Architecture: The Latest Architecture and News

Internationally recognized architect, writer, and professor Antoine Predock passed away in Albuquerque, New Mexico, on March 2, 2024, at the age of 87. Throughout his career, Predock developed a unique style, working outside of urban centers and seeking to find a connection between the landscapes and the human experience of space. In addition to serving as a long-term faculty member at the University of New Mexico, he is also the architect behind some well-known projects, including the Nelson Fine Arts Center, the Tang Teaching Museum and Art Gallery at Skidmore College, and the Canadian Museum for Human Rights in Winnipeg, Manitoba.

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Running from November 11, 2023 until March 10, 2024, The Sharjah Architecture Triennial celebrates innovations in the built environment, particularly in the global south. The main goal of the display is to draw attention to sustainable, accessible, and equitable futures while highlighting the value of alternative responses to resource constraints. As the event draws to a close, ArchDaily explores 10 architectural installations that respond to the overarching theme through various mediums.

Curated by Tosin Oshinowo under the theme “The beauty of Impermanence: An Architecture of Adaptability,” the triennial has contributions from 29 architects and studios across 25 countries. From 51-1 Arquitectos transforming an unapproachable place into a dynamic play space featuring popular board games from various regions to Al Borde redefining a space with a custom-designed shading structure made with natural materials, the Sharjah Architecture Triennial presents a diverse array of architectural interventions. WaiWai's showcase spotlights three instances of modern architecture in Tashkent, Uzbekistan, highlighting their significant evolution. DAAR's "Concrete Tent" combines elements of a mobile tent and concrete house, exploring the concept of "permanent temporariness.” These installations offer innovative perspectives on adaptability, sustainability, and cultural significance within the architectural landscape.

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Videos

“Landscape architects have started conversations about embodied carbon. There is a realization that we can no longer ignore the grey parts,” said Stephanie Carlisle, Senior Researcher, Carbon Leadership Forum and the University of Washington, during the first in a series of webinars organized by the ASLA Biodiversity and Climate Action Committee.

The grey parts are concrete, steel, and other manufactured products in projects. And the conversations happening are laying the foundation for a shift away from using these materials. The landscape architect climate leaders driving these conversations are offering practical ways to decarbonize projects and specify low-carbon materials.

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GRAFT Architects has just won the competition to design the new Carl Bechstein Music Campus. Located centrally in Berlin, the Carl Bechstein Foundation’s main goal with the campus is to create a cultural hub entirely devoted to piano music. Serving as a focal point for the Bechstein Brand, established in 1853 and known for its variety of Bechstein pianos, this campus will serve as a focal point and a new headquarters for the foundation.

The manipulation and combination of materials are ongoing pursuits in architecture. This has not only broadened the possibilities for construction but also enabled the creation of distinctive shapes and aesthetics by using the same materiality. An example of this is Portland cement, an essential element in the mixture of water and aggregates that make concrete, which allows the creation of both load-bearing and decorative elements. In parallel, as a result of the exploration of innovative materials, fiber cement emerged (invented by Ludwig Hatschek) at the end of the 19th century, combining Portland cement, mineral-based materials, and cellulose fibers.

Nowadays, fiber cement —distinguished by its key technical qualities of slenderness, lightness, durability, and flexible aesthetics— has stood out in various applications associated with design, ranging from furnishings to facade systems. It is in the latter where it has adopted notable expressions due to its textures, incombustibility, rain resistance, and malleability. For this reason, we have developed a design guide that addresses the use of fiber cement, exploring the principles that should be considered when designing the facade, regarding its materiality, dimensions, layout, details, and special applications.

The Royal Ontario Museum (ROM) in Toronto will undergo an architectural transformation designed by Hariri Pontarini Architects. As one of the largest museums in North America and the largest in Canada, the architects have transformed its ground floor and the Bloor Street entrance, introducing an interior plaza “pulsing with activity and artistic expression.” Dubbed OpenROM, this multifaceted endeavor aims to “open the museum up even more to the public,” revolutionizing the museum experience and making it more accessible for the 1.4 million annual visitors of the cultural institution.

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The Joslyn Art Museum in Nebraska announced that the restoration and expiation works led by Snøhetta and Alley Poyner Macchietto Architecture (APMA) are nearing completion, as the transformed institution is scheduled to reopen on September 10, 2024. The new 42,000-square-foot Rhonda & Howard Hawks Pavilion, designed by Snøhetta and APMA will add new gallery spaces to Nebraska’s largest art museum, becoming the centerpiece of the large-scale project for reimagining the visitor experience.

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Oman has just announced plans for a $2.4 billion mixed-use project, the new Omani Mountain Destination on Jabal al Akhdar. Masterplanned by AtkinsRéalis, the scheme aims to attract sustainable development opportunities, hoping to "operate as Net Zero Carbon and striving to use 100% renewable energy." The project is in alignment with Oman Vision 2040, seeking a developed, diversified, and sustainable economy;, featuring residences, hotels, and a health village.

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