Architecture Books: The Latest Architecture and News

The following in an excerpt from Carter Wiseman's Writing Architecture: A Practical Guide to Clear Communication about the Built Environment. The book considers the process, methods, and value of architecture writing based on Carter Wiseman’s thirty years of personal experience writing, editing, and teaching young architects how to write. This book creatively tackles a problematic issue that Wiseman considers to crucial to successful architecture writing: clarity of thinking and expression.

Some years ago, a writer for the Chronicle of Higher Education declared, “Too many architecture students can’t write.” [1] Those students have since gone on to become practitioners, and their inability to write is likely to have had seriously negative professional consequences. Robert Campbell, a Pulitzer Prize–winning architecture critic for the Boston Globe, condemned in Architectural Record much of what even the most prominent practicing architects write as “pretentious illiteracy.” He went on to attack their coded language as “ArchiSpeak”and warned that “sooner or later, architects (and planners and landscapers and urban designers) must convince someone to hire them or at least bless them with a grant. . . . Nobody is going to trust a dollar to a pompous twit.” [2]

Why do we make models? From sketch maquettes and detail tests to diagrammatic and presentation models, the discipline of physically crafting ideas to scale is fundamental to the architect's design process. For architect and educator Nick Dunn, architectural models ultimately "enable the designer to investigate, revise and further refine ideas in increasing detail until such a point that the project's design is sufficiently consolidated to be constructed." In Dunn's second edition of his practical guide and homage to the architectural model, the significance and versatility of this medium is expertly visualised and analysed in a collection of images, explanations, and case studies.

The following is an excerpt from Bill Schmalz's book The Architect's Guide to Writing.

The architecture, design, and construction professions are seen, by ourselves and by those outside the professions, as visual and tectonic fields. Architects and designers are trained as visual artists, using two- and three-dimensional means to depict buildings, spaces, and urban environments. We learn how to sketch; to build physical and digital models; and to draw plans, elevations, sections, and details. Similarly, contractors and construction managers are trained in scheduling, cost estimating, and the physical requirements of constructing buildings. These are valuable skills for us design and construction professionals at all stages in our careers. But for most of us, there comes a time when we need to write stuff, when written documents dominate our professional lives. Letters, proposals, reports, specifications, contracts, RFIs and RFI responses, meeting minutes, emails, and white papers are just some of the types of documents that we spend much of our time writing. 

Unfortunately, we receive little training in our writing skills. True, our elementary school education may have given us the basics of English grammar and composition. In college, most of us had to fulfill liberal arts requirements that involved writing. But when we entered the profession, we were unprepared to deal with how much we would have to write, and how important it would be to our professional lives. 

Blank Space’s first edition of Fairy Tales: When Architecture Tells a Story is a light-hearted reminder that communication is at the core of what all architects and designers do. The book is a collection of entries from the company’s first architectural storytelling competition, which was launched to reinstate a dialogue between architects and the public.

Fairy tales might seem like an odd genre of choice for this movement, but communication also lies at their core. According to the founders of Blank Space, Matthew Hoffman and Frencesca Giuliani-Hoffman, fairy tales are “relatable, yet sophisticated and nuanced, just like great architecture.”

For more on the whimsical collection, keep reading after the break.

EL CROQUIS, number 173, a monograph on MVRDV, is the third monograph produced by the publisher on this office established in Rotterdam. The current publication collects MVRDV's most significant works from 2003 to the present −presented in full with several construction plans, and a profusion of photographs and sketches. The monograph is prefaced by an interview with MVRDV by the architects Charles Bessard and Nanne de Ru, and a critical essay on their work by Aaron Betsky.

Among the buildings and projects featured the most remarkable ones are the Gemini Residences, the Parkrand apartment building in Rotterdam, the rooftop house extension Didden Village in Rotterdam, the Balancing Barn holiday house in Thorington, the Book Mountain in Spijkenisse, the mixed-use centre Glass Farm in Schijndel and the shopping centre Chungha Building in Gangnam.

