Returning for its third edition, Desert X AlUla 2024 invites artists to engage with the landscape, nature, and heritage of AlUla. The exhibition aims to position AlUla as the hub for monumental art experiences in the region. This year’s theme, “In the Presence of Absence,” challenges the concept of deserts as “empty spaces.” Artists worldwide are encouraged to investigate conceptual ideas of the invisible, engaging in a dialogue with AlUla’s environment.
Studio Monnik, 'Alles Komt Goed', 2023. ‘Poreuze Stad’, Illustratie van Jan Cleijne. Een toekomstscenario voor Amsterdam in 2089. Image Courtesy of Het Nieuwe Instituut
Still, the country faces expected and unexpected challenges, from an acute housing shortage to raising concerns regarding climate change and shifting ideas of ecology. In the words of curator Suzanne Mulder, the country is “once again on the drawing board,” as architects, urban planners, and designers are reopening conversations about the future by looking at past lessons. To come to their help, Rotterdam’s Nieuwe Instituut is organizing the exhibition ‘Designing the Netherlands: 100 Years of Past & Present Futures.’
Trahan Architects has just unveiled the design of the USA Pavilion for Expo 2025 Osaka-Kansai in Japan. During the six-month expo, the proposal aims to showcase American architecture, innovation, culture, and industry. The display will be focused on celebrating contemporary American achievements in various fields, featuring exhibitions focused on sustainability, space exploration, education, and entrepreneurship.
The “Soil Sisters” initiative explores how architectural design and sustainable material practices can contribute to soil nutrition and resilience. Partnering with SOM Foundation, their joint effort has resulted in an exhibition aiming to redefine our understanding of “environmentally conscious practices.” Titled “Soil Sisters: A Ceiling, A Chair and Table, A Wall and a Threshold,” the display showcases their dedication to redefining soil health as a cross-sectoral objective by emphasizing materiality and color in the built environment.
The Sharjah Triennial debuted on November 11th, 2023, with the theme of The Beauty of Impermanence: An Architecture of Adaptability. At the center of the abandoned 1970s “Al Madam,” in the eastern desert of Sharjah, the “Concrete Tent”, created by DAAR, an experimental Palestinian and Swedish Studio, combines elements of a mobile tent and a concrete house. Overall, the tent explores the notion of “permanent temporariness.”
“ReviveR,” a new exhibition by MVRDV opened at the Shenzhen Women & Children’s Centre, focused on the different narratives surrounding its hosting building, from the role of play and social interaction, to the importance of fun environments for people of all ages, along with the need to reduce carbon emissions by applying principles of circularity. The exhibition is on display in the building’s 5th-floor auditorium from December 6, 2023, until February 28, 2024.
Inaugurated on September 21st, 2023, The Chicago Architecture Biennial is a city-wide festival that will continue until the end of the year. Titled “This is a Rehearsal,” the event is set up as a love letter to Chicago, activating ongoing dialogue around and in the city. One month after the biennial started, events are still ongoing, with open houses, theater performances, and virtual conferences happening throughout this week.
Arquitectos, Play You Are in Sharjah, 2023. Photo by Danko Stjepanovic. Image Courtesy of Sharjah Architecture Triennial
Inaugurated on November 11, 2023, and running until March 10, 2024, the Sharjah Architecture Triennial serves as a metaphor drawing attention to the design and technological innovations within the built environment, particularly in the global south. The exhibition features contributions from 29 architects and studios spanning 25 countries. Building upon Venice's global platform for experimentation at the 18th International Architecture Exhibition, the 2023 Triennial embarks on a similar journey, creating space for voices and discussions often overlooked in global exhibitions and unveiling elements that have long existed but remained unseen. With a keen awareness of the global south, but also of the global north, and an understanding of the polarities between them, as articulated by curator Tosin Oshinowo, this second edition of the exhibition focuses on "The Beauty of Impermanence: An Architecture of Adaptability."
Celebrating everything that exists, especially in the global south where places thrive amidst scarcity, the triennial adopts an optimistic approach, drawing lessons from current situations and revealing the value and sophistication of alternative responses that have emerged due to resource constraints. “We're able to celebrate them. We're able to learn from them”, adds the curator. The triennial aims to comprehend a more sustainable, accessible, and equitable future—a collective effort to address the challenges of climate change, explore the built environment, and embrace under-celebrated regional traditions. Highlighting solutions that have endured the course of time and others responding to contemporary difficulties, "The Beauty of Impermanence" emphasizes the necessity of nuanced hybridity essential for our urbanized world.
The 18th International Architecture Exhibition of La Biennale di Venezia closed on November 26th. A total of 285,000 people visited the exhibition, making it the second most highly attended Architecture Biennale in its history. Named "The Laboratory of the Future," this edition led by curator Lesley Lokko, has been the first to focus on Africa and its diaspora, exploring the “fluid and enmeshed culture of people of African descent that now straddles the globe,” in the words of the curator, with themes of decolonization and decarbonization.
This edition has attracted a wide array of visitors, 38% of whom are represented by students and young people. Visitors organized in groups represented 23% of the overall public, with a large majority of groups coming from schools and universities. The numbers denote an event centered on the transmission of knowledge and circulation of ideas.
