From October 21st, 2023, to March 3rd, 2024, the Vitra Design Museum is hosting a retrospective exhibition featuring the work of Iwan Baan. Known for his world-renowned architecture photography, “Iwan Baan: Moments in Architecture” provides a comprehensive overview of Baan’s extensive portfolio. At its core, it showcases the artist’s ability to capture the essence of contemporary architecture, along with the urban and social contexts associated with it and the people who inhabit these various spaces.
CERN, the European Organization for Nuclear Research, has started a new initiative known as the Science Gateway. The building was designed by Renzo Piano Building Workshop, architects in collaboration with Brodbeck Roulet Architectes Associés (Geneva). Reflecting the institution's broader mission, it encompasses the values of sharing knowledge, technology, and scientific inspiration with society. The Science Gateway is envisioned as an innovative facility dedicated to scientific education and outreach, aiming to catalyze curiosity and passion for science among younger generations. In his latest photo series, Paul Clemence photographed the CERN Science Gateway Building in Geneva, Switzerland.
In the center of the city of Lugano, Switzerland, architect Mario Botta has designed a new housing solution on the foundations of the former Cinema Teatro Cittadella. Captured by Paul Clemence, this photo series displays the new residence in a city rich with an artistic and cultural past. The residential complex is located near the ancient basilica of the Sacred Heart of Lugano, nestled in a quiet area away from city traffic.
Nestled amidst the Aegean Sea, the ancient island of Delos emerges as a timeless testament to human ingenuity and the harmonious interplay between architecture and nature, in this captivating series of photographs shared with ArchDaily for the International Day of Photography by artist Erieta Attali, along with the insightful voice of Brazilian architect Angelo Bucci. Inspired by Attali's work, Bucci crafts a narrative that explores the profound connection between architecture and the environment, echoing the ethos of Delos itself.
In 2018, OMA opened the Fondazione Prada in Milan, Italy, housed within a former gin distillery established in 1910. The project which includes a statement facade cladded in 24-carat gold leaf and camouflaged mirrors, comprises the renovation of seven buildings in the Largo Isarco industrial complex on Milan’s southern outskirts, making the foundation neither a preservation project nor a new architecture. Recently, photographer Bahaa Ghoussainy captured the infamous structure in his new architectural photo series.
La Fábrica, an iconic project by Ricardo Bofill, stands as a testament to the transformative power of architecture. Located in the environs of Barcelona, this creation showcases the remarkable metamorphosis of an abandoned cement factory into a stunning architectural masterpiece.
https://www.archdaily.com/1004625/la-fabrica-by-ricardo-bofill-a-harmonious-blend-of-past-and-presentArchDaily Team
Roland Halbecame into photographyentirely by accident, discovering it at the age of 15 in a class on optics. His physics teacher presented camera obscura effects, which immediately triggered his fascination. He then started borrowing his father’s old camera quite regularly. While still in high school, Roland worked part-time at a camera shop, eagerly discovering everything there is to know about photography. Those were the circumstances that kindled Halbe’s lifelong romance, first with black and white, and, eventually, color photography with a focus on the built environment.
Sometimes sculptural and expressive, sometimes monolithic and monotonous, the Brutalist architectural style is equal parts diverse and divisive. From its origins as a by-product of the Modernism movement in the 1950s to today, Brutalist buildings, in architectural discourse, remain a popular point of discussion. A likely reason for this endurance is — with their raw concrete textures and dramatic shadows, brutalist buildings commonly photograph really well.
Brutalism is a deeply dividing architectural style - a subcategory of the Modernist movement that featured bare concrete finishes, unusual shapes, and an undoubtedly unique aesthetic. Whilst emerging into prominence in 1950s Great Britain, the most iconic examples of this architectural style are arguably found in Eastern Europe - particularly in the territory formerly known as Yugoslavia.
Architectural photographer Marc Goodwin adds one more photo series to his Atlas of Architectural Atmospheres, this time capturing 12 architecture offices in the Austrian capital of Vienna. The series includes the intimate workspaces of AllesWirdGut, Feld72 Architekten, querkraft architekten amongst others.
Goodwin has been working on this project for several years, and the collection holds photographs of work environments of architecture offices in Madrid, Frankfurt, Berlin, Istanbul, Seoul, and many more.
From Taiwan to the Netherlands to Uruguay, Jakub Sawosko has extensively been photographing concrete architecture all over the world and displaying them on Instagram as @sh_sh_welt.
After living surrounded and fascinated by post-war concrete architecture in Europe in his early years, Sawosko moved to Taiwan where he eventually realized that Modernism had heavily influenced Taiwan as well. "I felt that [Taiwan's distinctive style of architecture] deserved more recognition", explains Jakub in conversation with ArchDaily via Instagram.
Whether glass and sky, asphalt and sand, steel and trees: the merging of architecture and landscape has always been an inevitable factor in building. In particular the buildings made of glass, steel and concrete have had an immaterial connection to their natural surroundings since the 19th century. The superimposition of structures, reflections, filters and transparencies becomes an important design element and fascinates with its ambiguous representation of reality.
The tenth edition of the Architectural PhotographyAwards has announced its shortlist, selected from entries from 64 different countries. The photographs are divided into six categories: Exterior, Interior, Sense of Place, Buildings in Use, Mobile, with Bridges being this year’s theme, and Portfolio, focusing on the theme of Transport Hubs. The photographs will be displayed at the World Architecture Festival (WAF) Lisbon in Portugal from 30th November - 2nd December. The winners, two per category, will be announced by the end of the festival.
In a new show at Kunst Haus Wien in Vienna, the Austrian artist continues his investigation of architecture where few civilians tread.
Gregor Sailer’s quest for unusual structures and buildings takes him to some of the most extreme reaches of human civilization — from military field exercise centers in the USA and Europe to a mining center near Chuquicamata in the Atacama Desert to Arctic snow fields.
If one were asked to picture a Catholic Church, the first image to come to mind would probably resemble a medieval gothic cathedral with buttresses, pointed arches, and a spire pointing toward the sky. On second thought, many more styles could easily be identified as catholic architecture: the simple yet grandiose structures of the Romanesque or maybe the ornate styles of Baroque and Rococo. An image more difficult to associate with sacred architecture is that of Modernism. The Roman Catholic Church is a particularly conservative establishment. Modernism, on the other hand, is revolutionary; it is rational, functional, and technical; it rejects ornaments and embraces innovation. Surprisingly, in the years after the end of the Second World War, places of worship defied expectations. Blocks of concrete, raw materials, angular shapes, and exposed structures have all been employed to break from tradition and create churches that barely resemble a church. This article will explore Modernist mid-century Church architecture with the support of images from Jamie McGregor Smith.
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