Wondering what to do with the last, lingering weeks of summer? There's still plenty of time for some enticing summer reading! Peruse this online collection of select books on Architecture, chosen from academic publisher Routledge's titles on themes of Professional Practice and Sustainable Architecture, and available in their entirety for free throughout the month of August.

Including compelling and notable works, these books tackle relevant and significant contemporary issues facing the design world today. See what's available after the break.

Kinetic Architecture: Designs for Active Envelopes is a book about energy. We have written it to explore the new ways architecture has developed in the last decade to respond to the flow of energy, both natural and man-made, that primarily affects building performance and the comfort of the people in them. Buildings regulate energy flow in several ways, but in this book we explore the approaches that innovative architects, engineers, and consultants have taken with building envelopes, façades, and other types of enclosures that modulate the internal environment of architecture to various ends. Architects have expressed this regulation in ways both visible and invisible, using the media of air, water, and the thermal mass of a variety of materials, and often a combination of all three.

Architects often don’t make time to read. Students and professionals alike will admit that the unread books on their shelves outnumber the ones they've read - which is unfortunate because literary contributions to the field of architecture, from Vitruvius to Le Corbusier, have shaped the way we build and use buildings for centuries. With this in mind, ArchitectureBoston polled their readers, asking them to share their favorite architecture and design titles, to compile a list of important architecture books you should set aside some time for. The list covers a wide range of subjects, from historical theory to the practicalities of starting a firm. See all thirty-three titles, after the break.

This summer, ArchitectureBoston gives readers a reason to linger in their hammocks a little longer and drift away into the world of architecture and design. The new issue contains extensive and insightful suggestions for book lovers looking to build a personal library of new and important titles. Read on for more information.

Clocking in at just under six hundred pages, Neeraj Bhatia and Mary Casper’s The Petropolis of Tomorrow (Actar, 2013) presents a series of dueling monstrosities—land and sea; ecology and industry; isolation and circulation—at the hard-edged site of their collision. The product of an intensive research studio directed by Bhatia at the Rice School of Architecture, Petropolis documents and explores Brazil’s rapidly developing network of offshore petroleum and natural gas drilling infrastructures as a site ripe for the deployment of architectural expertise and imagination. Conducted as part of a broad collaborative research investigation on resource extraction urbanism initiated by the South America Project (SAP), the studio, as introduced by SAP Co-Director Felipe Correa, is a speculative experiment that “tests an extreme scenario” with the aim of identifying “new hybrids between industry and urbanism for an alternative twenty-first century extraction town.” Complementing the studio work, the editors have marshaled an impressive array of text and photo contributors whose essays offer distinctive takes on the book’s three thematic threads: archipelago urbanism, harvesting urbanism, and logistical urbanism.

The following is an excerpt from The Landscape Imagination: The Collected Essays of James Corner 1990–2010 by James Corner. In this passage, Corner discusses the work of John Dixon Hunt, and the qualities of Hunt's work that he seeks to incorporate into his own (including his firm's - James Corner Field Operations - redesign of the New York High Line).

Over the past two decades, James Corner has reinvented the field of landscape architecture. His highly influential writings of the 1990s, included in our bestselling Recovering Landscape, together with a post-millennial series of built projects, such as New York's celebrated High Line, prove that the best way to address the problems facing our cities is to embrace their industrial past. Collecting Corner's written scholarship from the early 1990s through 2010, The Landscape Imagination addresses critical issues in landscape architecture and reflects on how his writings have informed the built work of his thriving New York based practice, Field Operations.

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The following is an excerpt from Carey Clouse's Farming Cuba: Urban Agriculture from the Ground Up, which explores Cuba's impromptu agricultural development after the dissolution of the Soviet Union, and the challenges that development poses for modern day architects and urban planners.

Following the collapse of the Soviet Union in the early 1990s, Cuba found itself solely responsible for feeding a nation that had grown dependent on imports and trade subsidies. With fuel, fertilizers, and pesticides disappearing overnight, citizens began growing their own organic produce anywhere they could find space, on rooftops, balconies, vacant lots, and even school playgrounds. By 1998 there were more than 8,000 urban farms in Havana producing nearly half of the country's vegetables. What began as a grassroots initiative had, in less than a decade, grown into the largest sustainable agriculture initiative ever undertaken, making Cuba the world leader in urban farming. Featuring a wealth of rarely seen material and intimate portraits of the environment, Farming Cuba details the innovative design strategies and explores the social, political, and environmental factors that helped shape this pioneering urban farming program.

