maps and Apple Maps. Having always focused their attention on public transport, as opposed to cars and taxis, Citymapper has become embedded into the way large amounts of urbanites navigate cities both familiar and foreign. As of today, they are building buses—and bus routes—of their own.
Though the idea of a vacation in Mexico usually brings to mind images of margaritas on white-sand beaches, it seems the country is slowly but surely gaining recognition in other aspects as well. Among the most populated urban cities in Latin America and the world – not to mention The New York Times' number one "Place to Go in 2016" – Mexico City offers a particular cultural diversity evident both in its traditions and in its architecture. Considering it's the main tourist, educational, cultural, economic and political center of Mexico, it makes sense that it's the perfect scenario for the social encounters of its multicultural inhabitants and tourists.
The sites of architectural interest alone are worth the visit, with prehispanic, classic, modern and contemporary examples ranging from Juan O'Gorman and Luis Barragán to Felix Candela and David Chipperfield. Add to that the fact that its gastronomic scene has garnered much praise and attention in recent years, and you've got a perfect combo. Below is a carefully curated list of 30 sites that every architect should know and visit.
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.jpg?1497550961 "Masdar City Phase 2. Image Courtesy of CBT")
