Architectural Preservation: The Latest Architecture and News

550 Madison Avenue (née the AT&T Building, more recently Sony Plaza) is among the more recognizable figures on New York’s skyline. Designed by architect-provocateur Philip Johnson, the 37-story skyscraper stands out thanks to its curious headgear: a classical pediment broken by a circular notch, inviting frequent comparisons to the top of a Chippendale grandfather clock. A singular, if largely inoffensive presence on today’s icon-heavy streetscape, the design was positively shocking on its debut in 1979, when Johnson himself appeared on the cover of Time holding a model of the project, then still four years from completion. The image heralded the arrival of something new in American architecture: the fading of the flat-crowned Modernist towers of the midcentury and the onset of the Postmodernist wave.

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This article was originally published on Common Edge.

Theodore Prudon, the founding president of Docomomo US, recently stepped down as the organization’s head. (Robert Meckfessel is the new president.) “Docomomo” is shorthand for the group’s mission: the documentation and conservation of buildings, sites, and neighborhoods of the Modern movement. Prudon has had a storied career as a preservationist, architect, and educator, heading his own practice and teaching at Columbia University. In October, he was presented with the Connecticut Architecture Foundation’s Distinguished Leadership Award at the newly reborn Marcel Breuer building in New Haven, which began its life in 1970 as the Pirelli Tire Building and is now the Hotel Marcel (designed, planned, and developed by architect Bruce Redman Becker).

The Natural History Museum Of Lille in France will undertake a significant architectural transformation for its 200th anniversary. Snøhetta, selected to restore and modernize the complex, with a transdisciplinary team featuring the scenographer Adeline Rispal and the landscape architects of Taktyk, imagines a renovation that will support the city's ambition to combine urban renewal with the preservation of the city's historic architecture. Planned for completion in 2025 and with a total of 7,500 m², the restoration will accommodate flexible exhibition areas, more extensive storage, and gardens.

The term “mid-century modern” conjures up images of a sharp-suited Don Draper, slender teak cabinets, and suave chairs from Scandinavia. That is, at least, one perspective of the design movement and a view more of 1950s-era Manhattan offices than anything else. But in Britain, mid-century modernism manifested as something slightly different, coming in the form of schools, cathedrals, housing, and an era-defining festival, all eloquently described and illustrated by the prolific architectural historian Elain Harwood in Mid-Century Britain: Modern Architecture 1938-1963.

This month, UNESCO has announced a series of decisions concerning important heritage sites, giving rise to conversations around preservation and urban development. Last week, the World Heritage Committee decided to strip Liverpool of its heritage status, as the new developments are considered detrimental to the waterfront's integrity. These projects placed the city on the List of World Heritage in Danger in 2012, a designation which Venice managed to avoid earlier this week, due in great part to the recent ban on cruise ships.

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Last year, Archdaily inaugurated its first edition of Young Practices, an initiative meant to highlight emerging offices that pursue architectural innovation. Carl Gerges Architects is a Lebanese practice whose body of work is a careful consideration of culture, context, and heritage. Villa Nadia and Batroun Boutique Hotel are two of the studio’s unbuilt projects that showcase the assemblage of architectural tradition and contemporary design, informed by a poetic sensibility and a deep understating of the local social, environmental and historical landscape.

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Skene Catling de la Peña and Factum Foundation are transforming Alvar Aalto’s iconic wood chip Silo into a research Centre promoting architectural preservation and re-use. The AALTOSIILO, a cathedral-like concrete structure “will become a point of focus for digitizing and communicating the importance of the industrial architecture of the north and – in turn - the impact industry has had on the environment”.

During the 20th century, Miami Beach reinvented itself several times, from Gilded Age mecca to Art Deco capital, to glamorous 1950s destination, only to become a faded has-been resort by the 1970s. The preservation movement that began in the 1970s and 1980s became its saving grace. By the 1990s Miami Beach, especially its South Beach neighborhood, was one of the hippest communities in the United States, drawing notable European residents like Gianni Versace.

The Cultural Landscape Foundation (TCLF) has released its 2020 edition of Landslide, an annual in-depth report produced by the Washington, D.C.-based nonprofit that profiles—and raises awareness of—a geographically diverse number of at-risk American parks, gardens, horticultural features, working landscapes, and “and other places that collectively embody our shared landscape heritage.”

Throughout the south of the United States, hundreds of mid-century “equalization schools”—public schools built in the 1950s following Brown vs. Board of Education in a desperate effort to maintain segregated “separate but equal” schools in southern states—sit empty, abandoned, and crumbling.

The Chet Holifield Federal Building in Laguna Niguel, California—better known to locals as the “Ziggurat” for obvious reasons—is reportedly at risk of demolition. The six-story, one-million-square-foot government services building is on the chopping block as the U.S. Public Buildings Reform Board, responsible for unloading federal facilities, will likely sell the structure as early as next year.

Menokin Foundation has begun construction on its “Glass House Project”, a new initiative in the preservation of historic landmarks. Protecting what remains from the 1769 house, the intervention will replace missing walls, floors, and sections of the roof with glass. Designed by Machado Silvetti, in collaboration with glass engineer Eckersley O’Callaghan, and landscape designer Reed Hilderbrand, the project will be developed in phases, to be completed in 2023.

This article was originally published on Metropolis Magazine.

Designed by EAA–Emre Arolat Architecture, the 199-room hotel in Antakya, Turkey, features prefab modules slotted into a massive network of steel columns.

The urban surfaces we walk on, planed sidewalks cleared of debris or asphalt streets kept in good repair, are simply the topmost layers of human-churned earth extending sometimes hundreds of feet belowground. In some cities, digging downward exposes dense infrastructure networks, while in others—Antakya, Turkey, for one—construction workers can’t turn over a rock without uncovering priceless relics. The newly opened Antakya Museum Hotel, designed by the firm EAA–Emre Arolat Architecture, has turned one such discovery into a bold new strategy for historic preservation.

Brutalism is merely a basic equation of reinforced concrete + geometry, but while the result of this equation is rather minimal, the architecture movement remains as one of the most debatable styles, ranging between “fascinating structures” and “is it even worth preserving”.

While many perceive Brutalism as “ugly” or “incomplete”, 17 year-old Arhan Vohra found glory in these modernist structures and launched Brutal Delhi, a photography website of New Delhi’s Brutalist buildings, shot through his camera lens.

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The National Trust for Historic Preservation has announced the winners of the Richard H. Driehaus Foundation National Preservation Awards, honoring the best projects on 2018 in the field of preservation and adaptive reuse. The three schemes range “from the reimaging of a former asylum to the adaptive reuse of a historic school to the groundbreaking transformation of a 1.5 million square foot mixed-use facility”

The schemes were chosen from a shortlist of 50 nominated projects by a jury led by Pulitzer-Prize-winning architecture critic Paul Goldberger, recognized for demonstrating “excellence in execution and a positive impact on the vitality of their towns and cities.”

At first glance, The Stealth Building looks like a pristinely-restored cast iron apartment building. That’s because technically, it is. But upon closer inspection, the Lower Manhattan building is rife with innovative restoration and renovation practices by WORKac.

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