Ten years after closing its doors, the Brooklyn Domino Sugar Refinery's iconic forty-foot tall yellow sign is still legible along the waterfront, even from parts of Manhattan. The refinery, built in 1882, was once the largest in the world, producing over half of the sugar consumed in the United States. Sadly, the historic landmark will soon be demolished, making room for luxury living — and a handful of apartments for affordable housing, at mayor Bill de Blasio's insistence. As time runs out, a photographer, photography editor, and historian are vying for the opportunity to thoroughly document the site and publish a book entitled Sweet Ruin: Fossils and Stories of the Brooklyn Domino Sugar Refinery.

The photographer, Paul Raphaelson, was recently given a day's worth of access to the site by its owner, real estate development company Two Trees Management. Raphaelson was able to visit and photograph three of the refinery's buildings, capturing the sugar-coated interiors of the hauntingly cavernous spaces. He hopes to revisit the site before it's too late to take more photographs with the guidance of his two collaborators, photography editor Stella Kramer and historian Matthew Postal. For the compelling images and more details about the future publication, keep reading after the break.

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BI is a publication focused on the exchanges between architecture and its wider cultural context; it consists of short extemporaneous texts with longer studied pieces from a multitude of perspectives. The following is an excerpt from its latest (and first print) edition, FREE, written by the editors-in-chief E. Sean Bailey and Erandi de Silva.

There is implicit conflict in the word ‘free’. While culturally we celebrate the infinite opportunities afforded by the ‘freedom to’, the term also alludes to emancipation, a break from a captive state, or a ‘freedom from’. ‘Free’ is, at its core, an architectural concept. Architecture is a discipline directly engaged with shaping enclosure, of erecting and toppling barriers or—more explicitly—of extending and limiting ‘freedoms’.

In honor of International Museum Day, we're taking a look back at the 21st century's most exciting museums. The following is an excerpt from the recently released book, The Architecture of Art Museums – A Decade of Design: 2000 – 2010 (Routledge) by Ronnie Self, a Houston-based architect. Each chapter of the book provides technical, comprehensive coverage of a particular influential art museum. In total, eighteen of the most important art museums of the early twenty-first century - including works from Tadao Ando, Herzog & de Meuron, SANAA, Steven Holl, and many other high-profile architects - are explored. The following is a condensed version of the chapter detailing Shigeru Ban and Jean de Gastines' 2010 classic, Centre Pompidou-Metz.

The Pompidou Center – Metz was a first experiment in French cultural decentralization. In the late 1990’s, with the prospect of closing Piano and Roger’s building in Paris for renovations, the question arose of how to maintain some of the 60,000 works in the collection of the National Museum of Modern Art available for public viewing. A concept of “hors les murs” or “beyond the walls” was developed to exhibit works in other French cities. The temporary closing of the Pompidou Center – Paris spurred reflections on ways to present the national collection to a wider audience in general. Eventually a second Pompidou Center in another French city was imagined.

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From the publisher. May 2014 issue of a+u is focused on wooden architecture from around the world that creates new landscapes.

In addition to nine built works, the issue features two competitions foreseeing the timber-nization of cities and three essays. The essays discuss different aspects of wood technology: adaptive timber structure of ultra-light shell by University of Stuttgart, harmonizing the joints of prefabricated wooden elements by collaboration of Finland's timber industry, university and government, and tall wood building technology in Canada and other countries. When these technologies become practical and realized as architecture, we will witness a completely new landscape.

From the publisher. JA93 Spring 2014 issue features 55 works by Kazuo Shinohara, one of the most influential architects in the generation after the Metabolists. The issue consists of photographs and drawings which appeared in the original issues of Shinkenchiku and original descriptive texts by the architect.