Architecture Photography: The Latest Architecture and News

A great photograph is often as important as a great building—sometimes even more. From the pages of glossy magazines to the galleries of digital publications and online portfolios, high-quality photography is crucial for contemporary architects. Yet the array of camera options, equipment, accessories, and technical jargon (aperture, ISO, shutter-speed, etc.) can be dizzying, if not intimidating. So what happens when the camera in your iPhone is no longer enough?

To ensure emerging practitioners and professionals alike take the perfect shot, Eric Reinholdt summarizes at length the photography equipment used in his own practice in this two-part video from 2016. The first instalment on the architect, writer, and photographer's channel 30X40 Workshop makes it clear that his preference is a digital SLR camera. The 20+ megapixel image quality as well as range of larger aperture lenses with added versatility are crucial features for large format printing and digital publishing. Canon and Nikon are among the suggested brands as they are established with a large offering of products. And, are expected to provide additional upgrade paths as new equipment is released.

In Zaha Hadid Architects' description of their Library and Learning Centre at the University of Economics Vienna, they describe the exterior of the building as "characterized by two elements of contrasting colors separated by a glass joint: shell and shadow." For that reason, the building was a perfect subject for architect and photographer Edwin Seda, who says he is fascinated by the effect light has on buildings. "Design is created to work with natural light but is never really in control of this aspect," says Seda. "This set of images therefore explores light as a medium for architectural transformation, a sort of fourth dimension, that only materializes once the building is complete and the seasons begin to change."

Seda's photoset captures the Library and Learning Centre throughout the course of a day: from the daytime when the building's light and dark elements are clearly distinguished; to sunset when one side of the building is closer to orange than the white or black planned by the architects; then to the evening, when the building's internal lights bring an entirely different dynamic to the building's composition. Read on to see the full set of images.

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From Portuguese architectural photographer Fernando Guerra comes imagery of MAD's Huangshan Mountain Village in China. This residential design, comprising ten housing blocks that mimic the mountain range they are embedded in, is just one piece of the Taiping Lake tourism master plan; architecture and nature blend together to create modern apartments with differing panoramic views.

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The Republic of Georgia’s past is defined by turbulence and a struggle for identity. A former republic of the USSR, Georgia is perhaps best known as the birthplace of Joseph Stalin. The nation's history has been anything but calm, and remnants of the architectural past provide a glimpse into the nation that was.

The country's remaining Soviet landmarks give Georgia an air of being caught between the past and the present. Italian photographers Roberto Conte and Stefano Perego capture this in their photo series, Soviet Architecture Heritage in Georgia, with a compilation of photos that highlights the existing Soviet heritage in Georgian architecture today.

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Architect and author of the Architect + Entrepreneur book series Eric Reinholdt recently released a video detailing the results of his research into the best drone for architects and designers. The drone he chose is the Mavic Pro from DJI, which he says balances multiple factors like cost, portability, camera quality, stability, ease of operation, and flight time. The only major negative Reinholdt mentions is the camera’s fixed aperture; he recommends counteracting this by purchasing neutral density filters, which help adjust the camera’s exposure. But why architects? Reinholdt mentions the variety of possible uses for a drone throughout a project, but most importantly, he sees video as the future of telling the story of architecture. Through video, you can simulate a user's movement through spaces and mimic the experience of architecture.

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Instagram is an app. Instagram shows images. Instagram is a verb. Instagram it! Instagram has 600 million users. Numbers are very important. These days, they are an exact expression of what one is, or isn’t; by the way, how many followers do you have? Instagram is the great equalizer.

I don’t think Instagram is about news. Instagram is about influence. It is that very moment when the old order is changed; the moment when the recent graduate changes the established practice. Instagram is space. Have you seen @archiveofaffinities? It is better than any school library. It is the space to spend your most important time. It is a spa.

Singapore’s first Housing and Development Board (HDB) housing blocks were erected in November of 1960, in response to a severe lack of adequate housing for the country's 1.6 million citizens. Fast forward to 2017, and over 80% of the Singaporean population live in HDBs, with over 90% of them owning the home they live in. Often painted in vibrant colors, HDBs have a focus on community social spaces, more often than not maintaining the ground floor of the apartment blocks as open public space, exclusively for public meeting areas. These can include hawker centers, benches, tables, grills and pavilions where residents can socialize under cover from the hot Singaporean sun.

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Our modern day, image-obsessed culture has got us consuming a large quantity of architecture through photographs, as opposed to physical, spatial experiences. The advantages of architectural photography are great; it allows people to obtain a visual understanding of buildings they may never get the opportunity to visit in their lifetime, creating a valuable resource that allows us to expand our architectural vocabulary. However, one must stay critical towards the disadvantages of photography when it comes to architecture. Jeremy Till, author of “Architecture Depends,” summarizes this in his chapter “Out Of Time”: “The photograph allows us to forget what has come before (the pain of extended labor to achieve the delivery of the fully formed building) and what is to come after (the affront of time as dirt, users, change, and weather move in). It freezes time or, rather, freezes out time. Architectural photography ‘lifts the building out of time, out of breath,’ and in this provides solace for architects who can dream for a moment that architecture is a stable power existing over and above the tides of time.”

The following tips aim to not only improve the visual strength of your architectural photography, but also the stories that they can tell—going beyond the individual images in order to communicate buildings’ relationships with their contexts, space and time.

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After previously documenting the Bruder Klaus Field Chapel, photographer Aldo Amoretti once again captures the grounded simplicity of Peter Zumthor, this time with images of his Allmannajuvet Zinc Mine Museum in Sauda, Norway. The three-building campus calls upon the aesthetics of the country's abandoned zinc mines from the 1800s, evoking the toilsome labor of the workers in its rough stone and exposed joint work. The museum is situated on one of Norway's National Tourist Routes and was commissioned by the state as part of an effort to increase tourism in the region. As such, the buildings are poised in and above the landscape, providing views of the natural gorge that unfold as visitors move through Zumthor's dark, shaftlike interiors.

Amoretti's photos express the modesty of the project, from the blackness of the interior galleries to the thin stilts that support the buildings within their rocky surroundings. The museum structures are suspended in balance with the harsh, gray climate—a noble representation of the working conditions of the miners the project aims to memorialize.

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