2022 has again resulted in diverse coverage on ArchDaily in an eventful year, from speculating on building materials of the future to analyzing the narrative role that architecture plays in literature. A selection of articles from this year is found below, organized into four over-arching topics.
Architecture criticism and journalism are often expected to announce "the good, the bad, and the ugly" in architecture and the built environment. Its purposes go however further than that. As Michael Sorkin put it, "seeing beyond the glittering novelty of form, it is criticism's role to assess and promote the positive effects architecture can bring to society and the wider world". In other words, by telling us what they are seeing, critics are also showing us where to look in order to identify and address the issues plaguing our built environment.
The field of architecture journalism has been led by female writers even in times when the pursuit of a career in architecture was discouraged and inaccessible for women. Ada Louise Huxtable established the profession of architecture journalism by holding the first full-time position of architecture critic at a general-interest American newspaper. In 1970, she also received the first-ever Pulitzer Prize for criticism. Esther McCoy started her career as a draughtswoman at an architecture office, yet, because of her gender, she was discouraged from training as a professional architect despite her ambitions to study the field. Through her writings, she managed to bring attention to the overlooked architectural scene of the American West Coast and advocate for the values of regional Modernism.
TikTok is a social network for sharing short videos that offers extensive features to edit them. It is possible to include filters, subtitles, soundtrack, gifs, make cuts and use creativity at will. As with Instagram and Twitter, you can follow other people's profiles and interact, liking their posts, making comments and even sharing via WhatsApp.
When the Aga Khan Award for Architecture (AKAA) announced its winners of the 2022 edition, 20 projects were selected for their excellence in the fields of contemporary design, social housing, community development, and preservation and improvement of the environment. Among them, one project in Jhenaidah, Bangladesh, managed to capitalize on the strength of the local community to reverse the ecological degradation of its riverscape and create a functional and socially inclusive public space along the riverbanks. ArchDaily’s Managing Editor, Christele Harrouk, had the chance to interview Suhailey Farzana, and Khondaker Hasibul Kabir co-founders of Co.Creation.Architects, and Rubaiya Nasrin from Platform of Community Action and Architecture, POCAA, part of the team behind the Co-creation of Urban Spaces by the Nobogonga River, in Bangladesh. The project also won the 5th category of the UIA 2030 Award for the Access to Green and Public Spaces.
CityMakers is working with Archdaily to publish a series of articles, conversations and interviews with the different actors of city co-production behind CityMakers Barcelona Lab 2022, an event that will take place from 14-18 November. On this occasion, Camilo Osorio, Architect and Master in Urban and Territorial Development at the Polytechnic University of Catalonia - Barcelona Tech, presents his article "Barcelona: Joy and Order. The natural and artificial endowments of an exemplary city".
In our current context of ecological crisis, global warming, biodiversity loss, human population growth, and urban sprawl, we need to rethink the way we build and live in our city. We have observed the consequence of uncontrolled urban planning and construction driven only by a capitalist and productivist vision of the city, packing as many humans as possible in the cheapest constructions available, without consideration for the impact on our planet, our fellow animals & plants inhabitants, and our own wellbeing. The concrete jungles we have been building for the past century have proven to be disrupting our climate (Global Warming, Local heat island effect), our ecosystems (loss of biodiversity, and recess of animals & plants population), and our economy (the food and product industry have been displaced far away, replaced by the only service industry, and the generation of the huge amount of waste in the city).
2022 could be remembered as the year when surprising AI-fueled tools became accessible to a larger audience: from text-to-image generation Stable Diffusion, Midjourney, and DALL-E 2 to unsettling design experiments such as This House Does Not Exist, to surprisingly smart OpenGPT, a language-processing designed artificial intelligence to generate human-like text.
Cautiously described by OpenAI CEO Sam Altman as "a preview of progress", any user can talk with OpenGPT about almost anything: the results are astonishing and it easily can embody an umpteenth so-called threat for creative-related jobs. However, OpenGPT does not have access to browse the internet. Instead, it interacts based on the gigantic database that it has been trained on. As expressed by Gannett's Eric Ulken, "even the best generative AI tools are only as good as their training", so what an "inappropriate request" is has previously been tuned (by humans) as well.
The Government of Mexico City, UNESCO and Airbnb announced an alliance "to position the city as the capital of creative tourism and remote workers in Latin America". The announcement was made known through the Mexico City Government's social networks and Airbnb's news section. However, on August 9th, 2021, UNESCO unveiled the strategy with the intention of "contributing to the reactivation of tourism in a responsible and sustainable way in Mexico, and extending the benefits of cultural and creative tourism to more communities, Airbnb will promote, with the accompaniment of the United Nations Educational, Scientific and Cultural Organization ("UNESCO"), destinations and experiences outside the traditional tourist circuit."
