The Danish Architecture Center (DAC) has announced that the first permanent exhibition on Danish Architecture will open on March 24, 2023, in Copenhagen. The exhibition titled “So Danish!” tells the story of the evolution of architecture in the country, starting from the Viking Age and continuing to the present day. By presenting this history, it aims to help visitors understand the role and influence of architecture in the Danish democratic society.
This article was originally published on Common Edge.
Today we know R. Buckminster Fuller primarily through his oeuvre of iconic objects and ideas created over the arc of a nearly 90-year life. Born in the last decade of the 19th century, Fuller lived long enough to hang out with Steve Jobs. He’s variously described as a “systems thinker,” perhaps the first “futurist,” a visionary, engineer, geometer, and architect (he won the AIA Gold Medal in 1970). But “inventor” is probably the most accurate description. Historian and writer Alec Nevala-Lee’s 2022 biography, aptly titled Inventor of the Future: The Visionary Life of Buckminster Fuller (Dey St. Books), tells a nuanced story of the man known for geodesic domes; space frames; “Spaceship Earth”; the Dymaxion map, house, and car; and concepts such as tensegrity, synergy, and “ephemeralization” (“doing everything with nothing at all,” as he described it).
In 1950, the famous Le Corbusier was asked to design the new state capital of Chandigarh for Punjab following its separation and recent independence. The opportunity to create a new utopia was unparalleled- and is now seen as one of the greatest urban experiments in the history of planning and architecture. The city employed grid street patterns, European-style thoroughfares, and raw concrete buildings- the zenith of Corbusier’s ideals throughout his career. But what is lesser known about the ideation and realization of Chandigarh, was the woman who brought her experience of designing social housing across Africa to the project. For three years, working alongside Corbusier, and helping him design some of the best-known buildings in Chandigarh, was Jane Drew.
When people describe the modernist movement as a whole, they broadly reference the steel and glass skyscrapers which dot many of our cities’ skylines, or more specifically, the International Style that once emerged from Europe after World War I. The International Style represented technological and industrial progress and a renaissance of social constructs that would forever influence the way that we think about the use of space across all scales. Often designed as politically charged buildings seeking to make a statement towards totalitarian governments, many architects who influenced the style moved to the United States after World War II, paving the way for some of the most iconic buildings and skyscrapers to be built in the 20th century.
This article was originally published on Common Edge.
In the late 1960s, Ben Bradlee, the storied executive editor of The Washington Post from 1965 until 1991, confronted making the paper more appealing to younger readers. He ditched Lifestyle as the name of a new, updated section, which he found irksome; instead, he chose Style. As he explained in his memoir: “I liked the word ‘Style’ … I like people with style, with flair, with signature qualities.” After 50 years as Style, and nine years after Bradlee’s death, the section has been renamed Lifestyles. The editorial change notwithstanding, Bradlee used “style” as most non-architects think of it and much in keeping with how Duo Dickinson seems to frame it in a recent Common Edge piece: “Wrestling With Architectural Style in a Post-Style World.” Yet in matters architectural, at least historically, it’s long been another thing altogether.
From Taiwan to the Netherlands to Uruguay, Jakub Sawosko has extensively been photographing concrete architecture all over the world and displaying them on Instagram as @sh_sh_welt.
After living surrounded and fascinated by post-war concrete architecture in Europe in his early years, Sawosko moved to Taiwan where he eventually realized that Modernism had heavily influenced Taiwan as well. "I felt that [Taiwan's distinctive style of architecture] deserved more recognition", explains Jakub in conversation with ArchDaily via Instagram.
Las Vegas, sometimes known as Sin City, is perhaps the most famous desert metropolis where people gamble, and indulge in entertainment, and other vices. Each year, the city is visited by hundreds of millions of tourists who come to see its flashing lights and round-the-clock nightlife. Las Vegas has garnered so much attention that even Robert Venturi and Denise Scott Brown sought to study its urbanism, concluding with their theories on duck and decorated shed buildings in the early 1970s. But 50 years later, Vegas is still a city that constantly reinvents its architectural identity.
This article was originally published on Common Edge.
