The Republic of Poland boasts diverse geographical territories and cultural tribes that span thousands of years. Its cities and towns reflect a whole spectrum of styles, from Romanesque architecture to Gothic Revival and postmodernist residential and commercial structures. In addition to its unique topography and rich urban fabric, the country houses 17 UNESCO World Heritage Sites. One site, however, has stood out from the rest and given the country a royal status. Tucked beneath the Malinowka stream, just outside the southern city of Krakow, is one of the world's oldest and largest hand-chiseled underground mines that has been transformed into an expansive, all-inclusive complex. From a naturally-healing health center to a secluded church and an underground bungee jumping platform, this colossal adaptive reuse project is the Wieliczka Salt Mine.
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Locality, Legality, and Limiting Landscapes: The Story Behind Switzerland’s Villa Vals
The rustic village of Vals in the Swiss Alps is one of the country’s most picturesque areas, located at an altitude of 1250 meters above sea level with numerous exceptional projects. The main square is surrounded by original Vals houses roofed with stone tiles made of Vals quartzite. Throughout the years, the village maintained its authentic residential and rural typology, making sure that its agriculture and rural fabric remained intact. Perhaps the most powerful natural resource of the Vals Valley, one that has nurtured its landscape and wilderness, is the water. For millions of years, ice and rain have forged the deeply-cut topography, and provided the village with a 30-degree thermal source, the only one in the Grisons Canton which springs straight from the ground.
One of the most notable architectures in Vals is The Thermal Spa designed by 2009 Pritzker Laureate Peter Zumthor. The secluded structure is built with local quartzite, a stone that blends the elements of water and stone to create “the perfect wellness experience”. Another iconic architecture tucked within the mountains of Vals takes advantage of the local material, structural typology, and topography, a project that leaves the original landscape intact and subtly intervenes to create a one-of-a-kind award-winning vacation home; The Villa Vals.
The Painted Houses of Tiébélé: A Model for Communal Collaboration
In the south of Burkina Faso, sharing borders with the northern environs of Ghana is Tiébélé; a small village exhibiting fractal patterns of circular and rectangular buildings, housing one of the oldest ethnic groups in West Africa; the Kassena tribe. With vernacular houses dating back to the 15th century, the village’s buildings strike a distinctive character through its symbol-laden painted walls. It is an architecture of wall decoration where the community uses their building envelope as a canvas for geometric shapes and symbols of local folklore, expressing the culture’s history and unique heritage. This architecture is the product of a unique form of communal collaboration, where all men and women in the community are tasked with contributing to the construction and finishing of any new house. This practice serves as a transmission point for Kassena culture across generations.
The Untold Story of Cairo's Villa Badran: Organic Architecture in the 1970s
While Egyptian architects were exercising their understanding of modernism in the urban fabric in the 1970s, a “chubby rebellion” in the form of Villa Badran defied the standardized curvilinear forms and rigid geometry. Gamal Bakry dived deep into his imagination to construct this unique piece of architecture that still stands as part of the city of Cairo today. With curving and free-flowing facades, Villa Badran drew inspiration from natural forms. In an attempt to create a living space that was more natural in its essence, the bubbly intervention puts in place a monolithic composition that hosts a two-story detached home for an Egyptian family.
A Modernist Church Set in Stone: The Story Behind the Temppeliaukio Kirkko in Helsinki, Finland
Near the center of Helsinki, Finland, in the Töölö neighborhood, one can find the Temppeliaukio Church, an unusual-looking Lutheran church nestled between granite rocks. Approaching the square from Fredrikinkatu street, the church appears subtly, a flat dome barely rising above its surrounding landscape. An unassuming entrance, flanked by concrete walls, leads visitors through a dark hallway, and into the light-filled sanctuary carved directly into the bedrock. The exposed rock walls earned it the alternative name “The Church of the Rock.” To contrast the heaviness of the materials, skylights surrounding the dome create a play of light and shadows and a feeling of airiness.
The church is the result of an architectural competition won by the architect brothers Timo and Tuomo Suomalainen in 1961. Their original solution was recognized not only for its creativity but also for the respect it showed to the competition’s goal: “to include the organization plan for the whole Temppeliaukio Square, taking into attention that as great part as possible of the rock outcrop of the square to be preserved.” The winning proposal achieves this by embedding the church inside the rock and placing parish facilities on the edges of the hillock. This article explores the story behind the Temppeliaukio Church both narratively and visually, through the lens of Aleksandra Kostadinovska, a professional photographer from Skopje.