architectural classics: The Latest Architecture and News

Within South America, different dates have been established to pay tribute to and honour the career, life and work of architecture professionals. While in Uruguay it is celebrated every 27th of November in relation to the creation of the first Faculty of Architecture, in Brazil every 15th of December in homage to the birth of Oscar Niemeyer or in Chile every 4th of August for the founding of the College of Architects, the Argentine Federation of Architects' Associations (FADEA) kept the 1st of July to commemorate the Day of the Argentinean Architect, respecting the establishment of the International Day of Architecture, established by the International Union of Architects (UIA) in 1985.

Towards the end of the 1970s, the architectural office of Flora Manteola, Javier Sánchez Gómez, Josefina Santos, Justo Solsona and Rafael Viñoly (MSGSSV) together with Carlos Sallaberry began to devise the project for the Prourban Building, which would become one of the most emblematic buildings in the city of Buenos Aires and would be popularly nicknamed "El Rulero".

The Petroperú building, jointly designed by architects Walter Weberhofer and Daniel Arana Ríos, was the result of a state competition held by the military government of Velasco Alvarado in the early 1970s. The building, strategically located in the capital of Peru, within the prosperous district of San Isidro, was designed to house the recently created state company in charge of the whole petroleum process of the country (Petroperú S.A.). The monumental building, built and inaugurated in 1973, became the symbol of the newly installed regime.

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Located in a particularly natural setting in the city of Mar del Plata, the "Casa sobre el Arroyo" (House on the River) - known as the "Casa del Puente" (The Bridge House) - is considered a paradigmatic component of 20th-century architecture and an obligatory reference of the Modern Movement in Argentina and Latin America.

The house designed by the Argentinean architect Amancio Williams, commissioned by his father, the musician Alberto Williams, is constructed evidence of the capacity to establish a link between the modern rationality of human beings with nature and its topography.

Eladio Dieste, the engineer behind "reinforced ceramic" and double-curved arches marked his spot as one of the most important figures in architecture, not only in his native Uruguay, but in Latin America and beyond. Here, we invite you to take a look at just some of the engineer's work, from his widely-recognized churches like the Church of San Pedro and the Christ the Worker Church in Atlántida- to his factories, silos, and gymnasiums, all of which form an important part of the region's architectural repertoire.

To help us in our mission to bring Dieste's work to our readers, the Audiovisual Media Service of the Faculty of Architecture, Design, and Urbanism at the University of the Republic has shared the following images as well as the Eladio Dieste page in order to provide a space to learn about his works and writings.

The Unidad Vecinal Providencia (Providencia Neighborhood Unit) is one of the many residential complexes generated in Chile as a result of a housing and urban development public policy promoted through the CORVI (Housing Corporation) between 1953 and 1973.

Commissioned by the Caja de Empleados Particulares (Private Employees Fund) to be built on a site where previously the National Children's House was based, the Unidad Vecinal Providencia was designed as a complex capable of becoming an urban piece, promoting spatial integration and social cohesion in Santiago.

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After being shut down for more than a year, museums across the world are beginning to show signs of reopening. Most architecture and design events that were scheduled for 2020 have been pushed a year or two, depending on the severity of the pandemic in their respective regions. But while museums are open to the public once again, administrators have installed numerous precaution measures to ensure the safety of visitors and curators, and to avoid potential re-closures.

As international travels have been revived by government officials, and tourism is expected to recover gradually, read on to discover 18 museums and exhibitions that have begun welcoming visitors into their exhibition spaces as of May 2021, and the procedures required from the attendees before and during visitations.

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The Cultural Center was designed by architect Oscar Niemeyer and named after him. It is located in the city of Goiânia in the state of Goiás, Brazil, and was built on a 26 thousand square meter flat land called Esplanada da Cultura, a square dedicated to concerts and events, paying homage to former President Juscelino Kubitschek. The complex consists of four geometrically pure buildings: a rectangle that holds a public library, a cylinder where the Museum of Contemporary Art (MAC) is located, a dome that shelters the Music Palace, and a 36-meter-high pyramid that houses the Human Rights Monument.

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The Jayme Augusto Lopes Crematorium, popularly known as Crematorium of Vila Alpina, is located in Jardim Avelino, on the east side of the city of São Paulo. It was designed by architect Ivone Macedo Arantes - at the time an employee of the Cemetery Department of the City of São Paulo - and was inaugurated in 1974. It is considered to be the first crematorium in Brazil and Latin America and one of the largest in the world.

Gottfried Böhm is a German architect who was awarded the Pritzker Prize in 1986. His father, Dominikus Böhm and his grandfather Alois Böhm were both architects, as well as three of his sons, among them, Peter Böhm. Few people know that he has two projects erected in Brazil, in Brusque and Blumenau - two cities highly influenced by German culture. Photographer Ronaldo Azambuja shared with us his series of photographs of the mother church Igreja Matriz São Luiz Gonzaga in Brusque. The text was written by Angelina Wittmann, architect, and researcher.

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This article was originally published on November 13, 2013. To read the stories behind other celebrated architecture projects, visit our AD Classics section.

Much of the spatial composition of the Villa dall'Ava was influenced by its site, in a garden on a hill. It was completed in 1991 in the residential area of Saint-Cloud, overlooking Paris. The clients selected OMA to design a house with two distinct apartments—one for themselves and another for their daughter—and requested a swimming pool on the roof with a view of the Eiffel Tower.

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Videos

Venturi Scott-Brown’s National Gallery Sainsbury Wing extension (1991) was born into a precarious no-man’s land between the warring camps of neo-Modernists and traditionalists who had been tussling over the direction of Britain’s cities for much of the prior decade. The site of the extension had come to be one of the most symbolic battlefields in British architecture since a campaign to halt its redevelopment with a Hi-Tech scheme by Ahrends Burton Koralek had led to that project’s refusal at planning in 1984.

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The Teatro Oficina Uzyna Uzona, popularly known as Teatro Oficina, located on Jaceguai Street, in the Bela Vista neighborhood, in São Paulo, was founded in 1958 by José Celso Martinez Correa. The Teatro Oficina acts as a manifesto/theater, marked by great spectacles between theatrical expressions, musical presentations, dance, and performances.

Over time, the theater sought to revolutionize the performances that they put on. To this end, the architecture was designed to "collaborate" with the events, allowing the drama of the spectacle to engage more profoundly with audiences. Edson Elito, who would later instigate this reform, said [trans.]:

Last year saw the Alvar Aalto Foundation experience a record-breaking number of visitors at each of its four sites – a total of 42,755 as opposed to the 36,744 people that toured the sites in 2015.

Of those numbers, The Alvar Aalto Museum and the Muuratsalo Experimental House in Jyväskylä received a total of 20,005 visitors combined, half of which had arrived from outside of Finland to explore the Museum, while also continuing the recent trend of an increasing number of visits over the past five years.

Although societies have transformed through the ages, wealth never truly seems to go out of style. That said, the manner in which it is expressed continually adapts to each successive cultural epoch. As a consequence of evolving social mores and emerging technologies, the ideal of “luxury” and “splendour” sees priorities shift from opulence to subtlety, from tradition to innovation, and from visual ornamentation to physical comfort.

AD Classics are ArchDaily's continually updated collection of longer-form building studies of the world's most significant architectural projects. In these ten examples of "high-end" residences, which represent centuries of history across three separate continents, the ever-changing nature of status, power and fine living is revealed.

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