In a bid to explore new materials and methods for more sustainable construction, Henning Larsen opens the “Changing our Footprint” exhibition at the Danish Architecture Center in Copenhagen. The initiative, open from November 17, 2023, until March 3, 2024, aims to showcase ideas for more climate-friendly architecture and to start conversations on architecture and construction’s role in mitigating the effects of climate change. This represents the second iteration of the exhibition, as the first version opened at the Aedes Architecture Forum in Berlin earlier this year.
The Shenzhen Museum of Contemporary Art and Urban Planning in China (MoCAUP) has recently opened an exhibition titled “Ma Yansong: Landscapes in Motion.” This retrospective showcases the work of MAD Architects, led by Ma Yansong, Dang Qun, and Yosuke Hayano, spanning nearly two decades and 52 projects. Running until December 17, the display is envisioned as a platform for imaginative exploration of future urban life.
From October 21st, 2023, to March 3rd, 2024, the Vitra Design Museum is hosting a retrospective exhibition featuring the work of Iwan Baan. Known for his world-renowned architecture photography, “Iwan Baan: Moments in Architecture” provides a comprehensive overview of Baan’s extensive portfolio. At its core, it showcases the artist’s ability to capture the essence of contemporary architecture, along with the urban and social contexts associated with it and the people who inhabit these various spaces.
In terms of activism, disruption is a necessary element of effective protest. When acts of disruption spill into the public domain, they carve out spaces through blockades, defenses, and territorial claims, giving rise to ‘protest architecture.’ This concept is the focus of the exhibition organized by DAM – Deutsches Architekturmuseum and the MAK – Museum für Angewandte Kunst in Vienna. Titled “Protest/Architecture. Barricades, Camps, Superglue,” the event showcases a collection of models, photographs, and films depicting the evolution of protest architecture around the world. The exhibition, curated by Oliver Elser with curatorial assistance and research by Anna-Maria Mayerhofer, is open from September 16, 2023, until January 14, 2024, at the DAM OSTEND in Frankfurt.
Two years ago, on September 18, 2021, Christo and Jeanne-Claude's L'Arc de Triomphe, Wrapped, 1961–2021, was inaugurated. The monumental public artwork wrapped the Parisian monument in over 25,000 square meters of silvery fabric tied in place with 7,000 meters of red rope. The materials, all made out of woven polypropylene, a type of thermoplastic, are now being reused, upcycled, and recycled, following the artists’ vision. Most of the materials will be transformed to serve practical uses for future public events in Paris. The Christo and Jeanne-Claude Foundation is also collaborating with Gagosian to bring Christo’s early works to London’s East End for an exhibition open from October 6-22, 2023.
Don Davis (American, born 1952). Stanford torus interior view. 1975. Acrylic on board, 17 × 22″ (43.1 × 55.9 cm). Commissioned by NASA for Richard D. Johnson and Charles Holbrow, eds., Space Settlements: A Design Study (Washington, DC: NASA Scientific and Technical Information Office, 1977). Illustration never used. Collection Don Davis. Image Courtesy of The Museum of Modern Art
The Museum of Modern Art New York has announced the opening of an exhibition focused on the first realized and unrealized projects that address ecological and environmental concerns. Featuring works by architects who practiced mainly in the United States from the 1930s through the 1990s, the exhibition titled “Emerging Ecologies: Architecture and the Rise of Environmentalism” is on view from September 17, 2023, through January 20, 2024. The over 150 works showcased reveal the rise of the environmental movement through the lens of architectural practice and thought.
In 2020, Ahmadreza Schricker (ASA North) completed the Argo Contemporary Art Museum & Cultural Center design. Previously a 1920s beer distillery in the heart of Tehran, it has now been converted into a contemporary art center and is now the new home of the Pejman Foundation.ASA North is a studio based in Tehran that was chosen by ArchDaily as part of the 2023 New Practices. ArchDaily selects those practicing within the broadest definition of architecture and its exercise to share their innovative, fresh, and forward-thinking mission with the community. In the summer of 2023, the foundation hosted an exhibition featuring selected works from ASA North while documenting the transformation of the Argo Factory. The exhibition explored the studio’s practice, developing a commentary on their projects and their self-awareness.
Most biennales and architecture events, especially the recent ones, have influenced and shaped the dialogue of the ones that followed. In fact, during a conversation earlier this year with Lesley Lokko, the curator of the 2023 Venice Architecture Biennale, she explained and affirmed that “all exhibitions […] take sustenance from those that came before”, further noting that “if I look back at the dozen or so Architecture Exhibitions over the past twenty years, each one has contributed in some way to the discourse of the next.”
Zofia Chom�towska, Rubble clearance effort at the site of the Blank Palace on Theatre Square, 1945. Image Courtesy of Museum of Warsaw
The exhibition “Warsaw 1945-1949: Rising from Rubble” took place this year at the Museum of Warsaw, exploring the postwar reconstruction and rebuilding process that took place after the war. After the Second World War, Warsaw’s entire urban fabric, architecture, and social and economic status had to be rebuilt from the ground up. Curated by Adam Przywara, the exhibition “offered a new perspective on the myth of the postwar reconstruction of the Polish capital city and one of the most interesting pages in its history.”