If street culture is the glue that holds together an urban environment, what happens when its denizens no longer need to go outside? This is one of the fundamental questions faced by architects today, decades after the New Urbanist movement first popularized, or rather brought back, the concept of mixed-use streetscapes—and more than sixty years since Jane Jacobs famously championed walkable streets as essential to building vibrant urban communities.
Long gone, of course, are the days when city streets were our only outlet or option for access to retail and other services. Now, the internet gives us all that and more: remote shopping, banking, education, and even healthcare. Meanwhile, social media has transformed the way we communicate with friends and neighbors. All of which is to say: we no longer need to go out for social interaction or to procure services, we choose to.
Cities evolve over countless years, each moment of change building up to larger societal and architectural shifts. Metropolises across the world are constantly subject to social, political, economic, or environmental forces that alter their fundamental identity - a character that is meant to be dynamic. As cities develop in size and impact, advancements in the understanding of cities and urbanism grow more complex.
Cities are formed from a sequence of narratives, characteristics, relations, and socio-spatial values that reflect the identity of the place. The livelihood of the city also depends on its people and a mutual relationship with them. Along with their communities and their circumstances, cities morph to reflect their residents' needs and values.
New York City Council has approved Innovation QNS, a neighborhood-focused initiative in Western Queens, designed by ODA. The five-block master plan generates two acres of open space, community health & wellness facilities, hundreds of affordable apartments, and thousands of jobs. The project was initiated in 2020 as part of New York's effort to recover from the impact of the COvid-19 pandemic, and it aimed to revitalize a largely dormant block area in Astoria, Queens, and transform it into a vibrant, walkable, and diverse creative district.
Teen girls are neither children nor adults, meaning they have specific needs and behaviours different from both these groups. Unfortunately, like many marginalized groups, these needs and behaviours have not been met or encouraged through our built environment as it has for others. For example, playgrounds are built for children to let off steam and sports courts that foster competition are targeted at men and teen boys.
Accordingly, not building public spaces with the needs of teen girls in mind allows other groups of people, predominantly men who already take up 80% of public spaces, to continue to dominate them. Making teen girls feel ten times less secure in public spaces. Not only does this absence affect their social, physical, and mental development, but it also complicates how they see where they belong in public spaces.
Unconstrained by the dogmas of established offices, new architectural practices can often challenge building norms and redefine living standards. The Young European Architecture Festival (YEAH!) is an event dedicated to highlighting these new and emerging practices and bringing their contributions to the built environment into focus. Many of these practices are challenging and redefining typologies of residential architecture. They are building upon ideas such as cooperative housing schemes, community-initiated developments, and circular economy. Others are exploring local identities and resources as a way to reinvigorate the profession while creating respectful and regionally relevant works of architecture.
It is a great privilege to amplify the voice of architects and other built environment professionals. It is also an enormous challenge as it requires a lot of investigation and time from our content team. However, the effort is gratifying. It puts us in contact with some of the most prominent talents in our field who have been discussing subjects such as cities, metaverse, community, environment, democracy, sustainability, building technology and interiors, to mention just a few.
It was in the early 1960s that the young architects Plínio Croce and Roberto Aflalo joined Gian Carlo Gasperini to participate in the biggest international competition at the time, organized by the UIA (International Association of Architects). The challenge was to design the tallest office tower in Latin America, which would house Peugeot's headquarters in Buenos Aires. Winning the competition with the 55-story building was the incentive that was needed to create aflalo/gasperini arquitetos, betting on contemporary projects, focused on technological aspects and, as they define it, presenting a clear and honest language,
Felipe Escudero, founder, and principal of Quito-based Estudio Felipe Escudero (EFE), has unveiled Crystal City, his latest metaverse design for LEDY, one of the discipline's leading developers, and Decent Amusements, the district manager. In addition to a high-rise observation deck, an ice-covered marketplace, and a packed snow gallery, this new metaverse destination will feature Decentraland's tallest multi-purpose tower, Crystal Tower.
“Seneca Village was an important community. It was 40 acres, two-thirds African American, and had a church and school,” explained Sara Zewde, ASLA, founder of Studio Zewde and assistant professor at the Harvard Graduate School of Design, during a session at the ASLA 2022 Conference on Landscape Architecture in San Francisco.
The 225 residents of Seneca Village were displaced by the New York City government in the mid 1800s to make way for Central Park, which is considered one of the masterpieces of landscape architect Frederick Law Olmsted and architect Calvert Vaux.