About 50 years ago, the renowned architect, educator, and author Charles Moore was hired by Frederick and Dorothy Rudolph to design a vacation house on Captiva Island, Florida, and about a decade later, in the late 1970s, they hired him again to design their permanent residence in Williamstown, Massachusetts.
Moore was often called the father of Postmodernism and was a prolific proponent through such books as The Place of Houses. With the exception of his small houses, however, I was never a big fan of his work. But I still have a tattered copy of that book, because when I read it, it was the first time that someone had articulated the process of designing a house, including a programmatic checklist to follow.
Recent surveys have revealed the average frequency of daily baths in some countries. While in Latin America, led by Brazil, Mexico and Colombia, people take 8 to 12 baths a week, in the vast majority of countries affected, the average is around 6 to 8. Bathing, throughout human history, involves health, religious, spiritual and even social aspects.
Few places in the world have an overlap of complexities as intense as Brasília. Even so, its architecture symbolizes the Republic and democracy of Brazil, and any act of attack on these symbols carries meanings and consequences for Brazilian memory and cultural heritage. The terrorist acts of January 2023 destroyed part of the heritage and raised questions beyond objects and architecture, touching on education, culture, and national political capital.
Cartography, or map making, has played a critical role in representing spatial concepts for thousands of years. While the earliest forms of maps displayed geographic information carved into clay tablets and etched onto cave walls, the maps we use today have significantly evolved to creatively show a range of different information. These visualizations draw conclusions about population sizes, historical events, cultural shifts, and weather patterns to help us understand more about our world and how we impact it.
This article was originally published on Common Edge.
Witold Rybczynski’s latest book—he’s written 22 now, at last count—is The Story of Architecture (Yale University Press), and it’s as comprehensive as the title implies. The author of Home and A Clearing in the Distance starts with the ancients, works his way chronologically through the movements, buildings, and architects, and into the present day. It’s done, he concedes, through his own prism. “I have not given equal attention to all parts of the world,” he writes in the book’s Note to the Reader. “This is primarily although not exclusively the story of the Western canon. That is not to slight regions that often have their own unique architectural accomplishments … but I have chosen examples that best convey the principal thrust of the strain of architectural thought that has most influenced me.” Recently I talked with Rybczynski about the genesis for the book, what architecture lost when it abandoned ornamentation, and where we are today.
Chicago, The Windy City, Chi-Town, or The Second City. It’s a place that is known by many names, but to architects and urban planners alike, it’s famous for its history which has given us some of the best-known buildings and important advancements that have helped to shape other cities across the United States. From its inception, Chicago has long served as an architectural hub for innovation.
The marquee-busting title says it all: Joseph Giovannini’s Architecture Unbound is an ambitious attempt to explore the wilder shores of design and explain how and why maverick architects have dared greatly. It’s also a wide-ranging introduction to artists who laid the groundwork for architectural innovation a century ago; to the philosophers and theorists who mapped new ways of thinking, and to the complexities of chaos theory, parametric and software programs that have shaped exceptional buildings over the past few decades.
On August 19th, the world photography day is celebrated, a fundamental tool for the imagery record of our society. If, on the one hand, photography is the protagonist in dialogues that involve architecture and the city, portraying historical moments and enhancing buildings, on the other hand, it guides us through the context and backstage of the moment, eternalizing the process.
Throughout history, humans have always craved a sense of thrill and an affinity for different forms of entertainment and attraction at all different scales and sizes. Theme parks have continuously evolved, as society redefines what it means to be entertained, and have transformed from evening strolls into physics-defying twists and turns on state-of-the-art rollercoasters.
This article was originally published on Common Edge.
Designer Paul Wellington, based in Milwaukee, United States, is the author of Black Built: History and Architecture in the Black Community, a book that documents more than 40 works of architecture around the country by Black architects that have had a direct impact on communities of color. He’s now working on a new book that will focus on Black women architects in a field dominated by white males. I spoke with Wellington about the new book, what he learned through his research on Black architects and their work, and the future of increasing the ranks of Black architects in the U.S.
The word “Gothic” often envokes a description of mysterious homes, or a modern-day group of people who have an affinity for dark aesthetics, but what the gothic architectural style historically brought to the built environment could not have been more opposite. Gothic designs were actually created to bring more sunlight into spaces, mainly churches, and led to the design and construction of some of the world’s most iconic buildings.
